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An American classic of sexual expression that paved the way for the modern novel, The Awakening is both a remarkable novel in its own right and a startling reminder of how far women in this century have come. The story of a married woman who pursues love outside a stuffy, middle-class marriage, the novel portrays the mind of a woman seeking fulfillment of her essential nature.
Upon the pleasant veranda of Pere Antoine's cottage, that adjoined the church, a young girl had long been seated, awaiting his return. It was the eve of Easter Sunday, and since early afternoon the priest had been engaged in hearing the confessions of those who wished to make their Easters the following day. The girl did not seem impatient at his delay; on the contrary, it was very restful to her to lie back in the big chair she had found there, and peep through the thick curtain of vines at the people who occasionally passed along the village street.
She was slender, with a frailness that indicated lack of wholesome and plentiful nourishment. A pathetic, uneasy look was in her gray eyes, and even faintly stamped her features, which were fine and delicate. In lieu of a hat, a barege veil covered her light brown and abundant hair. She wore a coarse white cotton 'josie,' and a blue calico skirt that only half concealed her tattered shoes.
As she sat there, she held carefully in her lap a parcel of eggs securely fastened in a red bandana handkerchief.
Twice already a handsome, stalwart young man in quest of the priest had entered the yard, and penetrated to where she sat. At first they had exchanged the uncompromising 'howdy' of strangers, and nothing more. The second time, finding the priest still absent, he hesitated to go at once. Instead, he stood upon the step, and narrowing his brown eyes, gazed beyond the river, off towards the west, where a murky streak of mist was spreading across the sun.
'It look like mo' rain,' he remarked, slowly and carelessly.
'We done had 'bout 'nough,' she replied, in much the same tone.
'It's no chance tothin out the cotton,' he went on.
'An' the Bon-Dieu,' she resumed, 'it's on'y to-day you can cross him on foot.'
'You live yonda on the Bon-Dieu, donc?' he asked, looking at her for the first time since he had spoken.
'Yas, by Nid Hibout, monsieur.'
Instinctive courtesy held him from questioning her further. But he seated himself on the step, evidently determined to wait there for the priest. He said no more, but sat scanning critically the steps, the porch, and pillar beside him, from which he occasionally tore away little pieces of detached wood, where it was beginning to rot at its base.
A click at the side gate that communicated with the churchyard soon announced Pere Antoine's return. He came hurriedly across the garden-path, between the tall, lusty rosebushes that lined either side of it, which were now fragrant with blossoms. His long, flapping cassock added something of height to his undersized, middle-aged figure, as did the skullcap which rested securely back on his head. He saw only the young man at first, who rose at his approach.
'Well, Azenor,' he called cheerily in French, extending his hand. 'How is this? I expected you all the week.'
'Yes, monsieur; but I knew well what you wanted with me, and I was finishing the doors for Gros-Leon's new house' saying which, he drew back, and indicated by a motion and look that some one was present who had a prior claim upon Pere Antoine's attention.
'Ah, Lalie!' the priest exclaimed, when he had mounted to the porch, and saw her there behind the vines. 'Have you been waiting here since you confessed? Surely an hour ago!'
'Yes, monsieur.'
'You should rather have made some visits in the village, child.'
'I am not acquainted with any one in the village,' she returned.
The priest, as he spoke, had drawn a chair, and seated himself beside her, with his hands comfortably clasping his knees. He wanted to know how things were out on the bayou.
'And how is the grandmother?' he asked. 'As cross and crabbed as ever? And with that'—he added reflectively—'good for ten years yet! I said only yesterday to Butrand—you know Butrand, he works on Le Blot's Bon-Dieu place—'And that Madame Zidore: how is it with her, Butrand? I believe God has forgotten her here on earth.''It isn't that, your reverence,' said Butrand, 'but it's neither God nor the Devil that wants her!'' And Pere Antoine laughed with a jovial frankness that took all sting of ill-nature from his very pointed remarks.
