Available Light: Anthropological Reflections on Philosophical Topics

Paperback (Print)
Buy Used
Buy Used from BN.com
(Save 41%)
Item is in good condition but packaging may have signs of shelf wear/aging or torn packaging.
Condition: Used – Good details
Used and New from Other Sellers
Used and New from Other Sellers
from $4.60
Usually ships in 1-2 business days
(Save 84%)
Other sellers (Paperback)
  • All (22) from $4.60   
  • New (8) from $12.98   
  • Used (14) from $4.60   


Clifford Geertz, one of the most influential thinkers of our time, here discusses some of the most urgent issues facing intellectuals today. In this collection of personal and revealing essays, he explores the nature of his anthropological work in relation to a broader public, serving as the foremost spokesperson of his generation of scholars, those who came of age after World War II. His reflections are written in a style that both entertains and disconcerts, as they engage us in topics ranging from moral relativism to the relationship between cultural and psychological differences, from the diversity and tension among activist faiths to "ethnic conflict" in today's politics.

Geertz, who once considered a career in philosophy, begins by explaining how he got swept into the revolutionary movement of symbolic anthropology. At that point, his work began to encompass not only the ethnography of groups in Southeast Asia and North Africa, but also the study of how meaning is made in all cultures—or, to use his phrase, to explore the "frames of meaning" in which people everywhere live out their lives. His philosophical orientation helped him to establish the role of anthropology within broader intellectual circles and led him to address the work of such leading thinkers as Charles Taylor, Thomas Kuhn, William James, and Jerome Bruner. In this volume, Geertz comments on their work as he explores questions in political philosophy, psychology, and religion that have intrigued him throughout his career but that now hold particular relevance in light of postmodernist thinking and multiculturalism. Available Light offers insightful discussions of concepts such as nation, identity, country, and self, with a reminder that like symbols in general, their meanings are not categorically fixed but grow and change through time and place.

This book treats the reader to an analysis of the American intellectual climate by someone who did much to shape it. One can read Available Light both for its revelation of public culture in its dynamic, evolving forms and for the story it tells about the remarkable adventures of an innovator during the "golden years" of American academia.

Read More Show Less

Editorial Reviews

New York Times
Mr. Geertz's most recent collection of papers and lectures . . . makes the peculiarities of his profession still more pronounced. What, he asks, is anthropology really about? . . . Isn't the anthropologist doomed to misinterpret another culture? Is any universal judgement possible? . . . So the anthropologist stands at a troubled crossroads. . . . In one direction is the world of culture, diverse and unimaginably complex; in the other is the world of nature, immutable and universal.
— Edward Rothstein
Times Literary Supplement
Anthropology has never been so central or so widely read within the academy; and anthropologists have never been so insecure. In this context of moral insecurity, Available Light is deeply moving.
— T. M. Luhrmann
I am a fan of Geertz because he is one of the world's most effective proponents of cultural, moral, and scientific pluralism. . . . His new book . . . is a welcome, predictably fascinating, and very elucidative exposition of Geertz's brand of pluralism. . . . Gripping.
— Richard A. Shweder
This book is impeccably written—droll, animated, and bright in both senses of the word—and should enlighten lay readers as well as specialists. . . . Lucid, provocative, and playful.
— Lionel Shriver
The Boston Book Review
The essays and personal history contained in Available Light distill the continuing vitality, honesty, and acumen of an intellectual. . . [Geertz's] clarity, humor, and insight never give way to the flattened tone of pedagogue.
— Paul-Jonathan Benson
The Guardian
Lucid, provocative and playful. . . . The book is impeccably written—droll, animated, and bright in both senses of the word—and should enlighten lay readers as well as specialists.
— Lionel Shriver
The Boston Book Review - Paul-Jonathan Benson
The essays and personal history contained in Available Light distill the continuing vitality, honesty, and acumen of an intellectual. . . [Geertz's] clarity, humor, and insight never give way to the flattened tone of pedagogue.
New York Times - Edward Rothstein
Mr. Geertz's most recent collection of papers and lectures . . . makes the peculiarities of his profession still more pronounced. What, he asks, is anthropology really about? . . . Isn't the anthropologist doomed to misinterpret another culture? Is any universal judgement possible? . . . So the anthropologist stands at a troubled crossroads. . . . In one direction is the world of culture, diverse and unimaginably complex; in the other is the world of nature, immutable and universal.
The Guardian - Lionel Shriver
This book is impeccably written—droll, animated, and bright in both senses of the word—and should enlighten lay readers as well as specialists. . . . Lucid, provocative, and playful.
Times Literary Supplement - T.M. Luhrmann
Available Light is deeply moving.
Science - Richard A. Shweder
I am a fan of Geertz because he is one of the world's most effective proponents of cultural, moral, and scientific pluralism. . . . His new book . . . is a welcome, predictably fascinating, and very elucidative exposition of Geertz's brand of pluralism. . . . Gripping.
Times Literary Supplement - T. M. Luhrmann
Anthropology has never been so central or so widely read within the academy; and anthropologists have never been so insecure. In this context of moral insecurity, Available Light is deeply moving.
From the Publisher
"Available Light reflects an eminent scholar's mature insights into the state of anthropology after it has lost much of its former prestige. . ."Library Journal

"An important contribution to how we think and live in the world today."Publishers Weekly

"This is a provocative look at the human race (and the study thereof) by a man who has seen more of it than most."Kirkus Reviews

"The essays and personal history contained in Available Light distill the continuing vitality, honesty, and acumen of an intellectual. . . [Geertz's] clarity, humor, and insight never give way to the flattened tone of pedagogue."—Paul-Jonathan Benson, The Boston Book Review

"Mr. Geertz's most recent collection of papers and lectures . . . makes the peculiarities of his profession still more pronounced. What, he asks, is anthropology really about? . . . Isn't the anthropologist doomed to misinterpret another culture? Is any universal judgement possible? . . . So the anthropologist stands at a troubled crossroads. . . . In one direction is the world of culture, diverse and unimaginably complex; in the other is the world of nature, immutable and universal."—Edward Rothstein, New York Times

