Atlantis Code

( 65 )

Overview

A thrill-seeking Harvard linguistics professor and an ultrasecret branch of the Catholic Church go head-to-head in a race to uncover the secrets of the lost city of Atlantis. The ruins of the technologically-advanced, eerily-enigmatic ancient civilization promise their discoverer fame, fortune, and power… but hold earth-shattering secrets about the origin of man.

While world-famous linguist and archaeologist, Thomas Lourds, is shooting a film that dramatizes his flamboyant life ...

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Overview

A thrill-seeking Harvard linguistics professor and an ultrasecret branch of the Catholic Church go head-to-head in a race to uncover the secrets of the lost city of Atlantis. The ruins of the technologically-advanced, eerily-enigmatic ancient civilization promise their discoverer fame, fortune, and power… but hold earth-shattering secrets about the origin of man.

While world-famous linguist and archaeologist, Thomas Lourds, is shooting a film that dramatizes his flamboyant life and scientific achievements, satellites spot impossibly ancient ruins along the Spanish coast. Lourds knows exactly what it means: the Lost Continent of Atlantis has been found. The race is on, and Lourds' challengers will do anything to get there first.

Whoever controls the Lost Continent will control the world.

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  • The Atlantis Code
    The Atlantis Code  

Editorial Reviews

Publishers Weekly
The novelty of Brokaw's debut, which links the Catholic Church and Atlantis, isn't enough to redeem this religious thriller. Evil forces associated with a Machiavellian cardinal, Stefano Murani, target hunky archeologist Thomas Lourds in the belief that he has stumbled on a valuable artifact in Alexandria, Egypt. Leslie Crane, the requisite good-girl love interest, interviews Lourds for a TV documentary. After Murani's minions butcher the show's producer, Lourds and Crane go on the run. Aided by the bad-girl love interest, police inspector Natashya Safarov, they travel to Moscow, Leipzig and Senegal. Two big revelations—that the artifact may be connected to Atlantis and that the legendary lost continent may be linked to a revisionist version of an Old Testament account—will get few readers' pulses racing, especially since Brokaw relies more on shoot-outs and narrow escapes than plausible archeological details to carry his story along. (Nov.)
Library Journal
This debut novel by an academic and scholar by profession (Brokaw is a pseudonym) introduces brilliant and handsome linguist Thomas Lourds as he begins filming an archaeology series for British television. Lourds is asked to identify a bell, part of a set of ancient musical instruments that bear inscriptions of unknown origin. Knowing that the instruments are the key to the Sacred Texts, power-mad Cardinal Murani of the Vatican's ultrasecret Society of Quirinus aspires to acquire them before Lourds and his team can translate the inscriptions and uncover a secret the Vatican has been guarding, a secret that links the Garden of Eden to the lost continent of Atlantis. VERDICT This novel is great for Da Vinci Code fans and readers who enjoy adventure thrillers that revolve around the search for ancient artifacts. The Atlantis element requires a considerable suspension of disbelief, but readers of this genre should be fully inoculated by now.—Laura A.B. Cifelli, Ft. Myers-Lee Cty. P.L., FL\
Kirkus Reviews
Word that the lost continent of Atlantis may have been found sends a professor, a reporter, a cardinal, a Russian police officer and many others sprinting across the globe. At the center of this debut thriller stands Thomas Lourds, a Harvard linguistics professor who knows his ancient artifacts. Thomas speaks as if he's lecturing, but he's enough of a hunk to set two women sniping at each other as they vie for him. In Egypt with TV reporter Leslie Crane, he discovers an ancient bell with an inscription written in a language he can't decipher. During an interview with Leslie, terrorists break onto the set, murder a producer and make off with the bell. It winds up with Stefano Murani, a cardinal at the Vatican desperate to overthrow the Pope. The bell, Stefano believes, is one of five ancient instruments from Atlantis that in concert hold the power to destroy the world. If he controls the instruments, he rules the world. Meanwhile in Russia, someone stalks and kills archeologist Yuliya Hapaev, an acquaintance of Thomas, as she examines an ancient cymbal inscribed with mysterious writing. Her sister Natashya, a tough police inspector with the body of an Amazon and the face of a model, determines to avenge Yuliya's death and teams with Thomas after he arrives in Moscow to read the archeologist's notes about the instrument. Leslie follows, sensing the story of the century when it appears that the instruments come from a dig in Cadiz where archeologists may be about to uncover Atlantis. After several narrow escapes and some nights with both Leslie and Natashya, Thomas arrives in Cadiz to learn the meaning of the artifacts. Like the code in a certain mega-bestseller about the work of an Italianartist, this involves a major revision to one of the Bible's central stories. Despite the lumbering pace, by-the-numbers descriptions and a surfeit of chase scenes, Brokaw holds readers until the last stone is turned.
From the Publisher
"Short, gripping chapters move the action from Egypt to Russia to Africa to London. Indiana Jones meets The Da Vinci Code. Look out, Dan Brown, Brokaw can play this game a lot better than most of your imitators."—Booklist

