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A thrill-seeking Harvard linguistics professor and an ultrasecret branch of the Catholic Church go head-to-head in a race to uncover the secrets of the lost city of Atlantis. The ruins of the technologically-advanced, eerily-enigmatic ancient civilization promise their discoverer fame, fortune, and power… but hold earth-shattering secrets about the origin of man.
While world-famous linguist and archaeologist, Thomas Lourds, is shooting a film that dramatizes his flamboyant life and scientific achievements, satellites spot impossibly ancient ruins along the Spanish coast. Lourds knows exactly what it means: the Lost Continent of Atlantis has been found. The race is on, and Lourds' challengers will do anything to get there first.
Whoever controls the Lost Continent will control the world.
Feeling as though someone was pulling a fast one on him, Lourds examined the writing more closely, thinking perhaps it had been inscribed recently upon an ancient bell – which would have been foolish under the circumstances because such an act would have destroyed the bell’s huge intrinsic value – to fool him. If it was a forgery, it was a masterpiece. The inscription felt smooth to the touch. In places it was even worn to the point that it was almost faded.
Yep. If it was a fake, it was a damned good one.
Operating by instinct, Lourds reached into his backpack, which was beside his chair, and took out a soft graphite pencil and a tablet containing sheets of onion skin tracing paper. Placing a sheet of paper on the bell, he rubbed the pencil against the surface, creating a negative image of the inscription.
“What are you doing?” Neil asked.
Lourds ignored the question, consumed by the puzzle that was before him. He took a small digital camera from his backpack and took pictures of the bell from all sides. The camera’s flash, especially when used on smooth ceramic, didn’t always allow the image to pick up shallow markings. That’s why he’d done the rubbings.
He was engrossed. He didn’t even notice when Leslie approached and stood on the other side of the desk.
“What’s going on?” Leslie asked.
“Where did you get this?” Lourds asked, turning the bell in his hands. The clapper pinged softly against the side.
“From a shop.”
“What shop?”
“An antiquities shop. His father’s shop.” Leslie nodded toward the man standing against the wall. The man looked a little worried.
Lourds pinned the man with his gaze, not wishing to be trifled with. If that’s what this was, of course. He was halfway convinced that this wasn’t a joke. It felt far too elaborate. The bell felt real.
“Where did this come from?” Lourds asked in Arabic.
“From my father, sir,” the man said politely. “The young lady requested that we put something old in with the other items. To better test you, she said. My father and I told her we could not read what was written on the bell either, so we didn’t know what it said.” He hesitated. “The young woman said this was all right.”
“Where did your father get this bell?”
The man shook his head. “I don’t know. It’s been in his shop for years. He tells me that no one seems to be able to tell him what it is.”
Lourds switched back to English and looked at Leslie. “I want to talk to his father. See the shop where this bell came from.”
Leslie looked surprised. “All right. I’m sure we can arrange that. What’s wrong?”
“I can’t read this.” Lourds looked at the bell again, still not believing what he knew to be true.
“It’s okay,” Leslie told him. “I don’t think anyone’s really going to believe that you can read all those languages. You knew a lot of others. The people who watch our show will still be impressed. I’m impressed.”
Lourds told himself to be patient. Leslie truly didn’t understand the problem.
“I’m an authority in the languages spoken here,” he told her. “Civilization as we know it began not far from here. The languages used here, living and dead, are as familiar to me as my own hand. Given that, this writing should be in one of the Altaic languages. Turkic, Mongolic or Tungusic.”
“I’m afraid I don’t know what you’re talking about.”
“It’s a family of languages,” Lourds explained, “that encompassed this area. It’s where all language here sprang from. Although the subject is hotly contested by linguists. Some linguists believe the Altaic language resulted from a genetically inherited language, words and ideas – and perhaps even symbols – that are written somewhere in our genetic code.”
“Genetics predisposes language?” Leslie arched a narrow eyebrow in surprise. “I’ve never heard of anything like that.”
