Augustine's Confessions and Shakespeare's King Lear: Power, Parenthood, and Presence
Paffenroth returns to two of the most quintessentially commanding yet vulnerable protagonists in the Western canon – Augustine, the real life, fifth century bishop of Hippo, known to us mostly through his own telling of his life in Confessions; and King Lear, the legendary king of Briton, known to us mostly from Shakespeare's version of his tragic end.

Having examined problems addressed in both works of love, language, nature, and reason, Paffenroth here picks up more purely relational matters: both protagonists wield (or have wielded) power over others, yet struggle to learn its right application; both raise children, but have deeply problematic relations with their children, their partners, and (in the case of Augustine at least) their parents; neither has an intuitive or unproblematic relationship with a fully present God or gods – Augustine struggles mightily to have such, while Lear cries out to heaven but it is unclear he ever gets a reply. As different as the books and men are, how they relate to women and God shows illuminating and complementary points of comparison.

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Augustine's Confessions and Shakespeare's King Lear: Power, Parenthood, and Presence
Paffenroth returns to two of the most quintessentially commanding yet vulnerable protagonists in the Western canon – Augustine, the real life, fifth century bishop of Hippo, known to us mostly through his own telling of his life in Confessions; and King Lear, the legendary king of Briton, known to us mostly from Shakespeare's version of his tragic end.

Having examined problems addressed in both works of love, language, nature, and reason, Paffenroth here picks up more purely relational matters: both protagonists wield (or have wielded) power over others, yet struggle to learn its right application; both raise children, but have deeply problematic relations with their children, their partners, and (in the case of Augustine at least) their parents; neither has an intuitive or unproblematic relationship with a fully present God or gods – Augustine struggles mightily to have such, while Lear cries out to heaven but it is unclear he ever gets a reply. As different as the books and men are, how they relate to women and God shows illuminating and complementary points of comparison.

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Augustine's Confessions and Shakespeare's King Lear: Power, Parenthood, and Presence

Augustine's Confessions and Shakespeare's King Lear: Power, Parenthood, and Presence

Augustine's Confessions and Shakespeare's King Lear: Power, Parenthood, and Presence

Augustine's Confessions and Shakespeare's King Lear: Power, Parenthood, and Presence

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Overview

Paffenroth returns to two of the most quintessentially commanding yet vulnerable protagonists in the Western canon – Augustine, the real life, fifth century bishop of Hippo, known to us mostly through his own telling of his life in Confessions; and King Lear, the legendary king of Briton, known to us mostly from Shakespeare's version of his tragic end.

Having examined problems addressed in both works of love, language, nature, and reason, Paffenroth here picks up more purely relational matters: both protagonists wield (or have wielded) power over others, yet struggle to learn its right application; both raise children, but have deeply problematic relations with their children, their partners, and (in the case of Augustine at least) their parents; neither has an intuitive or unproblematic relationship with a fully present God or gods – Augustine struggles mightily to have such, while Lear cries out to heaven but it is unclear he ever gets a reply. As different as the books and men are, how they relate to women and God shows illuminating and complementary points of comparison.


Product Details

ISBN-13: 9781350500877
Publisher: Bloomsbury Academic
Publication date: 12/11/2025
Series: Reading Augustine
Pages: 136
Product dimensions: 5.40(w) x 8.40(h) x 0.40(d)

About the Author

Miles Hollingworth is Research Fellow in the History of Ideas at St. John's College, Durham. His writing on Augustine has won awards from the Society of Authors (2009 Elizabeth Longford Grant for Historical Biography) and the Royal Society of Literature (2009 Jerwood Award for Non-Fiction). He is the author of The Pilgrim City: St. Augustine of Hippo and his Innovation in Political Thought (also published by Bloomsbury), which was shortlisted for the Royal Historical Society's Gladstone History Book Prize.

Table of Contents

Acknowledgments

Introduction Origins and Ends

1. Augustine and Power
2. Lear and Power
3. Augustine and Women in Confessions
4. Women in King Lear
5. Conclusion: Powerfully Present

Epilogue
Bibliography
Index

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