"In the 19th century, the equivalent of a blockbuster movie was a tense, thrilling novel, often told in serial form. We tend to forget that the modern novel need not be anything more significant than excellent entertainment, which is the perfect description of Charles Brokaw's The Atlantis Code. …A rollicking adventure, with nonstop action and suspense. Readers can only hope that Brokaw is prepared to send Professor Lourds on further quests."—Publishers Weekly

"If you enjoyed the Da Vinci Code, The Atlantis Code will take you to a new level of mystery, wonder, adventure and excitement. This book will enthrall you and at the same time connect you in a very intimate way with the mystery of your sacred existence."—Deepak Chopra

“A winning combination of all the ingredients an adventure addict could want: great action, intrepid archeologists, dark conspiracies, cliffhangers, and a real sense of wonder."—Kevin J. Anderson, New York Times bestselling coauthor of Paul of Dune and author of The Edge of the World

"Brokaw's hero is Indiana Jones without the whip. Who knew archeology could be so exciting? Wonderful entertainment."—Stephen Coonts, New York Times bestselling author of The Traitor

“Storytelling doesn’t get much better than this. I’ve set this one aside to read again!”—David Hagberg, New York Times bestselling author of The Expediter

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Product Details

  • ISBN-13: 9780765354358
  • Publisher: Doherty, Tom Associates, LLC
  • Publication date: 8/3/2010
  • Format: Mass Market Paperback
  • Edition description: First Edition
  • Edition number: 1
  • Pages: 512
  • Sales rank: 680,110
  • Product dimensions: 4.10 (w) x 7.40 (h) x 1.20 (d)

Meet the Author

CHARLES BROKAW is a scholar and academic.

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Read an Excerpt

Feeling as though someone was pulling a fast one on him, Lourds examined the writing more closely, thinking perhaps it had been inscribed recently upon an ancient bell – which would have been foolish under the circumstances because such an act would have destroyed the bell’s huge intrinsic value – to fool him. If it was a forgery, it was a masterpiece. The inscription felt smooth to the touch. In places it was even worn to the point that it was almost faded.

Yep. If it was a fake, it was a damned good one.

Operating by instinct, Lourds reached into his backpack, which was beside his chair, and took out a soft graphite pencil and a tablet containing sheets of onion skin tracing paper. Placing a sheet of paper on the bell, he rubbed the pencil against the surface, creating a negative image of the inscription.

“What are you doing?” Neil asked.

Lourds ignored the question, consumed by the puzzle that was before him. He took a small digital camera from his backpack and took pictures of the bell from all sides. The camera’s flash, especially when used on smooth ceramic, didn’t always allow the image to pick up shallow markings. That’s why he’d done the rubbings.

He was engrossed. He didn’t even notice when Leslie approached and stood on the other side of the desk.

“What’s going on?” Leslie asked.

“Where did you get this?” Lourds asked, turning the bell in his hands. The clapper pinged softly against the side.

“From a shop.”

“What shop?”

“An antiquities shop. His father’s shop.” Leslie nodded toward the man standing against the wall. The man looked a little worried.

Lourds pinned the man with his gaze, not wishing to be trifled with. If that’s what this was, of course. He was halfway convinced that this wasn’t a joke. It felt far too elaborate. The bell felt real.

“Where did this come from?” Lourds asked in Arabic.

“From my father, sir,” the man said politely. “The young lady requested that we put something old in with the other items. To better test you, she said. My father and I told her we could not read what was written on the bell either, so we didn’t know what it said.” He hesitated. “The young woman said this was all right.”

“Where did your father get this bell?”

The man shook his head. “I don’t know. It’s been in his shop for years. He tells me that no one seems to be able to tell him what it is.”

Lourds switched back to English and looked at Leslie. “I want to talk to his father. See the shop where this bell came from.”