"Lucid, provocative and playful. . . . The book is impeccably written—droll, animated, and bright in both senses of the word—and should enlighten lay readers as well as specialists."—Lionel Shriver, The Guardian

"Available Light is deeply moving."—T.M. Luhrmann, Times Literary Supplement

"Anthropology has never been so central or so widely read within the academy; and anthropologists have never been so insecure. In this context of moral insecurity, Available Light is deeply moving."—T. M. Luhrmann, Times Literary Supplement

"I am a fan of Geertz because he is one of the world's most effective proponents of cultural, moral, and scientific pluralism. . . . His new book . . . is a welcome, predictably fascinating, and very elucidative exposition of Geertz's brand of pluralism. . . . Gripping."—Richard A. Shweder, Science

"Geertz once again makes an important contribution to how we think and live in the world today."Publishers Weekly

"This book is impeccably written—droll, animated, and bright in both senses of the word—and should enlighten lay readers as well as specialists. . . . Lucid, provocative, and playful."—Lionel Shriver, Guardian

Publishers Weekly - Publisher's Weekly
In cadenced prose, noted anthropologist Geertz examines his own life, education and work and the ways in which the fields of anthropology and philosophy might benefit each other, in a collection of essays reprinted from such journals as the Antioch Review and Common Knowledge. His recollections of the intellectual excitement in post-War World II colleges, filled with people on the brink of a new life and paid for by the G.I. Bill, reveal an intriguing facet of American intellectual history as well as the author's roots as an anthropologist. His now-famous fieldwork in Java in 1952 becomes a point of departure for other intellectual explorations. Geertz can be quite provocative--in discussing the ethical dimensions of anthropology, he concludes that "thought is conduct and is to be morally judged as such." He is also exacting, as when he claims that "anthropologists will simply have to make something of subtler differences, and their writing will grow more shrewd." His most challenging arguments for contemporary thinkers come at the end, when he discusses the impact of postmodernism on various disciplines and whether cohesive identities are possible in our world. Carefully teasing out how the study of cultural "differences" and "similarities" can work--"the trick is to get them to illuminate one another"--Geertz once again makes an important contribution to how we think and live in the world today. (May) Copyright 2000 Cahners Business Information.|
Library Journal
In retrospect, the period following the end of World War II can be identified as the heyday of cultural anthropology. Geertz (Inst. of Advanced Studies) entered the discipline just as it was beginning to flourish. In his distinguished career, he has been prominent in developing some of its most important projects, including symbolic/interpretive anthropology, ecological anthropology, and the study of newly independent nations in the developing world. With these essays, addresses, and reviews, he updates us on his thoughts on cultural interpretation, the nature of political entities, and trends in various academic disciplines. As the subtitle promises, he philosophizes on the nature of anthropology and its possible relevance today. The book assumes some knowledge of contemporary academic trends, and its reviews of recent debates in the field are neither comprehensive nor satisfying. However, it reflects an eminent scholar's mature insights into the state of anthropology after it has lost much of its former prestige; realistically, Geertz holds out no optimism for its future as a profession. Several strong essays make this an essential addition to academic and many public libraries.--Jay H. Bernstein, Fordham Univ. Lib., Bronx, NY Copyright 2000 Cahners Business Information.\
Kirkus Reviews
If the proper study of mankind is man, anthropology ought to be the most vital of all sciences. In this collection of essays, reviews, and speeches from the last 20 years, one of the modern giants of that discipline offers his wisdom. Geertz (After the Fact, 1994) opens with a brief professional autobiography, which for him began with his arrival at Antioch as one of the GI generation. He then passed through Harvard's short-lived but seminal Soc Rel program, doing important fieldwork in Java and Morocco, and finally arrived at Princeton's Institute of Advanced Studies. Along the way, he watched the nominal subject of his discipline alter radically: the few `primitive` cultures still on Earth are busy acquiring transistor radios, and even the notion of `culture` is now open to question. At the same time, anthropology must face ethical questions on the nature of fieldwork. Is any honest relationship possible between a college-educated American and a Javanese subsistence farmer, each seeking in some way to exploit the other? How does an anthropologist come to terms with the legacy of colonialism that lies at the roots of his discipline, and to what extent are his studies in conflict with the aspirations of oppressed people to better their lives? In and around these questions Geertz weaves considerations of issues specific to his discipline, notably the roles of behaviorism, structuralism, and other modern philosophical tools in the interpretation of culture. Geertz stoutly resists the impulse to simplify, and the reader who isn't up-to-date on debates within anthropological circles may occasionally find the line of argument hard to follow. But overall, this is a provocative look atthehuman race (and the study thereof) by a man who has seen more of it than most. An occasional muddy patch, but worth wading through for the author's insights.
Read More Show Less

Product Details

  • ISBN-13: 9780691089560
  • Publisher: Princeton University Press
  • Publication date: 7/2/2001
  • Edition description: Reprint
  • Pages: 288
  • Sales rank: 1,379,985
  • Product dimensions: 6.10 (w) x 9.26 (h) x 0.72 (d)

Read an Excerpt


As befits two disciplines, neither of which is clearly defined and both of which address themselves to the whole of human life and thought, anthropology and philosophy are more than a little suspicious of one another. The anxiety that comes with a combination of a diffuse and miscellaneous academic identity and an ambition to connect just about everything with everything else and get, thereby, to the bottom of things leaves both of them unsure as to which of them should be doing what. It is not that their borders overlap, it is that they have no borders anyone can, with any assurance, draw. It is not that their interests diverge, it is that nothing, apparently, is alien to either of them.

    Beyond their normally oblique and implicit competition for the last word and the first, the two fields share a number of other characteristics that trouble their relations with one another and make cooperation between them unnecessarily difficult. Most especially, both of them are porous and imperiled, fragile and under siege. They find themselves, these days, repeatedly invaded and imposed upon by interlopers claiming to do their job in a more effective manner than they themselves, trapped in inertial rigidities, are able to do it.

