Away with the Fairies (Phryne Fisher Series #11)

Away with the Fairies (Phryne Fisher Series #11)

4.6 13
by Kerry Greenwood

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About the Author:
Kerry Greenwood is the author of seventeen novels and the editor of two collections. She is also the author of several books for young adults and the Delphic Women series. When she is not writing she is an advocate in Magistrates' Courts for the Legal Aid Commission. She is not married, has no children and lives with a registered Wizard.


About the Author:
Kerry Greenwood is the author of seventeen novels and the editor of two collections. She is also the author of several books for young adults and the Delphic Women series. When she is not writing she is an advocate in Magistrates' Courts for the Legal Aid Commission. She is not married, has no children and lives with a registered Wizard.

Editorial Reviews

Weekend Australian
Phryne Fisher is a character whose personality falls somewhere between gentle femininity and hard-boiled forensic capabilities. It is a combination which celebrates the emerging individual women of the 1920s.
City Weekly
I loved this book.... its central character is a cool, elegant, sharply intelligent female sleuth called Phryne Fisher, whose glamour belies the fact that she is both fierce and fiercely independent.
Adelaide Advertiser
Phryne infiltrates the staff of Women's Choice with all the aplomb of Lord Peter Wimsey taking on the advertising game, casually dispensing balm to fragile egos and down-to-earth fashion advice while she penetrates the secrets of the magazine's agony page and follows a tortuous trail of clues to a suitably unexpected conclusion.
Publishers Weekly
In this low-key debut, set in 1950, John McIntire, retired military intelligence officer and newly appointed township constable, has to investigate the death of a boyhood friend, Nels Bertelson, in their hometown of St. Adele on Michigan's Upper Peninsula. A fisherman of Norwegian stock, Bertelson is found dead on his boat his pants down, a syringe at his feet apparently from a bee sting, to which he was highly allergic. It looks like Bertelson tried to give himself an injection of epinephrine, without success. The antidote vial, however, is missing. Everyone is satisfied with the verdict of a natural death, except McIntire. Bertelson grew up to become a quarrelsome man, who argued with just about everybody, but did anyone hate him enough to kill? McIntire does have a suspect, a troubled young man, David Slocum, who was known to have fought with Bertelson and has since gone missing. Another unlikely victim is Cindy Culver, an adolescent femme fatale, whose strangled body was seen in the woods but then disappears. Convinced that the two murders are connected, McIntire mulls everything over interminably, when not engaged in endless chat that does little to further the action. Hill nicely captures the color and feel of the Michigan wilderness, but bland characters and a less than compelling plot don't generate much excitement or suspense. Hopefully, future cases in this series will have more zing. (July 1) Copyright 2002 Cahners Business Information.
Library Journal
After living 30 years or more in England, John McIntire returns to 1950s St. Adele, MI, where he takes on the job of constable. Usually lacking for significant cases, he finds his intellect challenged by the apparent accidental death (owing to an allergic reaction) of an old school chum on his fishing boat. Several details bother John, who begins an investigation even before the coroner concedes the possibility of murder. Crisp prose, fanciful plotting, and an emphasis on character, descriptive detail, and Scandinavian influence make this debut mystery well worth reading. Copyright 2002 Cahners Business Information.
Kirkus Reviews
In 1920s Melbourne, an emancipated sleuth solves a murder at a woman's magazine and rescues her shanghaied lover. As Rosebud Peachblossom, Marcella Lavender wrote and illustrated books for children and did similar work for the magazine Women's Choice. But her personality was far from winsome, and now her maid Mercy has found her stiffening at the breakfast table. Police inspector Jack Robinson again solicits the help of elegant investigator Phryne Fisher, who goes undercover at the magazine, inheriting much of Miss Lavender's workload, in order to focuses on her coworkers, a colorful group untouched by grief. The field of suspects widens when Phryne finds a host of angry letters to Artemis, under which sobriquet Miss Lavender wrote an advice column. She takes gossipy Miss Prout to lunch at the Adventuress Club to pump her for information about her colleagues. Meanwhile, Phryne's lover Lin Chung hasn't returned from a Chinese silk-buying trip or contacted her. His disapproving family offers neither help nor support, even after she learns he's been kidnapped. Phryne undertakes a daring maritime rescue before returning to Women's Choice to expose the killer. Greenwood (Murder at Montparnasse, not reviewed, etc.) crafts a passable whodunit, but terrific historic color (complete with a three-page bibliography) and the blithe proto-feminist heroine are the real highlights here.
From the Publisher
"Phryne Fisher isnt really a glossy girl, she's just pretending to be one to solve the suspicious death of an old luvvie who wrote and illustrated fairy stories for a womens magazine. Not exactly riveting reading by todays standards, but this story is set in the 20s when women read articles on how to be virtuous, and never ventured out without a hat or gloves. Greenwood manages to evoke the elegance of the era in this charming tale, which dwells as much on the wardrobe of the heroine as the morbid details of murder and mayhem."  — Vogue Magazine, June 2001

"Greenwood crafts a passable whodunit, but terrific historic color (complete with a three page bibliography) and the blithe proto-feminist heroine are the real highlights here."  — Kirkus Reviews

