Audio Culture: Readings in Modern Music / Edition 1

Audio Culture: Readings in Modern Music / Edition 1

by Christoph Cox
     
 

The groundbreaking Audio Culture: Readings in Modern Music (Continuum; September 2004; paperback original) maps the aural and discursive terrain of vanguard music today. Rather than offering a history of contemporary music, Audio Culture traces the genealogy of current musical practices and theoretical concerns, drawing lines of connection between recent

See more details below

Overview

The groundbreaking Audio Culture: Readings in Modern Music (Continuum; September 2004; paperback original) maps the aural and discursive terrain of vanguard music today. Rather than offering a history of contemporary music, Audio Culture traces the genealogy of current musical practices and theoretical concerns, drawing lines of connection between recent musical production and earlier moments of sonic experimentation. It aims to foreground the various rewirings of musical composition and performance that have taken place in the past few decades and to provide a critical and theoretical language for this new audio culture.

Via writings by philosophers, cultural theorists, and composers, Audio Culture explores the interconnections among such forms as minimalism, indeterminacy, musique concrète, free improvisation, experimental music, avant-rock, dub reggae, Ambient music, HipHop, and Techno. Instead of focusing on the putative “crossover” between “high art” and “popular culture,” Audio Culture takes all of these musics as experimental practices on par with, and linked to, one another. While cultural studies has tended to look at music (primarily popular music) from a sociological perspective, the concern here is philosophical, musical, and historical.

Audio Culture includes writing by some of the most important musical thinkers of the past half-century, among them John Cage, Brian Eno, Glenn Gould, Umberto Eco, Ornette Coleman, Jacques Attali, Simon Reynolds, Pauline Oliveros, Paul D. Miller, David Toop, John Zorn, Karlheinz Stockhausen, and many others. The book is divided into nine thematically-organized sections, each with its own introduction. Section headings include topics such as "Modes of Listening," "Minimalisms," and "DJ Culture." In addition, each essay has its own short introduction, helping the reader to place the essay within musical, historical, and conceptual contexts. The book concludes with a glossary, a timeline, and an extensive discography.

Read More

Product Details

ISBN-13:
9780826416155
Publisher:
Bloomsbury Academic
Publication date:
09/01/2004
Pages:
472
Sales rank:
378,869
Product dimensions:
6.00(w) x 9.00(h) x 1.20(d)

Related Subjects

Table of Contents

Acknowledgments viii

Sources and Permissions ix

Introduction: Music and the New Audio Culture xiii

Part One: THEORIES

I. Music and Its Others: Noise, Sound, Silence

Introduction 5

1. Jacques Attali, ''Noise and Politics'' 7

2. Luigi Russolo, ''The Art of Noises: Futurist Manifesto'' 10

3. Morton Feldman, ''Sound, Noise, Varèse, Boulez'' 15

4. Edgard Varèse, ''The Liberation of Sound'' 17

5. Henry Cowell, ''The Joys of Noise'' 22

6. John Cage, ''The Future of Music: Credo'' 25

7. R. Murray Schafer, ''The Music of the Environment'' 29

8. Mark Slouka, ''Listening for Silence: Notes on the Aural Life'' 40

9. Mary Russo and Daniel Warner, ''Rough Music, Futurism, and

Postpunk Industrial Noise Bands'' 47

10. Simon Reynolds, ''Noise'' 55

11. ''The Beauty of Noise: An Interview with Masami Akita of Merzbow'' 59

II. Modes of Listening

Introduction 65

12. Marshall McLuhan, ''Visual and Acoustic Space'' 67

13. Hanns Eisler & Theodor Adorno, ''The Politics of Hearing'' 73

14. Pierre Schaeffer, &''Acousmatics'' 76

15. Francisco López, ''Profound Listening and Environmental Sound

Matter'' 82

16. Ola SStockfelt, ''Adequate Modes of Listening'' &

Read More

Customer Reviews

Average Review:

Write a Review

and post it to your social network

     

Most Helpful Customer Reviews

See all customer reviews >