    For philosophy this is an old story. Its history consists of one after another of its protectorates and principalities—mathematics, physics, biology, psychology, latterly even logic and epistemology—breaking away to become independent, self-governing special sciences. For anthropology, this contraction of imperium under separatist pressure is morerecent and less orderly, but it is no less severe.

Chapter One

Passage and Accident: A Life of Learning


It is a shaking business to stand up in public toward the end of an improvised life and call it learned. I didn't realize, when I started out, after an isolate childhood, to see what might be going on elsewhere in the world, that there would be a final exam. I suppose that what I have been doing all these years is piling up learning. But, at the time, it seemed to me that I was trying to figure out what to do next, and hold off a reckoning: reviewing the situation, scouting out the possibilities, evading the consequences, thinking through the thing again. You don't arrive at many conclusions that way, or not any that you hold to for very long, so summing it all up before God and Everybody is a bit of a humbug. A lot of people don't quite know where they are going, I suppose; but I don't even know, for certain, where I have been. But all right already. I've tried virtually every other literary genre at one time or another. I might as well try Bildungsroman.

The Bubble

I have, in any case, learned at least one thing in the course of patching together a scholarly career: it all depends on the timing. I entered the academic world at what has to have been the best time to enter it in the whole course of its history; at least in the United States, possibly altogether. When I emerged from the U.S. Navy in 1946, having been narrowly saved by The Bomb from being obliged to invade Japan, the great boom in American higher education was just getting underway, and I have ridden the wave all the way through, crest after crest, until today, when it seems at last, like me, to be finally subsiding. I was twenty. I wanted to get away from California, where I had an excess of relatives but no family. I wanted to be a novelist, preferably famous. And, most fatefully, I had the G.I. Bill.

    Or, more exactly, we had the G.I. Bill: millions of us. As has been many times retailed—there was even a television special on the subject a year or so ago, and there is a book about it called, not inappropriately, When Dreams Come True—the flood of determined veterans, nearly two and a half million of us, onto college campuses in the half decade immediately following 1945 altered, suddenly and forever, the whole face of higher education in this country. We were older, we had been through something our classmates and our teachers, for the most part, had not, we were in a hurry, and we were wildly uninterested in the rites and masquerades of undergraduate life. Many of us were married; most of the rest of us, myself included, soon would be. Perhaps most importantly, we transformed the class, the ethnic, the religious, and even to some degree the racial composition of the national student body. And at length, as the wave moved through the graduate schools, we transformed the professoriate too. Between 1950 and 1970, the number of doctorates awarded annually increased five-fold, from about six thousand a year to about thirty thousand. (In 1940 it had been three thousand. No wonder the sixties happened!) That was perhaps not what William Randolph Hearst and the American Legion, who mobilized popular support for the Bill, precisely had in mind. But even at the time, we knew we were the vanguard of something large and consequential: the degreeing of America.

    Having grown up rural in the Great Depression, I had not supposed I would be going to college, so that when the possibility suddenly presented itself, I had no idea how to respond to it. After drifting around San Francisco most of the summer "readjusting" myself to a civilian existence, also at the government's expense, I asked a high school English teacher, an old-style leftist and waterfront agitator who had first suggested to me that I might become a writer—like Steinbeck, say, or Jack London—what I should do. He said (approximately): "You should go to Antioch College. It has a system where you work half the time and study half the time." That sounded promising, so I sent in an application he happened to have around, was accepted within a week or two, and went confidently off to see what was cooking, happening, or going down in southern Ohio. (As I say, this was another time. I am not sure I even knew that applications were sometimes rejected, and I had no plan B. Had I been turned down, I probably would have gone to work for the telephone company, tried to write in the evenings, forgotten the whole thing, and we should all have been spared the present occasion.)

    Antioch, between 1946 and 1950, was, at first glance, the very model of that most deeply American, and to my mind most thoroughly admirable, of educational institutions—the small, small town, vaguely Christian, even more vaguely populist, liberal arts college. With fewer than a thousand students, only about half of them on campus at a time (the other half were off working somewhere, in Chicago, New York, Detroit, and the like), seventy-five or eighty live-in, on-call, faculty members, and wedged in between the woods and the railroad tracks in Yellow Springs, Ohio (population 2,500), it looked, all lattice arbors and brick chimneys, as though it had been set up on an MGM back lot for Judy and Mickey, or perhaps Harold Lloyd, to play out the passage from home—fumbling at sex, attempting alcohol, driving about in open cars, conning fuddled professors, trying on outrageous selves. There was some of that, but the place was a good deal more serious, not to say grave, than either its looks or its location suggested. Utopian, experimental, nonconformist, painfully earnest, desperately intense, and filled with political radicals and aesthetic free spirits (or were they aesthetic radicals and political free spirits?), it was countercultural before its time—a cast of mind and presentation that the influx of GI's, unwilling to take anything from anybody under any circumstances ever again, powerfully reinforced.

    Let loose in this disorderly field of moralized self-fashioning (the reigning ethos of the place was Quaker, that most interior of iron cages; the reigning attitude, Jewish, all irony, impatience, and autocritique; the combination, a sort of noisy introspection, passing curious), I simply took just about every course that in any way looked as though it might interest me, come in handy, or do my character some good, which is the definition, I suppose—certainly it was Antioch's—of a liberal education. As I wanted to be a writer, I thought, absurdly, of course, that I should major in English. But I found even that constraining, and so switched to philosophy, toward whose requirements virtually any class I happened into—musicology, for example, or fiscal policy—could be counted. As for the "work" side of the "work-study" program, and the alarming question it raised—what sort of business enterprise has a slot for an apprentice littérateur?—I thought, even more absurdly, that I should get into journalism as an enabling occupation, something to support me until I found my voice; a notion quickly put to rest by a stint as a copy-boy on the, then as now, crazed and beggarly New York Post. The result of all this searching, sampling, and staying loose (though, as I noted, I did manage to get married in the course of it all) was that, when I came to graduate, I had no more sense of what I might do to get on in the world than I had had when I entered. I was still readjusting.

