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August Wilson and Black Aesthetics
     

August Wilson and Black Aesthetics

by S. Shannon
 

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Offers new essays that address issues raised in Wilson's "The Ground on Which I Stand" speech. Essays and interviews range from examinations of the presence of Wilson's politics in his plays to the limitations of these politics on contemporary interpretations of Black aesthetics. Also included is Sybil Roberts' A Liberating Prayer: A Lovesong for Mumia,

Overview

Offers new essays that address issues raised in Wilson's "The Ground on Which I Stand" speech. Essays and interviews range from examinations of the presence of Wilson's politics in his plays to the limitations of these politics on contemporary interpretations of Black aesthetics. Also included is Sybil Roberts' A Liberating Prayer: A Lovesong for Mumia, that, for several seasons, has played to sold out houses, but had not been published prior to the hardcover edition of this book. With an updated Introduction assessing Wilson's legacy following his death in 2005.

Editorial Reviews

From the Publisher

“A cogent and timely reminder of the tacit assumptions and invisible inflections that critics and audiences bring to theatrical experience. In this nuanced and richly variegated collection of perspectives on Wilson’s importantly controversial ‘The Ground on Which I Stand’ speech, Williams and Shannon have produced a dynamic exploration of black aesthetics and contemporary theater, which provides a fitting tribute to Wilson’s memory and to his spirit.”--Alan Nadel, author of May All Your Fences Have Gates: Essays on the Drama of August Wilson and August Wilson, Completing the Twentieth-Century Cycle
 
“Registers the continuing significance of the playwright’s 1996 speech that shocked American theatre critics with its echoes of a 1960s Black Arts militancy. In addition to analysis of specific Wilson texts and his construction of black female characters, this lively collection includes two previously unpublished interviews, one with Charles Dutton, who played the male lead in three Wilson plays, and a second with Wilson himself in which he muses about projects he will pursue once the ten-play cycle is completed. Capping the volume is a play that demonstrates how Wilson’s spirituality and activism inspires a generation of younger black women playwrights.”--Sandra L. Richards, Professor, Northwestern University

Product Details

ISBN-13:
9780230113015
Publisher:
Palgrave Macmillan US
Publication date:
05/09/2011
Edition description:
2004
Pages:
229
Product dimensions:
6.00(w) x 8.90(h) x 0.80(d)

Meet the Author

Dana A. Williams is Professor of African American Literature at Howard University. Sandra G. Shannon is Professor of African American and American Drama at Howard University.

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