About the Series
About this Volume
PART I. THE AWAKENING: THE COMPLETE TEXT
Introduction: Biographical and Historical Contexts
The Complete Text [The 1969 Seyersted Edition]
New Cultural Documents
New Two Contemporary Reviews of The Awakening:
From "Recent Novels" (The Nation 69, 3 August 1899, 96)
From "Books of the Week" (Providence Sunday Journal, 4 June 1899, 15)
New Two Principles in Recent American Fiction, James Lane Allen (The Altantic Monthly, October 1897)
New Home Study for Young Ladies: Visiting Cards (from Collier's Cyclopedia of Commercial and Social Information and Treasury of Entertaining Knowledge, 1887)
New The Dressing-Table New Advertisements from Women's Magazines
Lablanche Face Powder (Ladies Home Journal, August 1899)
Braided Wire Bristles and Forms (Ladies Home Journal, May 1899)
Ferris's Good Sense Corset Waists: When Beauty Reigns (Harper's Magazine, January 1899)
The Whitely Exerciser (Ladies Home Journal, December 1896)
New Fashion Plates from Women's Magazines
Plate No. 7 (Godey's Magazine, January 1897)
Plate No. 6 (Godey's Magazine, March 1897)
Plate No. 7 (Godey's Magazine, August 1897)
New A People Who Live Amid Romance, Ruth McEnery Stuart, (Ladies Home Journal, December 1896)
New The Artist and Marriage (The Atlantic Monthly, January 1899)
New What It Means to Be a Wife, Helen Watterson Moody, (Ladies Home Journal, March 1899)
New The True Meaning of Motherhood,Helen Watterson Moody, (Ladies Home Journal, May 1899)
New What Women Find to Do all Day (Ladies Home Journal, April 1899)
New The Evolution of Woman in the South, Walter Gregory, (Godey's Magazine, October 1897)
PART II. THE AWAKENING: A CASE STUDY IN CONTEMPORARY CRITICISM
A Critical History of The Awakening
Feminist Criticism and The Awakening
What Is Feminist Criticism?
Feminist Criticism: A Selected Bibliography A Feminist Perspective:
Elaine Showalter, Tradition and the Female Talent: The Awakening as a Solitary Book
Gender Criticism and The Awakening
What Is Gender Criticism?
Gender Criticism: A Selected Bibliography A Gender Perspective:
New Elizabeth LeBlanc, The Metaphorical Lesbian: Edna Pontellier in The Awakening
New Historicism and The Awakening
What Is New Historicism?
New Historicism: A Selected Bibliography A New Historicist Perspective:
Margit Stange, Personal Property: Exchange Value and the Female Self in The Awakening
Deconstruction and The Awakening
What Is Deconstruction?
Deconstruction: A Selected Bibliography A Deconstructionist Perspective:
Patricia S. Yaeger, "A Language Which Nobody Understood": Emancipatory Strategies in The Awakening
Reader-Response and The Awakening
What Is Reader-Response Criticism?
Reader-Response Criticism: A Selected Bibliography A Reader-Response Perspective:
Paula A. Treichler, The Construction of Ambiguity in The Awakening: A Linguistic Analysis
New Combining Critical Perspectives:
Cynthia Griffin Wolff, Un-utterable Longing: The Discourse of Feminine Sexuality in Kate Chopin's The Awakening
Glossary of Critical and Literary Terms
About the Contributors
A green and yellow parrot, which hung in a cage outside the door, kept repeating over and over:
"Allez vous-en! Allez vous-en! Sapristi! That's all right!"
He could speak a little Spanish, and also a language which nobody understood, unless it was the mockingbird that hung on the other side of the door, whistling his fluty notes out upon the breeze with maddening persistence.
Mr. Pontellier, unable to read his newspaper with any degree of comfort, arose with an expression and an exclamation of disgust. He walked down the gallery and across the narrow "bridges" which connected the Lebrun cottages one with the other. He had been seated before the door of the main house. The parrot and the mockingbird were the property of Madame Lebrun, and they had the right to make all the noise they wished. Mr. Pontellier had the privilege of quitting their society when they ceased to be entertaining.
He stopped before the door of his own cottage, which was the fourth one from the main building and next to the last. Seating himself in a wicker rocker which was there, he once more applied himself to the task of reading the newspaper. The day was Sunday, the paper was a day old. The Sunday papers had not yet reached Grand Isle. He was already acquainted with the market reports, and he glanced restlessly over the editorials and bits of news which he had not had time to read before quitting New Orleans the day before.
Mr. Pontellier wore eye-glasses. He was a man of forty, of medium height and rather slender build; he stooped a little. His hair was brown and straight, parted on one side. His beard was neatly and closely trimmed.
Once in a while he withdrew his gorch, facing each other, each leaning against a supporting post.