    But, as Antioch, for all its bent toward moral strenuousness and the practical life, was neither a seminary nor a trade school, that was hardly the point. What one was supposed to obtain there, and what I certainly did obtain, was a feeling for what Hopkins called "all things counter, original, spare, strange"—for the irregularity of what happens, and the rarity of what lasts. This was, after all, "the ignoble fifties," when, the story has it, the public square was empty, everyone was absorbed in witchhunts and selfish pursuits, and all was gray upon gray, when it wasn't suburban technicolor. But that is not how I remember it. How I remember it is as a time of Jamesian intensity, a time when, given the sense that everything could disappear in a thermonuclear moment, becoming someone upon whom nothing was lost was a far more urgent matter than laying plans and arranging ambitions. One might be lost or helpless, or racked with ontological anxiety; but one could try, at least, not to be obtuse.

    However that may be, as the place was, alas, graduating me, it was necessary to depart and go elsewhere. The question was: where, elsewhere? With nothing substantial in sight in the way of a job (none of the people I had worked for wanted ever to see me again), I thought it expedient to take shelter in graduate school, and my wife, Hildred, another displaced English major unprepared for "the real world," thought she might do so as well. But, once again, I didn't know how to go about accomplishing this, and as I had used up my G.I. Bill, I was—we were—again without resources. So I replayed my '46 scenario and asked another unstandard academic, a charismatic, disenchanted philosophy professor named George Geiger, who had been Lou Gehrig's backup on the Columbia baseball team and John Dewey's last graduate student, what I should do. He said (also approximately): "Don't go into philosophy; it has fallen into the hands of Thomists and technicians. You should try anthropology."

    As Antioch had no courses in that subject, I had shown no interest in it, and neither of us knew anything much about what it consisted of, this was a somewhat startling proposal. Geiger, it transpired, had been in contact with Clyde Kluckhohn, a professor of anthropology at Harvard who was engaged with some colleagues in developing an experimental, interdisciplinary department there called "Social Relations," in which cultural anthropology was conjoined not with archaeology and physical anthropology as was, and unfortunately still is, normally the case, but with psychology and sociology. That, he said, would be just the place for me.

    Perhaps. I had no particular argument against it. But what clinched the matter was that (this is the part you may have some trouble believing) the American Council of Learned Societies had just instituted an also experimental first-year graduate fellowship program. The fellowships were to be awarded, one per institution, by a selected faculty member at a liberal arts college to his or her most promising student. Geiger (or "Mr. Geiger," as I still must call him, though he died last year at ninety-four, teaching practically to the end, beautifully unreconciled to time or fashion) was the Council's man at Antioch. He thought me, he said, no more unpromising than anyone else around, so if I wanted the fellowship I could have it. As the stipend was unusually generous for the times, indeed, for any times, it could support both myself and Hildred not just for one year but for two. So we applied to SocRel (and, again, nowhere else), were admitted, and, after another strange summer in San Francisco, trying to pick up pieces that would have been better left dropped, went off to Cambridge (Mass.) to become vocationalized.

    I have written elsewhere, in another exercise in this sort of crafted candor and public self-concealment, about the enormous, unfocused, almost millenarian exhilaration that attended the social relations department in the 1950s, and what we who were there then were pleased to call its Project—the construction of "A Common Language for the Social Sciences." Bliss was it in that dawn; but the golden age was, as is the case with the assertive and the nonconforming, as well as with the exciting, in academia, all-too-brief. Founded in 1946 as a gathering of fugitives from traditional departments made restless with routinism by the derangements of the war, the social relations department began to lose its air by the 1960s, when rebelliousness took less intramural directions, and it was dissolved, with apparently only residual regret and not much ceremony, in 1970. But at full throttle, it was a wild and crazy ride, if you cared for that sort of thing and could contrive not to fall off at the sharper turns.

    My stay in the department was, in one sense, quite brief—two hectic years in residence learning the attitude; one, no less hectic, on the staff, transmitting the attitude ("stand back, the Science is starting!") to others. But in another sense, as I was in and out of the place for a decade, writing a thesis, pursuing research projects, studying for orals ("How do they break horses among the Black-foot?"), it was quite long. After a year being brought up to speed, not only in anthropology, but in sociology, social psychology, clinical psychology, and statistics, by the dominant figures in those fields (Kluckhohn, Talcott Parsons, Gordon Allport, Henry Murray, Frederick Mosteller, and Samuel Stouffer), another checking out what the other insurrectionists about the place were plotting (Jerome Bruner, Alex Inkeles, David Schneider, George Homans, Barrington Moore, Eron Vogt, Pitrim Sorokin ...), I found myself, along with my wife, facing that most brutal and inescapable—then, anyway; things have slipped a bit since—fact of the anthropological life: fieldwork.

    And once again, I caught the wave. An interdisciplinary research team, handsomely funded by the Ford Foundation in the open-handed way that foundation funded ambitious, off-beat enterprises in its heroic, early days before its namesake's namesake discovered what was happening, was being organized under the combined, if rather uncertain, auspices of the social relations department, the even more newly formed, more obscurely funded, and more mysteriously intended Center for International Studies at MIT and Gadjah Mada, the revolutionary university setting up shop in a sultan's palace in just-independent Indonesia—a grand consortium of the visionary, the ominous, and the inchoate. The team was composed of two psychologists, a historian, a sociologist, and five anthropologists, all of them Harvard graduate students. They were to go to central Java to carry out, in cooperation with a matching group from Gadjah Mada, a long-term intensive study of a small, upcountry town. Hildred and I, who had hardly begun to think seriously, amid all our rushing to catch up on things, about where we might do fieldwork, were asked one afternoon by the team's faculty director (who, in the event, deserted the enterprise, mysteriously claiming illness) whether we would consider joining the project—she, to study family life, I, to study religion. As improbably and as casually as we had become anthropologists, and just about as innocently, we became Indonesianists.