Leslie looked surprised. “All right. I’m sure we can arrange that. What’s wrong?”

“I can’t read this.” Lourds looked at the bell again, still not believing what he knew to be true.

“It’s okay,” Leslie told him. “I don’t think anyone’s really going to believe that you can read all those languages. You knew a lot of others. The people who watch our show will still be impressed. I’m impressed.”

Lourds told himself to be patient. Leslie truly didn’t understand the problem.

“I’m an authority in the languages spoken here,” he told her. “Civilization as we know it began not far from here. The languages used here, living and dead, are as familiar to me as my own hand. Given that, this writing should be in one of the Altaic languages. Turkic, Mongolic or Tungusic.”

“I’m afraid I don’t know what you’re talking about.”

“It’s a family of languages,” Lourds explained, “that encompassed this area. It’s where all language here sprang from. Although the subject is hotly contested by linguists. Some linguists believe the Altaic language resulted from a genetically inherited language, words and ideas – and perhaps even symbols – that are written somewhere in our genetic code.”

“Genetics predisposes language?” Leslie arched a narrow eyebrow in surprise. “I’ve never heard of anything like that.”

“Nor should you. I don’t believe it’s true. There’s another, more simplistic reason why so many languages at the time shared common traits.” Lourds calmed himself. “All those people, with all their different languages, lived in close proximity. They traded with one another, all of them in pursuit of the same things. They had to have common words in order to do that.”

“Sort of like the computer explosion and the Internet,” Leslie said. “Most of the computer terms are in English since the United States developed much of the technology, and other countries simply used the English words because they had no words in their own language to describe the computer parts and terminology.”

Lourds smiled. “Exactly. A very good analogy, by the way.”

“Thank you.”

“That theory is called the Sprachbund.”

“What is the Sprachbund?”

“It’s the convergence area for a group of people who ultimately end up partially sharing a language. When the Crusades took place, during the battles between the Christians and the Muslims, language and ideas were traded back and forth as much as arrows and sword blows. Those wars were as much about expanding trade as they were about securing the Holy Land.”

“You’re telling me that they ended up speaking each others’ language.”

“The people that fought or traded, yes. Bits of it. We still carry the history of that conflict in words of modern English. Words like assassin, azimuth, cotton, even the words cipher and decipher. They come from the Arabic word sifi, which is the number zero. The symbol for zero was central to many codes. But this artifact shares nothing with the native languages of this area—or with any language I’ve ever heard or seen.” Lourds held up the bell. “In those early years, craftsmen – especially craftsmen who wrote and kept records – would be part of that Sprachbund. That’s a logical assumption. But this bell – ?” He shook his head. “It’s an anomaly. I don’t know where it came from. If it’s not a forgery, and it doesn’t feel like one, what we’re looking at is an artifact from some other place than the Middle East.”

“What other place?”

Lourds sighed. “That’s the problem. I don’t know. And I should know that as well.”

“You think we have a real find here, don’t you?” Excitement gleamed in Leslie’s eyes.

“A find,” Lourds agreed tentatively, “or an aberration.”

“What do you mean?”

“The inscription on that bell could be…humbug, for lack of a better term. Simply nonsense made up to decorate the bell.”

“Wouldn’t you know, if that were the case? Wouldn’t it be easy to spot?”

Lourds frowned. She had him there. Even an artificial language would require a basis in logic. As such, he should be able to spot that as well.

“Well?” she pressed.

“I should be able to tell. This looks authentic to me.”

Leslie smiled again and leaned toward the bell, regarding it with intensity. “If that’s truly written in a heretofore undiscovered language, then we’ve truly made an astonishing find.”

Before Lourds could respond, the door suddenly ripped from its hinges. Armed men burst into the room, aiming their weapons at the people inside.

“Everybody freeze!” a man yelled in accented English.

Everybody froze.

Lourds thought he recognized an Italian accent in the man’s words.

The four armed men pressed into the room. They used their fists and their weapons to drive the whole television crew to the floor. All of Leslie’s people cowered there and remained still.

One of the men, the one who had spoken, crossed the room in long strides and grabbed Leslie by the arm.

Lourds stood instinctively, not able to calmly sit by and watch the young woman get hurt. But he wasn’t trained for this kind of thing. Sure, he’d spent time in rough parts of the world. But he’d been lucky. The worst violence he’d ever experienced personally was a dust-up in soccer.