“Nor should you. I don’t believe it’s true. There’s another, more simplistic reason why so many languages at the time shared common traits.” Lourds calmed himself. “All those people, with all their different languages, lived in close proximity. They traded with one another, all of them in pursuit of the same things. They had to have common words in order to do that.”
“Sort of like the computer explosion and the Internet,” Leslie said. “Most of the computer terms are in English since the United States developed much of the technology, and other countries simply used the English words because they had no words in their own language to describe the computer parts and terminology.”
Lourds smiled. “Exactly. A very good analogy, by the way.”
“Thank you.”
“That theory is called the Sprachbund.”
“What is the Sprachbund?”
“It’s the convergence area for a group of people who ultimately end up partially sharing a language. When the Crusades took place, during the battles between the Christians and the Muslims, language and ideas were traded back and forth as much as arrows and sword blows. Those wars were as much about expanding trade as they were about securing the Holy Land.”
“You’re telling me that they ended up speaking each others’ language.”
“The people that fought or traded, yes. Bits of it. We still carry the history of that conflict in words of modern English. Words like assassin, azimuth, cotton, even the words cipher and decipher. They come from the Arabic word sifi, which is the number zero. The symbol for zero was central to many codes. But this artifact shares nothing with the native languages of this area—or with any language I’ve ever heard or seen.” Lourds held up the bell. “In those early years, craftsmen – especially craftsmen who wrote and kept records – would be part of that Sprachbund. That’s a logical assumption. But this bell – ?” He shook his head. “It’s an anomaly. I don’t know where it came from. If it’s not a forgery, and it doesn’t feel like one, what we’re looking at is an artifact from some other place than the Middle East.”
“What other place?”
Lourds sighed. “That’s the problem. I don’t know. And I should know that as well.”
“You think we have a real find here, don’t you?” Excitement gleamed in Leslie’s eyes.
“A find,” Lourds agreed tentatively, “or an aberration.”
“What do you mean?”
“The inscription on that bell could be…humbug, for lack of a better term. Simply nonsense made up to decorate the bell.”
“Wouldn’t you know, if that were the case? Wouldn’t it be easy to spot?”
Lourds frowned. She had him there. Even an artificial language would require a basis in logic. As such, he should be able to spot that as well.
“Well?” she pressed.
“I should be able to tell. This looks authentic to me.”
Leslie smiled again and leaned toward the bell, regarding it with intensity. “If that’s truly written in a heretofore undiscovered language, then we’ve truly made an astonishing find.”
Before Lourds could respond, the door suddenly ripped from its hinges. Armed men burst into the room, aiming their weapons at the people inside.
“Everybody freeze!” a man yelled in accented English.
Everybody froze.
Lourds thought he recognized an Italian accent in the man’s words.
The four armed men pressed into the room. They used their fists and their weapons to drive the whole television crew to the floor. All of Leslie’s people cowered there and remained still.
One of the men, the one who had spoken, crossed the room in long strides and grabbed Leslie by the arm.
Lourds stood instinctively, not able to calmly sit by and watch the young woman get hurt. But he wasn’t trained for this kind of thing. Sure, he’d spent time in rough parts of the world. But he’d been lucky. The worst violence he’d ever experienced personally was a dust-up in soccer.
The man put the machine pistol’s barrel to Leslie’s head. “Sit back down, Professor Lourds, or this pretty young woman dies.”
Lourds sat, but the fact that the man knew his name unnerved him.
“Very good,” the man said. “Put your hands on your head.”
Lourds complied. His stomach turned sour. Even as wild as it had sometimes gotten while he’d been in unsettled lands studying languages, he’d never had a gun pointed at him.
“Down,” the man ordered, dragging Leslie to the ground. When she was down, the man looked at the items on the desk. Without hesitation, he took the bell.
And that’s when the man hade his first mistake. He and his men took their eyes off Leslie.
Before Lourds fully realized what was happening, she pushed herself to her feet and flung herself at one of the men. She knocked him over and took his gun, then dived beneath the heavy desk at the back of the set in a single fluid motion.