    And so it goes: the rest is postscript, the working out of a happenstance fate. Two and a half years living with a railroad laborer's family in Java's volcano-ringed rice bowl, the Brantas River plain, while the country raced, via free elections, toward cold war convulsion and impassive killing fields. Return to Cambridge to write a thesis on Javanese religious life under the direction of Cora DuBois, an eminent Southeast Asianist who had been appointed while I was away as the first woman professor in the department (and the second, I think, in all of Harvard). Return to Indonesia, this time to Bali and Sumatra and further political melodrama, culminating in revolt and civil war. A year recuperating at the newly founded Center for Advanced Study in the Behavioral Sciences, with the likes of Thomas Kuhn, Meyer Fortes, Roman Jakobson, W.V.O. Quine, Edward Shils, George Miller, Ronald Coase, Melford Spiro, David Apter, Fred Eggan, and Joseph Greenberg. A year at Berkeley, as the sixties ignited. Ten at Chicago, as they blew up—part of the time teaching, part of the time directing the Committee for the Comparative Study of New Nations, a multidisciplinary research project on the postcolonial states of Asia and Africa, part of the time off in an ancient walled town in the Moroccan Middle Atlas, studying bazaars, mosques, olive growing, and oral poetry and supervising students' doctoral research. And finally (as I am seventy-three, and unretired, it surely must be finally), nearly thirty years at the Institute for Advanced Study in Princeton, struggling to keep an unconventional School of Social Science going in the face of—how shall I put it?—a certain institutional timorousness and self-conceit. And all of this, in the same form and the same rhythm that I have by now, I am sure, wearied you with to the point of skepticism: a moment of confusion and uncertainty of direction, an unlooked for opportunity dropped carelessly at my feet, a change of place, task, self, and intellectual ambience. A charmed life, in a charmed time. An errant career, mercurial, various, free, instructive, and not all that badly paid.

    The question is: Is such a life and such a career available now? In the Age of Adjuncts? When graduate students refer to themselves as "the pre-unemployed"? When few of them are willing to go off for years to the bush and live on taro (or even the equivalent in the Bronx or Bavaria), and the few who are willing find funding scarce for such irrelevance? Has the bubble burst? The wave run out?

    It is difficult to be certain. The matter is sub judice, and aging scholars, like aging parents and retired athletes, tend to see the present as the past devitalized, all loss and faithlessness and falling away. But there does seem to be a fair amount of malaise about, a sense that things are tight and growing tighter, an academic underclass is forming, and it is probably not altogether wise just now to take unnecessary chances, strike new directions, or offend the powers. Tenure is harder to get (I understand it takes two books now, and God knows how many letters, many of which I have, alas, to write), and the process has become so extended as to exhaust the energies and dampen the ambitions of those caught up in it. Teaching loads are heavier; students are less well prepared; administrators, imagining themselves CEOs, are absorbed with efficiency and the bottom line. Scholarship is thinned and merchandized, and flung into hyperspace. As I say, I do not know how much of this is accurate, or, to the degree that it is accurate, how much it represents but a passing condition, soon to right itself; how much an inevitable retrenchment from an abnormal, unsustainable high, the smoothing of a blip; how much a sea-change, an alteration, rich and strange, in the structure of chances and possibilities. All I know is that, up until just a few years ago, I blithely, and perhaps a bit fatuously, used to tell students and younger colleagues who asked how to get ahead in our odd occupation that they should stay loose, take risks, resist the cleared path, avoid careerism, go their own way, and that if they did so, if they kept at it and remained alert, optimistic, and loyal to the truth, my experience was that they could get away with murder, could do as they wish, have a valuable life, and nonetheless prosper. I don't do that any more.

Changing the Subject

Everyone knows what cultural anthropology is about: it's about culture. The trouble is that no one is quite sure what culture is. Not only is it an essentially contested concept, like democracy, religion, simplicity, or social justice; it is a multiply defined one, multiply employed, ineradicably imprecise. It is fugitive, unsteady, encyclopedic, and normatively charged, and there are those, especially those for whom only the really real is really real, who think it vacuous altogether, or even dangerous, and would ban it from the serious discourse of serious persons. An unlikely idea, it would seem, around which to try to build a science. Almost as bad as matter.

    Coming into anthropology from a humanities background, and especially from one in literature and philosophy, I saw the concept of culture looming immediately large, both as a way into the mysteries of the field and as a means for getting oneself thoroughly lost in them. When I arrived at Harvard, Kluckhohn was engaged, along with the then dean of the discipline, recently retired from Berkeley, Alfred Kroeber, in preparing what they hoped would be a definitive, message-from-headquarters compilation of the various definitions of "culture" appearing in the literature from Arnold and Tylor forward, of which they found 171, sortable into thirteen categories, and I, supposedly at home among elevated concepts, was conscripted to read over what they had done and suggest changes, clarifications, reconsiderations, and so on. I can't say that this exercise led, for me or for the profession generally, to a significant reduction of semantic anxiety, or to a decline in the birthrate of new definitions; rather the opposite, in fact. But it did plunge me, brutally and without much in the way of guide or warning, into the heart of what I would later learn to call my field's problematic.

    The vicissitudes of "culture" (the mot, not the chose—there is no chose), the battles over its meaning, its use, and its explanatory worth, were in fact only beginning. In its ups and downs, its drift toward and away from clarity and popularity over the next half-century, can be seen both anthropology's lumbering, arrhythmic line of march and my own. By the 1950s, the eloquence, energy, breadth of interest, and sheer brilliance of such writers as Kroeber and Kluckhohn, Ruth Benedict, Robert Redfield, Ralph Linton, Geoffrey Gorer, Franz Boas, Bronislaw Malinowski, Edward Sapir, and, most spectacularly, Margaret Mead—who was everywhere, in the press, at lecterns, before congressional committees, heading projects, founding committees, launching crusades, advising philanthropists, guiding the perplexed, and, not least, pointing out to her colleagues wherein they were mistaken—made the anthropological idea of culture at once available to, well, the culture, and so diffuse and all-embracing as to seem like an all-seasons explanation for anything human beings might contrive to do, imagine, say, be, or believe. Everyone knew that the Kwakiutl were megalomanic, the Dobu paranoid, the Zuni poised, the Germans authoritarian, the Russians violent, the Americans practical and optimistic, the Samoans laidback, the Navaho prudential, the Tepotzlanos either unshakably unified or hopelessly divided (there were two anthropologists who studied them, one the student of the other), and the Japanese shame-driven; and everyone knew they were that way because their culture (each one had one, and none had more than one) made them so. We were condemned, it seemed, to working with a logic and a language in which concept, cause, form, and outcome had the same name.