The man put the machine pistol’s barrel to Leslie’s head. “Sit back down, Professor Lourds, or this pretty young woman dies.”

Lourds sat, but the fact that the man knew his name unnerved him.

“Very good,” the man said. “Put your hands on your head.”

Lourds complied. His stomach turned sour. Even as wild as it had sometimes gotten while he’d been in unsettled lands studying languages, he’d never had a gun pointed at him.

“Down,” the man ordered, dragging Leslie to the ground. When she was down, the man looked at the items on the desk. Without hesitation, he took the bell.

And that’s when the man hade his first mistake. He and his men took their eyes off Leslie.

Before Lourds fully realized what was happening, she pushed herself to her feet and flung herself at one of the men. She knocked him over and took his gun, then dived beneath the heavy desk at the back of the set in a single fluid motion.

Her move took the thieves by surprise. Clearly they weren’t expecting a mere woman to put up much of a fight.

They had underestimated her, but they were clearly professional because it didn’t take long for them to catch up.

The sounds of gunfire filled the room as that desk took punishment it was never intended for. Bullets filled the air with wooden splinters.

Leslie fired back. Her shots were much louder than their attackers, and she clearly knew what she was doing. Bullet holes tracked the walls behind their attackers, coughing out puffs of plaster dust that looked surreal to Lourds.

Meanwhile, the crew scrambled for cover.

So did the thieves.

No! Lourds thought. No artifact is worth the deaths of all these people.

Then he heard the familiar ping of Leslie’s sat-phone.

He could call for help.

In the middle of the chaos, Lourds rolled across the floor and dived behind the desk with Leslie.

“I’ll talk. You shoot. Or we’ll both die.”

“Good point,” she said.

She handed over the phone, already keyed to an emergency number. More gunfire. And then a scream. Lourds hoped that it was one of the robbers, not one of the crew, who had been hit.

When a burst of startled Arabic came across the line of the phone in his hand, Lourds started talking.

Before he’d finished his second sentence, the sound of sirens outside intensified.

Help was on the way.

And the robbers could hear it, too.

They took off, one of them leaving a blood trail.

Leslie took off after them, holding her fire until she could get a clear shot.

Lourds followed, just in time to pull her out of the way as a final volley from the thieves splintered the office door.

On the floor, terrified but still whole, Lourds wrapped his arms around Leslie. He felt the sweet press of female flesh against his body and decided if he had to die in that instant that there were worse ways to go.

He held onto the woman, trapping her body under his.

“What do you think you were doing?” Lourds demanded of the woman. “Do you want to get killed?”

“They’re getting away!” Leslie tried to pull free from his grasp.

“Yes, and they should. They should get far away. They have automatic weapons, they outnumber us, and the police are coming — most of the force if the sound is any indication. You’ve already saved our necks. It’s enough. Put that gun down and let the professionals take over.”

Leslie relaxed in his arms. For a moment he thought this was the point she was going to remonstrate with him and call him a coward. He’d discovered in the heat of the moment that good sense was often confused with cowardice by those watching from the sidelines.

Two of the young men from the production crew poked their heads up from where they were hiding. When they weren’t shot on the spot, Lourds deemed it safe enough to stand. He did so, helping Leslie to her feet.

Walking out to the hall, Lourds stared at the bullet holes that marred the hallway’s end as well as the walls, ceiling, and floor. The bad guys hadn’t been sharpshooters, but they’d certainly sprayed enough bullets into the general vicinity to make a statement.

“Call the police,” Lourds told one of the young Arabic men. “Tell them that the thieves have gone, and the only ones left here are us. We want them aware of that when they get here, or things could get exciting again.”

One of the crew, already pale, turned white and dived for the phone.

Leslie pulled away from Lourds and ran to a window. She looked out over the city.

Lourds joined her, but he saw nothing.

“We lost the bell,” she said, “before we even knew what it was.”

“That’s not entirely true,” Lourds told her. “I took copies of the inscription on the rubbing as well as taking a full set of photos of the bell with the digital camera. We may have lost the bell itself, but not the secrets it contains. Whatever they are, they aren’t totally beyond our grasp.”

But he had to wonder if pursuing the puzzle wasn’t going to put them back in front of someone’s guns. Somebody had wanted that bell enough to kill him and the entire crew for it. Would they kill to squash research about it as well? That wasn’t what being a professor of linguistics was about.

Nor was talking to a hundred revved up Egyptian cops.