Her move took the thieves by surprise. Clearly they weren’t expecting a mere woman to put up much of a fight.
They had underestimated her, but they were clearly professional because it didn’t take long for them to catch up.
The sounds of gunfire filled the room as that desk took punishment it was never intended for. Bullets filled the air with wooden splinters.
Leslie fired back. Her shots were much louder than their attackers, and she clearly knew what she was doing. Bullet holes tracked the walls behind their attackers, coughing out puffs of plaster dust that looked surreal to Lourds.
Meanwhile, the crew scrambled for cover.
So did the thieves.
No! Lourds thought. No artifact is worth the deaths of all these people.
Then he heard the familiar ping of Leslie’s sat-phone.
He could call for help.
In the middle of the chaos, Lourds rolled across the floor and dived behind the desk with Leslie.
“I’ll talk. You shoot. Or we’ll both die.”
“Good point,” she said.
She handed over the phone, already keyed to an emergency number. More gunfire. And then a scream. Lourds hoped that it was one of the robbers, not one of the crew, who had been hit.
When a burst of startled Arabic came across the line of the phone in his hand, Lourds started talking.
Before he’d finished his second sentence, the sound of sirens outside intensified.
Help was on the way.
And the robbers could hear it, too.
They took off, one of them leaving a blood trail.
Leslie took off after them, holding her fire until she could get a clear shot.
Lourds followed, just in time to pull her out of the way as a final volley from the thieves splintered the office door.
On the floor, terrified but still whole, Lourds wrapped his arms around Leslie. He felt the sweet press of female flesh against his body and decided if he had to die in that instant that there were worse ways to go.
He held onto the woman, trapping her body under his.
“What do you think you were doing?” Lourds demanded of the woman. “Do you want to get killed?”
“They’re getting away!” Leslie tried to pull free from his grasp.
“Yes, and they should. They should get far away. They have automatic weapons, they outnumber us, and the police are coming — most of the force if the sound is any indication. You’ve already saved our necks. It’s enough. Put that gun down and let the professionals take over.”
Leslie relaxed in his arms. For a moment he thought this was the point she was going to remonstrate with him and call him a coward. He’d discovered in the heat of the moment that good sense was often confused with cowardice by those watching from the sidelines.
Two of the young men from the production crew poked their heads up from where they were hiding. When they weren’t shot on the spot, Lourds deemed it safe enough to stand. He did so, helping Leslie to her feet.
Walking out to the hall, Lourds stared at the bullet holes that marred the hallway’s end as well as the walls, ceiling, and floor. The bad guys hadn’t been sharpshooters, but they’d certainly sprayed enough bullets into the general vicinity to make a statement.
“Call the police,” Lourds told one of the young Arabic men. “Tell them that the thieves have gone, and the only ones left here are us. We want them aware of that when they get here, or things could get exciting again.”
One of the crew, already pale, turned white and dived for the phone.
Leslie pulled away from Lourds and ran to a window. She looked out over the city.
Lourds joined her, but he saw nothing.
“We lost the bell,” she said, “before we even knew what it was.”
“That’s not entirely true,” Lourds told her. “I took copies of the inscription on the rubbing as well as taking a full set of photos of the bell with the digital camera. We may have lost the bell itself, but not the secrets it contains. Whatever they are, they aren’t totally beyond our grasp.”
But he had to wonder if pursuing the puzzle wasn’t going to put them back in front of someone’s guns. Somebody had wanted that bell enough to kill him and the entire crew for it. Would they kill to squash research about it as well? That wasn’t what being a professor of linguistics was about.
Nor was talking to a hundred revved up Egyptian cops.
But, judging from the sounds of the footsteps in the hall, it looked like he was about to learn all sorts of new things today.
Excerpted from The Atlantis Code by Charles Brokaw.
Copyright © 2009 by Charles Brokaw.
Published in November 2009 by Tom Doherty Associates.
