Attention and Drift: Santayana and Cavell in the Present
Brought together, attention and drift help immerse ourselves in our surroundings and make us appreciate the contingent and pulsating relations of living. Attention and Drift suggests that instead of being antonyms, drift and attention are part of the same continuum. Attention is the opposite of being focused or fixated. Similarly, drift is not the antithesis of concentrated action, but the obverse of busyness. Within this zone of juxtaposition between attention and drift, there is also a beautiful and stark tension. There is enticement. And there is waiting. The mode of attentive drift is a poetic insinuation and a complete reorientation of our being, central to all creativity and criticism.
The chief protagonists here are two immersed readers of life - George Santayana (1863–1952) and Stanley Cavell (1926–2018), whose works and ways of living highlight an involved bringing together of continuities and contingencies of life, appreciation of multiple dimensions of art and a calm display of involved critical faculties. Both seek to assess the relationships between literature, philosophy, art and religion. In each of these domains the two of them celebrate attentive wandering and distractive engrossment at once. In this book we celebrate their passion, involvement, wit, no-nonsense critical acumen and most of all, their ability to love the serendipities of life and creation.

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Attention and Drift: Santayana and Cavell in the Present
Brought together, attention and drift help immerse ourselves in our surroundings and make us appreciate the contingent and pulsating relations of living. Attention and Drift suggests that instead of being antonyms, drift and attention are part of the same continuum. Attention is the opposite of being focused or fixated. Similarly, drift is not the antithesis of concentrated action, but the obverse of busyness. Within this zone of juxtaposition between attention and drift, there is also a beautiful and stark tension. There is enticement. And there is waiting. The mode of attentive drift is a poetic insinuation and a complete reorientation of our being, central to all creativity and criticism.
The chief protagonists here are two immersed readers of life - George Santayana (1863–1952) and Stanley Cavell (1926–2018), whose works and ways of living highlight an involved bringing together of continuities and contingencies of life, appreciation of multiple dimensions of art and a calm display of involved critical faculties. Both seek to assess the relationships between literature, philosophy, art and religion. In each of these domains the two of them celebrate attentive wandering and distractive engrossment at once. In this book we celebrate their passion, involvement, wit, no-nonsense critical acumen and most of all, their ability to love the serendipities of life and creation.

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Attention and Drift: Santayana and Cavell in the Present

Attention and Drift: Santayana and Cavell in the Present

by Prasanta Chakravarty
Attention and Drift: Santayana and Cavell in the Present

Attention and Drift: Santayana and Cavell in the Present

by Prasanta Chakravarty

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$115.00 
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Overview

Brought together, attention and drift help immerse ourselves in our surroundings and make us appreciate the contingent and pulsating relations of living. Attention and Drift suggests that instead of being antonyms, drift and attention are part of the same continuum. Attention is the opposite of being focused or fixated. Similarly, drift is not the antithesis of concentrated action, but the obverse of busyness. Within this zone of juxtaposition between attention and drift, there is also a beautiful and stark tension. There is enticement. And there is waiting. The mode of attentive drift is a poetic insinuation and a complete reorientation of our being, central to all creativity and criticism.
The chief protagonists here are two immersed readers of life - George Santayana (1863–1952) and Stanley Cavell (1926–2018), whose works and ways of living highlight an involved bringing together of continuities and contingencies of life, appreciation of multiple dimensions of art and a calm display of involved critical faculties. Both seek to assess the relationships between literature, philosophy, art and religion. In each of these domains the two of them celebrate attentive wandering and distractive engrossment at once. In this book we celebrate their passion, involvement, wit, no-nonsense critical acumen and most of all, their ability to love the serendipities of life and creation.


Product Details

ISBN-13: 9789356404410
Publisher: Bloomsbury Academic
Publication date: 12/30/2025
Pages: 208
Product dimensions: 5.32(w) x 8.50(h) x 1.11(d)

About the Author

Prasanta Chakravarty is Associate Professor of English at the University of Delhi and the editor of the web journal Humanities Underground. His most recent work is The Creature: In Power and Pain (2022). His other works include Like Parchment in the Fire: Literature and Radicalism in the English Civil War (2006), a monograph on Early Modern radical heretic culture; The Opulence of Existence: Essays on Aesthetics and Politics (2016), a collection of essays on literary forms and our political predicament; and Time, Doubt and Wonder in the Humanities: Between the Tick and the Tock (2019). He has edited three critical anthologies: Shrapnel Minima, Writings from Humanities Underground (2014), Populism and Its Limits: After Articulation (2020) and Assured Self, Restive Self: Encounters with Crisis (2023). He has also co-edited Machiavelli Then and Now (2021) together with Sukanta Chaudhuri. He has published four volumes of poetry.

Table of Contents

INTRODUCTION
Chapter 1
GEORGE SANTAYANA I: SPIRIT, THE INFANT KING
Chapter 2
GEORGE SANTAYANA II: SNIFFING LIFE
Chapter 3
STANLEY CAVELL I: MUDDLED IN SOULS
Chapter 4
STANLEY CAVELL II: TO DEFEAT SELF-DEFEAT
EPILOGUE: WHIRL OF ORGANISM
Index
About the Author

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