But, judging from the sounds of the footsteps in the hall, it looked like he was about to learn all sorts of new things today.

Excerpted from The Atlantis Code by Charles Brokaw.

Copyright © 2009 by Charles Brokaw.

Published in November 2009 by Tom Doherty Associates.

All rights reserved. This work is protected under copyright laws and reproduction is strictly prohibited. Permission to reproduce the material in any manner or medium must be secured from the Publisher.

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Customer Reviews

Average Rating 4
( 65 )
Rating Distribution

5 Star

(23)

4 Star

(18)

3 Star

(15)

2 Star

(3)

1 Star

(6)

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See All Sort by: Showing 1 – 20 of 65 Customer Reviews
  • Posted November 30, 2009

    more from this reviewer

    Sadly, disappointing.

    Setting aside preconceptions from The DaVinci Code, The Atlantis Code by Charles Brokaw is about a Harvard linguistics professor, Thomas Lourds, who stumbles across an ancient artifact wanted by a secret group of Cardinals from the Vatican. Together with television journalist Leslie, and Russian police officer Natashya, Lourds travels the globe in search of five ancient instruments inscribed with an untranslatable language, somehow linked to the lost city of Atlantis. Where did the instruments come from? Are the ruins in Spain really Atlantis? And how can Lourds and his women escape the evil Cardinal Murani with their lives intact? These are the types of plots and action and conspiracies which I adore in a book. Running for your lives, secret languages, ancient artifacts, evil dudes wearing robes. I eat these things for lunch.
    Brokaw's twist on an often used stock-plot (Catholic Church hides something, and someone else must discover it) was new and unique and I was thankful that it kept me entertained. This is the reason I kept reading. Sadly, it's the only thing I really liked about the book.
    Before I get started on the things I didn't like, I will confess something: I'm a woman. I know, shocking. But I'm saying that now because in case some guy reads this and thinks I'm biased because of my gender, I will also say that I'm not a moron. I know how the male brain works, but I also know how books should work and they're not supposed to placate to the male fantasy of travelling across the globe while two hot chicks fight over you. Less is more, but Brokaw's sexual undertones were blatantly obvious and annoying. From the first time Lourds meets Leslie and appreciates her trim figure, to the second time he sees her, wearing a crop top and a belly ring. It became too frequent, and too sickening. Especially when Natashya enters the picture, with trench coat and pockets full of guns. I believe Brokaw enjoyed turning her from a masculine character smoking a cigar, into a feminine vixen wearing pajamas with no panties later in the novel. It's a shame it was more for his own pleasure than that of the reader's. He does not hate women, but he certainly enjoyed making them into stereotypes for his own entertainment. Lourds is middle-aged, but sexy; intelligent and kind. But he's a pig. He can't possibly understand why two women fight over him? And Leslie can still find time to be jealous when she's running for her life? And Natashya, really? I had faith that you of all of them would remain normal, but no. Sadly, the only character who lived up to my expectation was the evil Cardinal Murani. He knew what it meant to be a villain.
    I'd give this book 1 star for the character of Lourds, 1 star for Leslie, 2 stars for Natashya, 3 stars for the bad guys, 3 stars for the writing, 4 stars for the plot and twist on religious conspiracy, 1 star for the ending with the women, and 3 stars for the ending with the plot resolution. Average: 2.25 which rounds down to 2.
    So there, 2 stars. I received this book from GoodReads First Reads program and I was excited to start it. I do not enjoy giving bad reviews, and I'm sorry that I have to, but it's necessary. We don't read books just for plots, we read them because we enjoy the characters and relate to them. I thought Thomas Lourds was going to be a great character, he had all the beginnings of one, but he decided to think with his libido more than his brain, and I can't enjoy that when it happens every 10 pages.

    11 out of 14 people found this review helpful.

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  • Posted February 22, 2013

    Atlantis. Not many words inspire so much wonder and mystery as

    Atlantis.

    Not many words inspire so much wonder and mystery as that one which is why I'm rather obsessed with the myth. I can't help it I love adventure novels that feature the legend so when one of my many library searches led me to The Atlantis Code I was stoked. It sounded awesome and it got reasonably good reviews on Goodreads so as soon as I brought it home from the library I dove into reading it.

    Unfortunately diving into it was similar to diving into a pool empty of water. Right from the beginning I was off put by the writing. I hate when author refer to their main characters by their last names, especially when the name is something that sounds kind of pretentious like Lourds (no offense to anyone bearing that last name) but it irked me to know end that the author of the Atlantis Code referred to Thomas the hero of the novel by his last name. I know it may seem like a little thing to people but we all have our pet peeves and the last name referrals are some of my biggest.