All rights reserved. This work is protected under copyright laws and reproduction is strictly prohibited. Permission to reproduce the material in any manner or medium must be secured from the Publisher.
Setting aside preconceptions from The DaVinci Code, The Atlantis Code by Charles Brokaw is about a Harvard linguistics professor, Thomas Lourds, who stumbles across an ancient artifact wanted by a secret group of Cardinals from the Vatican. Together with television journalist Leslie, and Russian police officer Natashya, Lourds travels the globe in search of five ancient instruments inscribed with an untranslatable language, somehow linked to the lost city of Atlantis. Where did the instruments come from? Are the ruins in Spain really Atlantis? And how can Lourds and his women escape the evil Cardinal Murani with their lives intact? These are the types of plots and action and conspiracies which I adore in a book. Running for your lives, secret languages, ancient artifacts, evil dudes wearing robes. I eat these things for lunch.
Brokaw's twist on an often used stock-plot (Catholic Church hides something, and someone else must discover it) was new and unique and I was thankful that it kept me entertained. This is the reason I kept reading. Sadly, it's the only thing I really liked about the book.
Before I get started on the things I didn't like, I will confess something: I'm a woman. I know, shocking. But I'm saying that now because in case some guy reads this and thinks I'm biased because of my gender, I will also say that I'm not a moron. I know how the male brain works, but I also know how books should work and they're not supposed to placate to the male fantasy of travelling across the globe while two hot chicks fight over you. Less is more, but Brokaw's sexual undertones were blatantly obvious and annoying. From the first time Lourds meets Leslie and appreciates her trim figure, to the second time he sees her, wearing a crop top and a belly ring. It became too frequent, and too sickening. Especially when Natashya enters the picture, with trench coat and pockets full of guns. I believe Brokaw enjoyed turning her from a masculine character smoking a cigar, into a feminine vixen wearing pajamas with no panties later in the novel. It's a shame it was more for his own pleasure than that of the reader's. He does not hate women, but he certainly enjoyed making them into stereotypes for his own entertainment. Lourds is middle-aged, but sexy; intelligent and kind. But he's a pig. He can't possibly understand why two women fight over him? And Leslie can still find time to be jealous when she's running for her life? And Natashya, really? I had faith that you of all of them would remain normal, but no. Sadly, the only character who lived up to my expectation was the evil Cardinal Murani. He knew what it meant to be a villain.
I'd give this book 1 star for the character of Lourds, 1 star for Leslie, 2 stars for Natashya, 3 stars for the bad guys, 3 stars for the writing, 4 stars for the plot and twist on religious conspiracy, 1 star for the ending with the women, and 3 stars for the ending with the plot resolution. Average: 2.25 which rounds down to 2.
So there, 2 stars. I received this book from GoodReads First Reads program and I was excited to start it. I do not enjoy giving bad reviews, and I'm sorry that I have to, but it's necessary. We don't read books just for plots, we read them because we enjoy the characters and relate to them. I thought Thomas Lourds was going to be a great character, he had all the beginnings of one, but he decided to think with his libido more than his brain, and I can't enjoy that when it happens every 10 pages.
5 out of 6 people found this review helpful.
Was this review helpful? Yes NoThank you for your feedback. Report this reviewThank you, this review has been flagged.readstitchquilt
Posted February 23, 2010
If you like stories with one very strong woman, a poorly defined hero and a race to find a 'treasure', then you'll enjoy this book. For someone listed as an academic, the writing is a little labored and the editing is not up to par (spelling/grammar). The idea for the book is good, some sequences are exciting, if predictable, and the ending just so-so. Thomas Lourds is not Indiana Jones and is constantly chasing clues while expecting others to protect him. What a disappointment! I wasn't expecting Dirk Pitt, but it would have been nice to have more than running around looking for clues and sex to define the character.
I read the whole book, but it's going into the bag of books for the used book store...not one that I would recommend or keep.
2 out of 2 people found this review helpful.