"What folly! to bathe at such an hour in such heat!" exclaimed Mr. Pontellier. He himself had taken a plunge at daylight. That was why the morning seemed long to him.
"You are burnt beyond recognition," he added, looking at his wife as one looks at a valuable piece of personal property which has suffered some damage. She held up her hands, strong, shapely hands, and surveyed them critically, drawing up her lawn' sleeves above the wrists. Looking at them reminded her of her rings, which she had given to her husband before leaving for the beach. She silently reached out to him, and he, understanding, took the rings from his vest pocket and dropped them into her open palm. She slipped them upon her fingers; then clasping her knees, she looked across at Robert and began to laugh. The rings sparkled upon her fingers. He sent back an answering smile.
"What is it?" asked Pontellier, looking lazily and amused from one to the other. It was some utter nonsense; some adventure out there in the water, and they both tried to relate it at once. It did not seem half so amusing when told. They realized this, and so did Mr. Pontellier. He yawned and stretched himself. Then he got up, saying he had half a mind to go over to Klein's hotel and play a game of billiards.
"Come go along, Lebrun," he proposed to Robert. But Robert admitted quite frankly that he preferred to stay where he was and talk to Mrs. Pontellier.
"Well, send him about his business when he bores you, Edna," instructed her husband as he prepared to leave.
"Here, take the umbrella," she exclaimed, holding it out to him. He accepted the sunshade, and lifting it over his head de scended the steps and walked away.
"Coming back to dinner?" his wife called after him. He halted a moment and shrugged his shoulders. He felt in his vest pocket; there was a ten-dollar bill there. He did not know; perhaps he would return for the early dinner and perhaps he would not. It all depended upon the company which he found over at Klein's and the size of "the game." He did not say this, but she understood it, and laughed, nodding good-by to him.
Both children wanted to follow their father when they saw him starting out. He kissed them and promised to bring them back bonbons and peanuts.
Copyright © 1998 by Simon & Schuster
A fascinating glimpse into a world that is past -- a world that was on the brink of change. Even if this were not a gripping story in its own right (which, by all means, it is), "The Awakening" would be worth reading simply for this social-historical vision.
This edition of The Awakening is a beautifully compiled work. I found it incredibly insightful as I used it for research papers in high school and college. The essays and criticism from Chopin's era are priceless. It was so helpful to have those along with the text, they really gave insight one could not find elsewhere. The Awakening continues to be my favorite book, this my favorite edition. If you are going to write a paper on this book or Chopin there is no other book that will help you more. This was a shocking novel in 1899 but today Pontellier's turmoil and dilemma would be neither unusual nor frightening and perhaps that is why modern man and woman usually succeed in handling these situations in a far better way than Pontellier.
6 out of 6 people found this review helpful.
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Posted November 9, 2011
This book was a waste of my money. The book had too many languages in it. The story line made absolutely no sense. The book was very slow from beginning to end. Im gonna warn you right now.....this book will waste your time and money.
4 out of 8 people found this review helpful.
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Posted August 22, 2011
To anyone hoping for any sort of entertainment from this story, you will be sorely disappointed. The characters are bland and flat, the plot holds no substance and the main conflict delivers neither a good payoff nor a satisfying resolution. The book's main character is meant to give off an air of independence and strength. She is meant to represent changing times and the will of women everywhere. Instead she comes off as a whiney brat with not a care for anyone but herself. Not only does she neglect her husband, but also the children that she brought into thos world. She moans and groans about the lack of attention given to her, all while completely staying in the background, running about with other men. No character in this novel is likable, and the ones who you manage not to hate all end up being boringand underused. Do not read this book.
3 out of 5 people found this review helpful.