    I took it as my task, then—though in fact no one actually assigned it to me, and I am not sure to what degree it was a conscious decision—to cut the idea of culture down to size, to turn it into a less expansive affair. (I was, admittedly, hardly alone in this ambition. Discontent with haze and handwaving was endemic in my generation.) It seemed urgent, it still seems urgent, to make "culture" into a delimited no ion, one with a determinate application, a definite sense, and a specified use—the at least somewhat focused subject of an at least somewhat focused science.

    This proved hard to do. Leaving aside the question of what it takes to count as a science, and whether anthropology has any hope of ever qualifying as one, a question that has always seemed factitious to me—call it a study if it pleases you, a pursuit, an inquiry—the intellectual materials necessary to such an effort were simply not available or, if available, unrecognized as such. That the effort was made, again not just by myself, but by a wide range of quite differently minded, that is, differently dissatisfied, people, and that it had a certain degree of success, is a sign not only that some received ideas of "culture"—that it is learned behavior, that it is superorganic, that it shapes our lives as a cake-mold shapes a cake or gravity our movements, that it evolves as Hegel's absolute evolves, under the direction of ingenerate laws toward a perfected integrity—had begun to lose their force and persuasion. It is also a sign that an abundance of new, more effective varieties of what Coleridge called speculative instruments were coming to hand. It turned out to be, almost entirely, tools made elsewhere, in philosophy, linguistics, semiotics, history, psychology, sociology, and the cognitive sciences, as well as to some degree in biology and literature, that enabled anthropologists, as time went on, to produce less panoptical, and less inertial, accounts of culture and its workings. We needed, it seemed, more than one idea, or a hundred and seventy-one versions of the same idea.

    It was, in any case, with such an accumulation of proleptic worries and semi-notions that I departed, after less than a year of preparation, and most of that linguistic, to Java in 1952, to locate and describe, perhaps even to go so far as to explain, something called "religion" in a remote and rural subdistrict five hundred miles south-southeast of Jakarta. Again, I have retailed elsewhere the practical difficulties involved in this, which were enormous (I damn near died, for one thing), but largely overcome. The important point, so far as the development of my take on things is concerned, is that field research, far from sorting things out, scrambled them further. What in a Harvard classroom had been a methodological dilemma, a conundrum to puzzle over, was, in a bend-in-the-road Javanese town, trembling in the midst of convulsive change, an immediate predicament, a world to engage. Perplexing as it was, "Life Among the Javans" was rather more than a riddle, and it took rather more than categories and definitions, and rather more also than classroom cleverness and a way with words, to find one's way around in it.

    What made the "Modjokuto Project," as we decided to call it in the usual, unavailing effort to disguise identities ("Modjokuto" means "Middletown," a conceit I was dubious of then and have grown no fonder of since), particularly disruptive of accepted phrasings and standard procedures was that it was, if not the first, surely one of the earliest and most self-conscious efforts on the part of anthropologists to take on not a tribal group, an island settlement, a disappeared society, a relic people, nor even a set-off, bounded small community of herders or peasants, but a whole, ancient and inhomogeneous, urbanized, literate, and politically active society—a civilization, no less—and to do so not in some reconstructed, smoothed-out "ethnographical present" in which everything could be fitted to everything else in just-so timelessness, but in all its ragged presence and historicity. A folly perhaps; but if so, it is one that has been succeeded by a stream of others that has rendered a vision of culture designed for the (supposedly) seclusive Hopi, primordial Aborigines, or castaway Pygmies futile and obsolete. Whatever Java was, or Indonesia, or Modjokuto, or later, when I got there, Morocco, it wasn't "a totality of behavior patterns ... lodged in [a] group," to quote one of those lapidary definitions from the Kroeber-Kluckhohn volume.

    The years in Modjokuto, both then and later as I kept returning, struggling to keep up with things, turned out not to consist of locating bits of Javanese culture deemed "religious," marking them off from other bits called, no more helpfully, "secular," and subjecting the whole to functional analysis: "Religion" holds society together, sustains values, maintains morale, keeps public conduct in order, mystifies power, rationalizes inequality, justifies unjust deserts, and so on—the reigning paradigm, then and since. It turned out to be a matter of gaining a degree of familiarity (one never gets more than that) with the symbolic contrivances by means of which individuals imagined themselves as persons, as actors, sufferers, knowers, judges, as, to introduce the exposing phrase, participants in a form of life. It was these contrivances, carriers of meaning and bestowers of significance (communal feasts, shadowplays, Friday prayers, marriage closings, political rallies, mystical disciplines, popular dramas, court dances, exorcisms, Ramadan, rice plantings, burials, folk tales, inheritance laws), that enabled the imaginings and actualized them, that rendered them public, discussable, and, most consequentially, susceptible of being critiqued and fought over, on occasion revised. What had begun as a survey of (this has to be in quotes) "the role of ritual and belief in society," a sort of comparative mechanics, changed as the plot thickened and I was caught up in it, into a study of a particular instance of meaning-making and the complexities that attended it.