Was this review helpful? Yes NoThank you for your feedback. Report this reviewThank you, this review has been flagged.Cardinal Stefano Murani and his allies believe archeologist Thomas Lourds has found a priceless artifact in Alexandria, Egypt that they want and plan to take from him. Apparently Lourds has found a relic that links the lost continent of Atlantis with the Old Testament.
Meanwhile TV reporter Leslie Crane interviews Lourds for a documentary. However Murani's thugs murder the show's producer and go after the reporter and the archeologist. Lourds and Crane barely escape, but are on the run with Murani's horde in pursuit. As they flee from Africa to Europe, their adversaries chase after them with orders to retrieve the find and kill the finders; collateral damage is no issue to Cardinal Murani or his followers.
THE ATLANTIS CODE is a hyperspeed thriller that races through two continents at a breakneck pace. Filled with action as the pursuers constantly catch up with the lead couple, but like a Houdini, they manage to escape from one peril after another. This is fun to read sort of like a pulp thriller as the constant bad guys' assault attacks on the heroes dramatically overwhelm the biblical archeological premise.
Harriet Klausner
2 out of 3 people found this review helpful.
Was this review helpful? Yes NoThank you for your feedback. Report this reviewThank you, this review has been flagged.Lazuli
Posted January 23, 2010
I kept wanting the book to move on. The characters are quite well painted, but the reality portrayed just doesn't quite get there. The bad guys are really bad, the good guys are really good, so there is not much to wonder about while reading this book. I recommend it as a fun read. I won't keep it in my library, in fact, I have already taken it to my local library.
1 out of 1 people found this review helpful.
Was this review helpful? Yes NoThank you for your feedback. Report this reviewThank you, this review has been flagged.2370943
Posted July 26, 2011
Hi ther this book was the best book ever i dieed over it
0 out of 4 people found this review helpful.
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Posted March 10, 2011
just awesome
0 out of 2 people found this review helpful.
Was this review helpful? Yes NoThank you for your feedback. Report this reviewThank you, this review has been flagged.Finding Atlants this is what Lourds is trying to do. I have read "Angels and Demons" from that book to this book wow have to say that Atlantis is a lot more fun espeically adventure wise you go all over the place. You get sucked in to what these people are doing and I could not put the book down did not want to put it down.
Was this review helpful? Yes NoThank you for your feedback. Report this reviewThank you, this review has been flagged.You start in a simple setting that is far from it once you read the first few pages. The characters, at first seem familiar and comfortable, but that is just the start. Circumstance and luck are able to transform the seemingly mundane into a constant battle to stay one step ahead of the villian. The author pulls the reader in with hints of romance, leaps of sheer thrill, and a great mix of main character strengths - all the while showing their 'human' side too. The locations - together with the history are an integral part of the story as it keeps taking expected and unforeseen turns right to the very end. There are pieces of each situation and character that seem familiar to avid readers, but that only begins to fill in what makes up the story, the characters, and a development of plot as you read further. I found myself sitting down to read for a few minutes and seeing that an hour had passed away without notice. Again and again, I found myself reading and just about closing it for the time when I decided to read for the typical "just a little bit more." Descriptions of people, places, and actions all seemed real - as if I was even there seeing it happen right before me. I must really congratulate Mr. Brokaw on a great book, a thrilling read, and something that I will strongly recommend to friends and family alike. Well done!
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Posted November 23, 2010
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Overview
A thrill-seeking Harvard linguistics professor and an ultrasecret branch of the Catholic Church go head-to-head in a race to uncover the secrets of the lost city of Atlantis. The ruins of the technologically-advanced, eerily-enigmatic ancient civilization promise their discoverer fame, fortune, and power… but hold earth-shattering secrets about the origin of man.
While world-famous linguist and archaeologist, Thomas Lourds, is shooting a film that dramatizes his flamboyant life and scientific achievements, satellites spot impossibly ancient ruins along the Spanish coast. Lourds knows exactly what it means: the Lost ...