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Posted June 20, 2007
A broad-brush, sociological analysis of the book reveals that it¿s a story that features an `individual-versus-society¿ theme, raising the usual thought-provoking questions: Can individuals flaunt with impunity the unwritten laws of society? Can they break out of the mold in which society has cast them? Or do they, for all their valiant efforts, end up affirming the truth of the Japanese proverb: `The nail that sticks out will be hammered down¿? Here, you have Edna Pontellier, a married Creole woman of the late 19th century who, by a confluence of circumstances, realizes that she¿s been straitjacketed by conventions all her life and thereafter resolves ¿ without much thought of the consequences ¿ to free herself from the chokehold of a bland existence and give full form and substance to her intellectual, artistic, emotional, and sexual proclivities. She thus takes a series of bold, reckless steps in this direction, and not even the sweet joys of parenthood or the discreet interventions of friends like Adele Ratignolle and Dr. Mandelet can hold her back. Indeed, she finds herself incurably captivated by the prospect of attaining full independence (and by implication, gaining unqualified affirmation of her individuality) she¿s drawn to it like a moth to a flame. Not surprisingly, however, her precipitate transformation heightens her sense of isolation even as it gives her a sense of empowerment. The more she becomes more of herself, the more her sense of attachment to others unravels. Unfortunately for her, the trade-off between independence and isolation takes on the character of a Faustian bargain, and consequently, her situation becomes increasingly unbearable. Things come to a head when Robert Lebrun, for whom she has felt the stirrings of passion, eventually, reluctantly, reveals his affection for her but proves unable ¿ or unwilling? ¿ to act on it. Unlike her, he is still pretty much a product of the society in which he has been bred. He can¿t ¿ or won¿t? ¿ bring himself to defy communal expectations by having an illicit affair with her no matter how much he loves her, no matter how much she wants it. And this turn of events proves to be the proverbial last straw, predisposing her to kill herself. In view of the ending, how then should one interpret the story? Is this a resounding triumph of society over a defiant individual? Or is this a tragic yet heroic struggle of a defiant individual? It¿s all a matter of perspective, I reckon. Those who regard Edna Pontellier¿s transformation as a mutation will say it¿s about the dire, social consequence of individual maladjustment, of an individual¿s misguided desire to defy social conventions in pursuit of self-reinvention. On the other hand, those who regard it as a metamorphosis (yours truly included) will say it¿s about the provocative assertion of individuality in the face of overwhelming social constraints it¿s about an individual who has tired of playing by the stipulated rules of the game, as it were, and dares to quit for good ¿ and does so to good effect.
3 out of 4 people found this review helpful.
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Posted October 15, 2010
Kate Chopin's The Awakening was published on April 22, 1899 by Herbert S. Stone & Company in Chicago. Chopin wrote the feminist novel in the time period when husbands had expectations that the wife must accomplish. Caring for the kids and keeping the house intact were just a few expectations among others. Chopin writes from the perspective of a trapped woman who frees herself from the ropes her husband has tied. With much detail, Chopin describes every step taken by the protagonist, Edna Pontellier, as she advances and quickly becomes the woman she has dreamt to be. Her transition from obedient wife to independent soul takes Mrs. Pontellier through an unforgettable journey. The adventure, which Mrs. Pontellier embarks on, introduces her to liberation and independence.
The Awakening would best fit readers who are willing to dig deeper into the novel. Readers should be willing to extract her action in order to completely understand her reasons. I would recommend this novel to high school students with moderate experience in challenging books. The pacing in this difficult novel is slow. The author wrote this story in a short time frame in order to give specific detail on her experiences with liberty. The protagonist developed her character early in the novel. As the novel began, readers could see signs of a woman taking the first steps of rebellion. Towards the end, it was evident that Mrs. Pontellier had completely transformed from a trapped soul to soaring dove, living her life to the fullest. She threw a party at her house while her husband was away to show her independence as a new woman.
2 out of 2 people found this review helpful.
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Posted June 7, 2005
This book was about a woman that clearly did not know what she wanted. She was so confused that it annoyed me. She had a husband that treated her well and two children but decided that wasn't the life for her. Instead she fools around with another man while in love with a different one than that. She is a tease and just couldn't surrender to the conformity of life. I despised this book quite a bit. She clearly had mental problems and should have been institutionalized. The best part about the book is the end when she kills herself and proves that she truly is crazy. I would reccomend this book to no one.
2 out of 3 people found this review helpful.
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Posted June 9, 2005
The book is about a woman trying to find herself while bound by the constraints of society. Throughout the book she falls asleep and reawakens to realize something new about herself. I believe that the story of the book is very strong, but where it lacks is in the writing itself. I found the writing to be drawn out, and too wordy. Chopin was a turn of the century writer, and many of these writers used such a style. I believe Chopins other works such as her short story Deseree's Baby, were a little more exciting and were a bit easier to read because they were in short story form. The story of The Awakening could make a very good short story, but the novel form drags the story too much.
2 out of 2 people found this review helpful.