    There is no need to go further here with the substance of either the study or the experience. I wrote a seven-hundred-page thesis (Professor DuBois was appalled), squashed down to a four-hundred-page book, retailing the outcome. The point is the lessons, and the lessons were:

1. Anthropology, at least of the sort I profess and practice, involves a seriously divided life. The skills needed in the classroom or at the desk and those needed in the field are quite different. Success in the one setting does not insure success in the other. And vice versa.
2. The study of other peoples' cultures (and of one's own as well, but that brings up other issues) involves discovering who they think they are, what they think they are doing, and to what end they think they are doing it, something a good deal less straightforward than the ordinary canons of Notes and Queries ethnography, or for that matter the glossy impressionism of pop art "cultural studies," would suggest.
3. To discover who people think they are, what they think they are doing, and to what end they think they are doing it, it is necessary to gain a working familiarity with the frames of meaning within which they enact their lives. This does not involve feeling anyone else's feelings, or thinking anyone else's thoughts, simple impossibilities. Nor does it involve going native, an impractical idea, inevitably bogus. It involves learning how, as a being from elsewhere with a world of one's own, to live with them.

    Again, the rest is postscript. Over the next forty years, or nearly so, I spent more than ten in the field, developing and specifying this approach to the study of culture, and the other thirty (I have not done very much teaching, at least since I moved to the Institute) attempting to communicate its charms in print.

    There is, in any case, apparently something to the idea of Zeitgeist, or at least to that of mental contagion. One thinks one is setting bravely off in an unprecedented direction and then looks up to find all sorts of people one has never even heard of headed the same way. The linguistic turn, the hermeneutical turn, the cognitive revolution, the aftershocks of the Wittgenstein and Heidegger earthquakes, the constructivism of Thomas Kuhn and Nelson Goodman, Benjamin, Foucault, Goffman, Lévi-Strauss, Suzanne Langer, Kenneth Burke, developments in grammar, semantics, and the theory of narrative, and latterly in neural mapping and the somaticization of emotion all suddenly made a concern with meaning-making an acceptable preoccupation for a scholar to have. These various departures and novelties did not, of course, altogether comport, to put it mildly; nor have they proved of equal usefulness. But they provided the ambience, and, again, the speculative instruments, to make the existence of someone who saw human beings as, quoting myself paraphrasing Max Weber, "suspended in webs of meaning they themselves have spun" a good deal easier. For all my determination to go my own way, and my conviction that I had, I was, all of a sudden, an odd man in.

    After Java there was Bali, where I tried to show that kinship, village form, the traditional state, calendars, law, and, most infamously, the cockfight could be read as texts, or, to quiet the literal-minded, "text-analogues"—enacted statements of, in another exposing phrase, particular ways of being in the world. Then there was Morocco and a similar approach to marabouts, city design, social identity, monarchy, and the arabesque exchanges of the cycling market. At Chicago, where I had by then begun to teach and agitate, a more general movement, stumbling and far from unified, in these directions got underway and started to spread. Some, both there and elsewhere, called this development, at once theoretical and methodological, "symbolic anthropology." But I, regarding the whole thing as an essentially hermeneutic enterprise, a bringing to light and definition, not a metaphrase or a decoding, and uncomfortable with the mysterian, cabalistic overtones of "symbol," preferred "interpretive anthropology." In any case, "symbolic" or "interpretive" (some even preferred "semiotic"), a budget of terms, some mine, some other people's, some reworked from earlier uses, began to emerge, around which a revised conception of what I, at least, still called "culture" could be built: "thick description," "model-of/ model-for," "sign system," "epistemé," "ethos," "paradigm," "criteria," "horizon," "frame," "world," "language games," "interpretant," "sinn-zusamenhang," "trope," "sjuzet," "experience-near," "illocutionary," "discursive formation," "defamiliarization," "competence/performance," "fictio," "family resemblance," "heteroglossia," and, of course, in several of its innumerable, permutable senses, "structure." The turn toward meaning, however denominated and however expressed, changed both the subject pursued and the subject pursuing it.

    Not that all this happened without the usual quota of fear and loathing. After the turns, there came the wars: the culture wars, the science wars, the value wars, the history wars, the gender wars, the wars of the paleos and the posties. Except when driven beyond distraction, or lumbered with sins I lack the wit to commit, I, myself, am shy of polemic; I leave the rough stuff to those who Lewis Namier so finely dismissed as persons more interested in themselves than their work. But as the temperature rose and rhetoric with it, I found myself in the middle of howling debates, often enough the bemused focus of them ("did I say that?"), over such excited questions as whether the real is truly real and the true really true. Is knowledge possible? Is the good a matter of opinion? Objectivity a sham? Disinterestedness bad faith? Description domination? Is it power, pelf, and political agendas all the way down? Between old debenture holders, crying that the sky is falling because relativists have taken factuality away, and advanced personalities, cluttering the landscape with slogans, salvations, and strange devices, as well as a great deal of unrequired writing, these last years in the human sciences have been, to say the least, full of production values. Whatever is happening to the American mind, it certainly isn't closing.

    Is it, then, flying apart? In its anthropological precincts there seem to be, at the moment, a curious lot of people who think so. On all sides one hears laments and lamentations about the lost unity of the field, about insufficient respect for the elders of the tribe, about the lack of an agreed agenda, a distinct identity, and a common purpose, about what fashion and controversy are doing to mannerly discourse. For my part, I can only say, realizing that I am sometimes held responsible—the vogue word is "complicit"—for the fact both that things have gone much too far and that they haven't gone nearly far enough, that I remain calm and unfazed; not so much above the battle, as beside it, skeptical of its very assumptions. The unity, the identity, and the agreement were never there in the first place, and the idea that they were is the kind of folk belief to which anthropologists, of all people, ought to be resistant. And as for not going far enough, rebelliousness is an overpraised virtue; it is important to say something and not just threaten to say something, and there are better things to do with even a defective inheritance than trash it.

