| Acknowledgments | xii |
| Introduction | xiv |
1 | Choosing a System | 1 |
| Advice and information | 1 |
| Following the magazines | 2 |
| Internet Audio Surfing | 5 |
| Evaluating your needs | 10 |
| An Example of Choosing a System | 10 |
| Head units | 12 |
| Power | 12 |
| Sound-processing equipment | 14 |
| Security | 15 |
| Simplified equipment selection listing | 19 |
| Head units | 20 |
| Full-range speakers | 21 |
| Woofers and subwoofers | 22 |
| Amplification | 23 |
| High-power head units | 24 |
| Conclusion | 24 |
2 | Equipment Buying | 27 |
| Buying new equipment | 27 |
| Buying from a local installer | 27 |
| Buying from chain audio stores | 29 |
| Buying from the discount department stores | 30 |
| The Radio Shack Exception | 32 |
| Mail-order and Internet companies | 32 |
| Buying used equipment | 35 |
| Where to buy used equipment | 36 |
| Conclusion | 45 |
3 | Head units & More | 47 |
| Checking the equipment | 47 |
| Head units | 48 |
| Receivers | 48 |
| Radio and audio technology | 50 |
| Cassette decks | 57 |
| Compact disc players | 63 |
| MiniDisc players | 69 |
| MP3 audio | 72 |
| Computerized and navigational head units | 74 |
| Other computerized head units | 77 |
| DVD head units | 79 |
| Satellite and terrestrial digital radio | 82 |
| Head unit installations | 84 |
| Conclusion | 92 |
4 | Sound Processing | 93 |
| Basics and Analog Equalizers | 93 |
| Digital signal processors and equalizers | 97 |
| Parametric Equalizers | 98 |
| Installing Equalizers | 100 |
| Installing Parametric Equalizers | 102 |
| Conclusion | 102 |
5 | Amplifiers | 103 |
| Principles of amplification | 105 |
| Classes of audio amplification | 109 |
| Feedback | 114 |
| Various amplifier ratings and specifications | 115 |
| Power ratings | 115 |
| Shopping for amplifier specifications | 117 |
| Amplifier design configurations | 122 |
| Mono or stereo | 122 |
| Power supplies | 126 |
| Stereo separation | 128 |
| Additional amplifier features | 129 |
| Practical amplifier tips and tricks | 135 |
| Installation locations | 135 |
| Amplifier level tweaking | 139 |
| Using stiffening capacitors with dedicated power amplifiers | 141 |
| Conclusion | 144 |
6 | Speakers | 147 |
| Some simplified sound basics | 147 |
| The sound stage | 149 |
| Speaker action and components | 152 |
| Magnets | 152 |
| Voice coils | 153 |
| Dual voice coils | 154 |
| Speaker cones | 155 |
| Suspensions | 159 |
| Speaker basket | 160 |
| Speaker classifications (by frequency) | 161 |
| Tweeter | 162 |
| Midrange | 163 |
| Midbass | 164 |
| Woofer | 164 |
| Subwoofer | 165 |
| Multiple-driver speakers | 166 |
| Buying speakers | 168 |
| Full-range speakers, multiple speakers, enclosed speakers, or multiple-driver speakers? | 172 |
| Other speaker specifications | 174 |
| Input sensitivity | 174 |
| Response | 175 |
| Nominal power handling | 175 |
| Peak power handling | 175 |
| Speaker polarity | 176 |
| Impedance and interconnecting speakers | 176 |
| Connecting speakers in parallel | 177 |
| Connecting speakers in series | 179 |
| Connecting speakers together in series and parallel | 181 |
| Connecting dual voice coil speakers | 182 |
| Installing Speakers | 184 |
| Conclusion | 187 |
7 | Speaker Enclosures | 189 |
| Enclosure materials | 190 |
| Alternative enclosure materials | 191 |
| Speaker enclosure shapes | 193 |
| Speaker enclosure damping | 196 |
| Speaker enclosure designs and techniques | 197 |
| The closed-box enclosure | 198 |
| Aperiodic enclosures | 202 |
| Ported-box enclosures | 203 |
| Transmission-line enclosures | 209 |
| Speaker enclosure conclusion | 210 |
| Conclusion | 210 |
8 | Filters & Crossovers | 213 |
| Crossover uses | 213 |
| Building and buying crossovers | 215 |
| Basic crossover theory | 218 |
| Active versus passive crossovers | 218 |
| Basic crossover components | 218 |
| Orders of crossovers | 218 |
| Determining the crossover values | 224 |
| Determining the speaker crossover points | 224 |
| Crossovers for three-way speaker systems | 231 |
| Mixing and matching different crossover orders | 232 |
| Resistance and L pads | 232 |
| Conclusion | 235 |
9 | Fiberglass & More | 237 |
| Working with Plywood | 237 |
| Working with MDF | 238 |
| Fiberglass | 240 |
| Working with Fiberglass Resin | 241 |
| Working with Fiberglass Compound | 245 |
| Building Speaker Enclosures | 245 |
| Making Speaker Baffles and Odd-Shaped Enclosures | 253 |
| Coatings | 255 |
| Grille Cloth and Metal Grilles | 256 |
| Lexan (Polycarbonate) and Plexiglass (Acrylic) Sheets | 258 |
| Panels | 259 |
| Subwoofer boxes | 260 |
| Veneer | 261 |
| Vinyl and Carpeting | 262 |
| Other Finish Materials | 263 |
| Conclusion | 265 |
10 | Auto Video | 267 |
| Video sources | 268 |
| Monitors and TVs | 270 |
| Combination VCR/Monitors | 271 |
| TV boxes | 272 |
| A Portable Computer Solution | 273 |
| Installation | 274 |
| Conclusion | 275 |
11 | Wire & Cabling | 277 |
| Should I purchase high-end audio cables? | 277 |
| Wire | 278 |
| Wire shapes and styles | 279 |
| FM transmitters for compact disc players | 283 |
| Making connections | 284 |
| Soldering problems and dangers | 287 |
| Making Twisted Pair Audio Cables | 288 |
| Planning and assembling the system | 290 |
| Power cables and fuses | 292 |
| Grounds | 297 |
| Tracing Ground Problems | 300 |
| Intermittent noise | 300 |
| Conclusion | 301 |
12 | Installation | 305 |
| 1981 VW Rabbit | 306 |
| Speaker system | 307 |
| The actual installation work | 309 |
| Car noise reduction | 312 |
| The future of this system | 312 |
| 1988 Plymouth Grand Voyager | 314 |
| Head unit | 315 |
| Speakers | 316 |
| Future | 318 |
| 1998 VW Golf | 319 |
| 1998 Honda Acura | 324 |
| 1987 Honda Accord | 330 |
| Conclusion | 336 |
13 | Repairs & More | 337 |
| Tracking down the problem | 339 |
| No sound | 340 |
| Weak, tinny audio | 342 |
| Music suddenly quiets | 342 |
| Hot amplifiers | 342 |
| Tracking conclusion | 343 |
| Organizing your work | 343 |
| Safety procedures | 343 |
| Electrocution and electrical shocks | 344 |
| Safety with electrostatics | 346 |
| Repairing speakers | 348 |
| Punctures, tears, and holes | 349 |
| Deteriorating surrounds | 352 |
| Equalizers | 353 |
| Head units | 354 |
| Cassette decks | 354 |
| Compact disc players | 360 |
| Dedicated amplifiers | 363 |
| Conclusion | 365 |
| Sources | 367 |
| Index | 385 |