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Posted January 2, 2005
I read Kate Chopin's The Awakening for a Lit course.I have read many books.Chopin's stories stay in my mind.I remember her characters as REAL people.
2 out of 2 people found this review helpful.
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Posted December 29, 2004
I had to read this book for school. I usually like to read but this book was so bad I could barely stand it.
2 out of 3 people found this review helpful.
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Posted July 6, 2004
i read a lot and i love to read but i had to read this book for mah AP english class and i literally had to force myself to read it. it is such a slow moving boring book.i wouldnt recommend it to anyone, in fact i recommend that you dont read it and spare yourself the pain.
2 out of 4 people found this review helpful.
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Posted January 4, 2000
I found the book sad. The message of this book seems to be if you find that your life as taken you someplace you don't like - just give up. Not the message I want my daughters to get.
2 out of 2 people found this review helpful.
Was this review helpful? Yes NoThank you for your feedback. Report this reviewThank you, this review has been flagged.As a feminist I find it more than a little depressing that this book was so influential within the movement. Though I can sympathize with the protagonist's plight, I cannot sympathize with her. She's not terribly nice, and it's not clear that it's her circumstances that make her that way; she just seems like an incorrigible person (I could explain this further, but I'd have to give away the ending, and I don't think that's not allowed). It's no wonder she's so unhappy.
1 out of 1 people found this review helpful.
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Posted January 21, 2012
This book is annoyingly boring and provided insight into the dull minds of 17th century women.
1 out of 2 people found this review helpful.
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Posted January 3, 2012
Boringggg !!!!
1 out of 2 people found this review helpful.
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Posted January 3, 2012
This book is very slow and boring .
1 out of 2 people found this review helpful.
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Posted December 3, 2011
A little too much description for every movement & thought. Very slow & boring!
1 out of 2 people found this review helpful.
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Posted May 1, 2011
I love this book! I have it in 3 different forms and this particular one has a few small glitches but nothing major! cant beat the price:0
1 out of 1 people found this review helpful.
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Posted April 11, 2011
"I would give up the unessential; I would give up my money, I would give up my life for my children; but I wouldn't give myself." THE AWAKENING written by Kate Chopin portraits a world back in the late 1800s. A fascinating story of the life of a young woman, who is also a wife and a mother, shows challenges against the values of the world during that particular time period. Kate Chopin describes a world that she has been dreaming of, that she believes in women can say something rather than being controlled by men. The protagonist went against the important moral issue that was highly valued back in those days. The author applied adultery issues into the life of the main character to describe her journey towards freedom and independence. The story itself is a well-written piece, which made it easier for readers to take a quick glance into a world that has been nearly hundred years ago. Even though the novel is one of the most famous classic pieces, the clear usage of language and style of the author helped the readers in the process of understanding the conflicts. Kate Chopin, an explorer who challenged the idea of sexuality in American literature back in 1800s will guide readers to awaken their minds of ideas of individuality and liberty, which are concepts that we can observe in today's world thankful to the pioneer authors.
1 out of 2 people found this review helpful.
Was this review helpful? Yes NoThank you for your feedback. Report this reviewThank you, this review has been flagged.I read The Awakening to celebrate Banned Books Week 2010, after I found it on a list of frequently challenged books. It's a wonderful book, but only if you are prepared to appreciate it for what it is: an early feminist novel and a classic. Don't pick this book up if you're looking for a love story! The Awakening is about a Victorian woman who realizes how trapped she is, and not really about sex or love, though that is what makes her realize it.
1 out of 2 people found this review helpful.
Was this review helpful? Yes NoThank you for your feedback. Report this reviewThank you, this review has been flagged.While the book can be a tad slow on some of the parts, the book is still great to read on how some women in the 19th century would feel about their lives. And you can be sure of the authenticity since Kate Chopin was one herself. Edna was a good character through her desperation of wanting to be free but feeling stuck in the world of what women should do The book was definitely a good read.
1 out of 1 people found this review helpful.
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Overview
The Awakeningby Kate Chopin
First published in 1899, this beautiful, brief novel so disturbed critics and the public that it was banished for decades afterward. Now widely read and admired, The Awakening has been hailed as an early vision of woman’s emancipation. This sensuous book tells of a woman’s abandonment of her family, her seduction, and her awakening to desires and passions that threaten to consume her.
Originally entitled A Solitary Soul, this portrait of twenty-eight-year-old Edna Pontellier is a ...