    So where am I now, as the millennium approaches me, scythe in hand? Well, I am not going back into the field anymore, at least not for extended stays. I spent my sixtieth birthday crouched over a slit-trench latrine in "Modjokuto" (well, not the whole day, but you know what I mean), wondering what in hell I was doing there at my age, with my bowels. I enjoyed fieldwork immensely (yes, I know, not all the time), and the experience of it did more to nourish my soul, and indeed to create it, than the academy ever did. But when it's over, it's over. I keep writing; I've been at it too long to stop, and anyway I have a couple of things I still haven't said. As for anthropology, when I look at what at least some of the best among the oncoming generations are doing or want to do, in the face of all the difficulties they face in doing it and the ideological static that surrounds almost all adventurous scholarship in the humanities and social sciences these days, I am, to choose my words carefully, sanguine enough of mind. As long as someone struggles somewhere, as the battle cry from my own Wobbly youth had it, no voice is wholly lost. There is a story about Samuel Beckett that captures my mood as I close out an improbable career. Beckett was walking with a friend across the lawn of Trinity College, Dublin, one warm and sunny April morning. The friend said, ah, isn't it now a fine and glorious day, to which Beckett readily assented; it was, indeed, a fine and glorious day. "A day like this," the friend went on, "makes you glad you were ever born." And Beckett said: "Oh, I wouldn't go so far as that."

Waiting Time

In his direct and plainspoken contribution to this series of fablings and auto-obituaries a couple of years ago, so different in tone and aspiration to my own, the cliometrical economic historian, Robert Fogel, concludes by saying that he is working these days on "the possibility of creating life-cycle intergenerational data sets" that will permit him and his research team to "study the impact of socioeconomic and biomedical stress early in life on the rate of onset of chronic disease, on the capacity to work at middle and late ages, and on `waiting time' until death." (He is, I hear from other sources, now weighing rat placentas toward that end.) I am not certain—uncharacteristically, Professor Fogel neglects to give his cutting points—whether I still qualify for the "late ages" or not. But in any case, the "waiting time" category ("Gogo: I can't go on like this. Didi: That's what you think.") and the onset of disabling diseases—Felix Randall, the farrier's, "fatal four disorders / fleshed there, all contended"—cannot be very far away; and as either White remarked to Thurber or Thurber remarked to White, the claw of the old seapuss gets us all in the end.

    I am, as I imagine you can tell from what I've been saying, and the speed at which I have been saying it, not terribly good at waiting, and I will probably turn out not to handle it at all well. As my friends and co-conspirators age and depart what Stevens called "this vast inelegance," and I, myself, stiffen and grow uncited, I shall surely be tempted to intervene and set things right yet once more. But that, doubtless, will prove unavailing, and quite possibly comic. Nothing so ill-befits a scholarly life as the struggle not to leave it, and—Frost, this time, not Hopkins—"no memory of having starred / can keep the end from being hard." But for the moment, I am pleased to have been given the chance to contrive my own fable and plead my own case before the necrologists get at me. No one should take what I have been doing here as anything more than that.

Read More Show Less

Table of Contents

Preface ix
Acknowledgments xv
I. Passage and Accident: A Life of Learning 3
Overture 3
The Bubble 3
Changing the Subject 11
Waiting Time 19
II. Thinking as a Moral Act: Ethical Dimensions of Anthropological Fieldwork in the New States 21
III. Anti Anti-Relativism 42
IV. The Uses of Diversity 68
V. The State of the Art 89
Waddling In 89
Culture War 97
Deep Hanging Out 107
History and Anthropology 118
"Local Knowledge" and Its Limits 133
VI. The Strange Estrangement: Charles Taylor and the Natural Sciences 143
VII. The Legacy of Thomas Kuhn: The Right Text at the Right Time 160
VIII. The Pinch of Destiny: Religion as Experience, Meaning, Identity, Power 167
IX. Imbalancing Act: Jerome Bruner's Cultural Psychology 187
X. Culture, Mind, Brain / Brain, Mind, Culture 203
XI.The World in Pieces: Culture and Politics at the End of the Century 218
The World in Pieces 218
What Is a Country if It Is Not a Nation? 231
What Is a Culture if It Is Not a Consensus? 240
Index 205

Read More Show Less

Customer Reviews

Average Rating 5
( 1 )
Rating Distribution

5 Star


4 Star


3 Star


2 Star


1 Star


Your Rating:

Your Name: Create a Pen Name or

Barnes & Noble.com Review Rules

Our reader reviews allow you to share your comments on titles you liked, or didn't, with others. By submitting an online review, you are representing to Barnes & Noble.com that all information contained in your review is original and accurate in all respects, and that the submission of such content by you and the posting of such content by Barnes & Noble.com does not and will not violate the rights of any third party. Please follow the rules below to help ensure that your review can be posted.

Reviews by Our Customers Under the Age of 13

We highly value and respect everyone's opinion concerning the titles we offer. However, we cannot allow persons under the age of 13 to have accounts at BN.com or to post customer reviews. Please see our Terms of Use for more details.

What to exclude from your review:

Please do not write about reviews, commentary, or information posted on the product page. If you see any errors in the information on the product page, please send us an email.

Reviews should not contain any of the following:

  • - HTML tags, profanity, obscenities, vulgarities, or comments that defame anyone
  • - Time-sensitive information such as tour dates, signings, lectures, etc.
  • - Single-word reviews. Other people will read your review to discover why you liked or didn't like the title. Be descriptive.
  • - Comments focusing on the author or that may ruin the ending for others
  • - Phone numbers, addresses, URLs
  • - Pricing and availability information or alternative ordering information
  • - Advertisements or commercial solicitation


  • - By submitting a review, you grant to Barnes & Noble.com and its sublicensees the royalty-free, perpetual, irrevocable right and license to use the review in accordance with the Barnes & Noble.com Terms of Use.
  • - Barnes & Noble.com reserves the right not to post any review -- particularly those that do not follow the terms and conditions of these Rules. Barnes & Noble.com also reserves the right to remove any review at any time without notice.
  • - See Terms of Use for other conditions and disclaimers.
Search for Products You'd Like to Recommend

Recommend other products that relate to your review. Just search for them below and share!

Create a Pen Name

Your Pen Name is your unique identity on BN.com. It will appear on the reviews you write and other website activities. Your Pen Name cannot be edited, changed or deleted once submitted.

Your Pen Name can be any combination of alphanumeric characters (plus - and _), and must be at least two characters long.

Continue Anonymously

    If you find inappropriate content, please report it to Barnes & Noble
    Why is this product inappropriate?
    Comments (optional)