×

Uh-oh, it looks like your Internet Explorer is out of date.

For a better shopping experience, please upgrade now.

Atlantis: Hymns for Disco [Bonus Track]
     

Atlantis: Hymns for Disco [Bonus Track]

4.5 2
by k-os
 

See All Formats & Editions

Continuing his practice of combining elements from multiple genres into something new and unique, Kevin Brereton, better known as k-os, reaches even further past his usual suspects on his third studio release, Atlantis: Hymns for Disco. He takes staples of hip-hop, reggae, and soul but adds to them hints of rock, blues, and punk. This

Overview

Continuing his practice of combining elements from multiple genres into something new and unique, Kevin Brereton, better known as k-os, reaches even further past his usual suspects on his third studio release, Atlantis: Hymns for Disco. He takes staples of hip-hop, reggae, and soul but adds to them hints of rock, blues, and punk. This ambitious use of resources and influences could very easily end up creating an album that sounded severely disjointed, even incoherent, but k-os is able to make something that, despite the diversity between tracks, works very much as a whole. This is almost all thanks to his voice, which can change from singsongy rhymes to neo-soul to reggae to rap to pop depending on what the song -- or the part of the song -- requires, and so there's a movement to the album showcasing the development of the performer and what he's capable of. While the songs in which k-os doesn't stray from the pattern he followed on his first two albums ("Mirror in the Sky," "Cat Diesel" [is that supposed to be a response to "Crabbuckit?"], "Flypaper") are perfectly adequate, they also seem a bit tired, and very samey, the melodies practically interchangeable. So it's better, and it's a welcome change, when k-os reaches deeper into his musical repertoire and takes a risk, coming out with something much more interesting. Despite his hesitations about actually singing (like what he does in the Sam Cooke-inspired "The Rain"), k-os in fact sounds better as a vocalist than he does as a rapper -- his flow has never been that good, and because he approaches his rhymes from a reggae standpoint, he ends up sounding more like a second-rate neo-dub preacher than he does a conscious MC -- and his ability to pull off other styles so convincingly just proves that his talents are stifled by hip-hop rules. "Valhalla" sounds Beatles-y at first, but quickly switches into a hard rockabilly that keeps an urban beat, while "Born to Run" mixes Bloc Party, Michael Jackson, and roots reggae into something that holds its own very well. This mélange is made lighter and more fun by the fact that k-os has lost some of the righteousness that often weighed down the tracks on his previous records, as he turns his gaze on Atlantis inward ("seems I'm afraid of being afraid," he confesses on "Fly Paper") or choosing to simply explore and describe situations regarding women and love instead of pontificating and proselytizing. He seems more comfortable and more sure of himself, and speaks confidently, but not arrogantly, about life, about appreciating and enjoying it and trying to understand it and its complexities. Atlantis steps forward while still acknowledging the past, a sign of maturation, a sign of a more complete artist who's secure in himself and the music he creates. [This version of the album, the U.S. release, came out in 2007 and contains a bonus track, "Funky Country."]

Product Details

Release Date:
02/20/2007
Label:
Virgin Records Us
UPC:
0094638022428
catalogNumber:
80224

Tracks

Album Credits

Performance Credits

k-os   Primary Artist,Acoustic Guitar,Harmonica,Piano,Keyboards,Hammond Organ,Vocals
Sam Roberts   Vocals
Sarah McElcheran   Trumpet
Chris Plock   Saxophone
Lil' Jazz   scratching
Rahzel   Beat Box
Jack Brownell   Conductor
Ian Lefeuvre   Acoustic Guitar,Electric Guitar,Background Vocals
Orin Isaacs   Bass
Buck 65   Vocals
Maury LaFoy   Bass,Upright Bass
Margot Aldrich   Viola
Jennifer Jones   Violin
Dave "Soulfingers" Williams   Piano,Keyboards
Malik Worthy   Guitar,Electric Guitar
Chris Gestrin   Keyboards
Kevin Drew   Vocals
Justin Peroff   Percussion,Drums
Russ Klyne   Acoustic Guitar,Bass,Soloist
Steve Krecklo   Electric Guitar
Richard Toby Peter   Bass
Greg O'Shea   Piano,Drums
Hilary Brown   Cello
Ray Garraway   Drums
Santosh Naidu   Percussion,Tabla
Sebastien Grainger   Drums
Brent Follett   Drums
Eljay   Piano,Keyboards
Kamau   Vocals
Ariel Ladrat   Background Vocals
Karen Langille   Violin
Kirsty Money   Viola
Ken Nogami   Violin
Amy Worober   Background Vocals

Technical Credits

Lil' Jazz   Cut
Jack Brownell   String Arrangements
Roger Swan   Engineer
Daryn Barry   Engineer
k-os   Programming,Producer,String Arrangements
Greg O'Shea   Producer,Engineer
Jason "Metal" Donkersgoed   Engineer
Eljay   Producer,Instrumentation

Customer Reviews

Average Review:

Post to your social network

     

Most Helpful Customer Reviews

See all customer reviews

Atlantis: Hymns for Disco 4.5 out of 5 based on 0 ratings. 2 reviews.
Guest More than 1 year ago
Here K-os blends a perfent mixture of soul and hip-hop. With outstanding lyrics and passionate beats he stand out in the hip hop industy as a unique musician who always brings something new too the table.
Anonymous More than 1 year ago