    Anyways, from the beginning of the novel I was struck by how slow the plot moved. I'm used to my adventure/thriller novels being adrenaline pumping reads pretty much from the get go with expected lulls in the action factor mingled into the plot line which was what I was expecting in this one. While there was some major action in the first 30 or so pages I wasn't satisfied how the first major action scene played out it was very sterile and lacking any feeling which was a feeling that was carried on through out the telling of The Atlantis Code.

    The writing was very dense. The story was very detailed, too detailed it was as though the purpose was to explain every little thing to the reader. I like when an author explains certain things in more detail but those things are usually major plot points and things that are extremely relevant to the story but in this case I felt things were needlessly being explained which made the book a very tedious read at times.

    The characters were another thing I had issues with and that is because they were all very one dimensional and over the top. Thomas Lourds is a linguist and I do understand that while he is a professor that he doesn't have the typical look of a stuffy old professor but he was far too aloof and unconcerned with his role as the romantic interest to not one but both of the female side characters and was a bit of a playboy but in the stuck up kind of way so there was a ton of eye rolling from me due to his behaviour as well as his overall holier than thou attitude he had about his abilities to solve the code to discover Atlantis.

    The other characters were very one dimensional as well. As I mentioned the female leads were overly dramatic and over the top when it came to their character flaws and personalities just like Thomas and it was as though they were ripped from the set of a bad direct to DVD movie. Even the bad guys in the book came across as being inadequate and useless. They were some of the worst villians that I've ever come across in my reading.

    The story line though is my main bone of contention. The book was praised as being the next Da Vinci Code while I saw the potential for the story about the myth of Atlantis in the beginning and was willing to look over some things in the beginning by the time I finished the book I felt like I had read a horribly inadequate rip off of The Da Vinci Code. There were some changes but the basic template of that bestseller was one that I saw used in the telling of this book. There were so many things that were similar to the story that they just started piling up in my head and made me more and more anxious to finish the book which I might add had one of the most anti-climatic endings I've ever come across and was such a huge let down but for me the main thing was that my ordeal with the novel was over.

    The plot had so many holes that the amount of details used were pretty much used in place of an actual plot line and the poor characters, dialogue, lack of adventure and the lack of imagination of the actual story line drove me to have a great dislike for this first novel in the Thomas Lourds series. While the book is entitled The Atlantis Code I feel like Atlantis was touched on very little considering that and I felt that that lead to much of the deterioration of the plot and characters. However I do realize this was the author's first attempt at a novel so despite my obvious disappointment for it I can see that the bones of a good story were there and I am willing to give the second book in the series a chance and hope that it has more action and less mindless detail than this book.

    Overall, I don't think this is one I would read again but I do see how the book does appeal to readers so I'm only going to recommend this on the basis of my believing a book is only as good as the individual reading it thinks it is. While I didn't like it others may find that it's a gem so if you think despite of my review that you make like to try the book out for yourself I say go for it!

    2 out of 2 people found this review helpful.

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  • Posted February 23, 2010

    Certainly NOT "The DaVinci Code"

    If you like stories with one very strong woman, a poorly defined hero and a race to find a 'treasure', then you'll enjoy this book. For someone listed as an academic, the writing is a little labored and the editing is not up to par (spelling/grammar). The idea for the book is good, some sequences are exciting, if predictable, and the ending just so-so. Thomas Lourds is not Indiana Jones and is constantly chasing clues while expecting others to protect him. What a disappointment! I wasn't expecting Dirk Pitt, but it would have been nice to have more than running around looking for clues and sex to define the character.
    I read the whole book, but it's going into the bag of books for the used book store...not one that I would recommend or keep.

    2 out of 2 people found this review helpful.

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  • Posted January 23, 2010

    A good but not great piece of literature.

    I kept wanting the book to move on. The characters are quite well painted, but the reality portrayed just doesn't quite get there. The bad guys are really bad, the good guys are really good, so there is not much to wonder about while reading this book. I recommend it as a fun read. I won't keep it in my library, in fact, I have already taken it to my local library.

    2 out of 2 people found this review helpful.

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  • Posted September 14, 2009

    more from this reviewer

    THE ATLANTIS CODE is a hyperspeed thriller

    Cardinal Stefano Murani and his allies believe archeologist Thomas Lourds has found a priceless artifact in Alexandria, Egypt that they want and plan to take from him. Apparently Lourds has found a relic that links the lost continent of Atlantis with the Old Testament.

    Meanwhile TV reporter Leslie Crane interviews Lourds for a documentary. However Murani's thugs murder the show's producer and go after the reporter and the archeologist. Lourds and Crane barely escape, but are on the run with Murani's horde in pursuit. As they flee from Africa to Europe, their adversaries chase after them with orders to retrieve the find and kill the finders; collateral damage is no issue to Cardinal Murani or his followers.

    THE ATLANTIS CODE is a hyperspeed thriller that races through two continents at a breakneck pace. Filled with action as the pursuers constantly catch up with the lead couple, but like a Houdini, they manage to escape from one peril after another. This is fun to read sort of like a pulp thriller as the constant bad guys' assault attacks on the heroes dramatically overwhelm the biblical archeological premise.

    Harriet Klausner

    2 out of 4 people found this review helpful.

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  • Posted October 1, 2013

    Good read

    I read the Thomas Lourds book, The Oracle Code--the Oracle book was good, pretty much as good as the Atlantis. The books are pretty good.

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  • Posted May 8, 2013

    REALLY GOOD READ SO FAR

    I HAVEN'T FINISHED THIS BOOK YET BUT I AM FINDING IT VERY INTERESTING. ALONG THE SAME LINES AS "THE DI VINCI CODE". MUCH EXCITEMENT AND TIES TO THE BIBLE AND THE CHURCH. A LITTLE DIFFERENT TAKE ON ATLANTIS THAN I HAVE HEARD BEFORE BUT STILL VERY GOOD AND WELL WRITTEN. CAN'T WAIT FOR THE OUTCOME AND THEN I WILL HAVE TO START ANOTHER OF HIS BOOKS "THE ORACLE CODE"

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  • Anonymous

    Posted April 17, 2013

    Interesting... but

    I enjoyed this book, but the writing style was rigid and stodgy. That said, I believe the author might loosen up with the sequels (which I have purchased and I do intend to read). This would enhance the story line, which is already great except for the aforementioned rigidity, leaps and bounds. I liked the academic influence, but again it is a bit stiff. I am curious where this author will take this...

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  • Posted January 17, 2013

    HIGHLY RECOMMENDED

    JUST FINISHED THIS BOOK! I COULD HARDLY PUT IT DOWN, IT WAS ACTION PACKED IT WAS THE DI VINCI CODE MEETS INDIANA JONES! AWESOME READ!

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  • Posted July 26, 2011

    Amazing

    Hi ther this book was the best book ever i dieed over it

    0 out of 5 people found this review helpful.

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  • Posted March 10, 2011

    sweet

    just awesome

    0 out of 2 people found this review helpful.

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  • Posted January 27, 2010

    more from this reviewer

    Atlantis

    Finding Atlants this is what Lourds is trying to do. I have read "Angels and Demons" from that book to this book wow have to say that Atlantis is a lot more fun espeically adventure wise you go all over the place. You get sucked in to what these people are doing and I could not put the book down did not want to put it down.

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  • Posted December 29, 2009

    more from this reviewer

    With the start of the book you get a sense of what a thrill ride the author is about to begin. The characters take on a personal feel as the pages turn and the adventure begins. There is a definitive mix of familiar themes and old villians.

    You start in a simple setting that is far from it once you read the first few pages. The characters, at first seem familiar and comfortable, but that is just the start. Circumstance and luck are able to transform the seemingly mundane into a constant battle to stay one step ahead of the villian. The author pulls the reader in with hints of romance, leaps of sheer thrill, and a great mix of main character strengths - all the while showing their 'human' side too. The locations - together with the history are an integral part of the story as it keeps taking expected and unforeseen turns right to the very end. There are pieces of each situation and character that seem familiar to avid readers, but that only begins to fill in what makes up the story, the characters, and a development of plot as you read further. I found myself sitting down to read for a few minutes and seeing that an hour had passed away without notice. Again and again, I found myself reading and just about closing it for the time when I decided to read for the typical "just a little bit more." Descriptions of people, places, and actions all seemed real - as if I was even there seeing it happen right before me. I must really congratulate Mr. Brokaw on a great book, a thrilling read, and something that I will strongly recommend to friends and family alike. Well done!

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    Posted October 28, 2010

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