"This series is the best Australian import since Nicole Kidman, and Phryne is the flashiest new female sleuth in the genre."   — Booklist

"Kerry Greenwood makes it impossible for the audience not to like the charming Phyrne or her investigations."  —Midwest Book Review

Product Details

Poisoned Pen Press
Publication date:
Phryne Fisher Series, #11
Sales rank:
Product dimensions:
5.40(w) x 8.30(h) x 1.00(d)

Read an Excerpt

Away with the Fairies

A Phryne Fisher Mystery

By Kerry Greenwood

Poisoned Pen Press

Copyright © 2001 Kerry Greenwood
All rights reserved.
ISBN: 978-1-59058-313-5


In concealment of illumination, it is beneficial to be upright in difficulty.

Hexagram 36: Ming I

The I Ching Book of Changes

'Drat,' said Mercy Porter, balancing the tray on a concrete cherub as she tugged at the latch on the Garden Apartment gate. 'Damn,' she said aloud as her fingernail snagged and broke. She nudged the gate open with her knee, marking her white apron—clean on that morning, and she had to do her own washing—with moss. As there were really no other expletives she could use aloud without imminent danger of the sack, she bit her lip and steadied the tray.

There had to be something else she could do for a living in this modern year of 1928, she thought, stepping carefully along the paved path through a forest of brightly painted stone figures. I hate all this useless rubbish. Why fill up a garden with statues instead of plants? That gnome with the fishing rod is always out to ladder my stockings.

She avoided the fishing gnome, ascended three stone steps and knocked at the pink door of the Garden Apartment. That Miss Lavender always went crook if her tea was cold, and the delay in the kitchen while the cook had been telling the grocer's boy about her hay fever had made Mercy ten minutes late. The tea would be stewed if she didn't get it on the table quick smart, and then there'd be hell to pay.

The door remained shut. Mercy put the tray down on a convenient bird table and plied the fancy brass knocker in the shape of the Lincoln Imp hard enough to jar that demonic person's teeth out. The garden was silent and soggy on this wet, sullen morning. The blows of the knocker seemed to echo through the house.

The pink door swung open. Not like Miss Lavender not to lock her door. Mercy went in, tray first, kicking the door shut behind her, and turned sharp left into the sitting room of Wee Nooke. Miss Lavender had caused this name to be painted up over the door in letters of a pink which blushed for its presumption. The apartment, which had once been a gardener's shed before being extensively rebuilt, was overwhelmingly decorated and smelt, as always, of a potpourri of perfumes. Lavender, rose, almond blossom, talcum powder and a slight under-hint of gin. Mercy sneezed and wondered if hay fever was catching. Where was the old chook, anyway?

The tenant of the house was sitting at the table with her back to the maid.

'Miss Lavender?' asked Mercy. 'I've brought your breakfast. Nice hot tea,' she added encouragingly, pushing a music box with a fairy doll dressed in bright red gauze on top across the table and setting the tray down with a thump.

Miss Lavender did not move. She sat alarmingly still with her head bowed into her clasped hands as though she was praying. When Mercy, who had seven breakfasts still to distribute, touched Miss Lavender's shoulder, she slid sideways with a peculiarly boneless wriggle and fell to the floor. Her face was perfectly blue (which clashed dreadfully with her pink garments) and she was, Mercy was sure, extremely dead.

Mercy made it to the door and screamed for help before she fainted.

* * *

Phryne Fisher had dined the night before with Jane and Ruth, her thirteen-year-old adoptive daughters, a couple of wharfies called Bert and Cec, a policeman called Hugh Collins, her maid and companion Dorothy (Dot) Williams, a small humble dog called Molly because she looked like one, and the cat, Ember. This had constituted a reasonably merry party. A huge and delicious dinner had been cooked by Mrs. Butler and served by Mr. Butler. Much champagne had been consumed and the matter of the robbery from the Dean's safe thoroughly thrashed out. Other stories from her trip to Sydney had not been told except in a severely edited form. She had distributed the presents—a wristwatch each for Hugh, Bert and Cec, a crocodile handbag for Dot, a book on anatomy for Jane and, for the sensible Ruth, Plats Nouveaux by the celebrated chef M Paul Reboux, which might have the double benefit of tickling Ruth's palate and improving her French. Phryne hoped that she would not find his disrespectful comments on champagne too inflammatory. Phryne had never meant to acquire daughters. But, since the rescue of Jane from a nasty destination and the removal of Ruth from domestic slavery, they had adorned her household. Though they had also introduced Molly. Her dependants and friends were all well and gratifyingly delighted that she had returned from Sydney and still loved them. And she did.

She loved them even more this morning because the girls were at school, Dot had gone for a bracing early walk, the animals were in the kitchen (the butcher's boy had just called) and Hugh, Bert and Cec had gone home to their several virtuous couches. Therefore Phryne was breakfasting alone, which was the way she felt breakfast ought to be taken. Phryne had never woken up wondering who or where she was, though in her Apache French phase she had been a little in the dark about who was reposing beside her. She felt that the day should not be bounced in on with rude energy, but carefully and delicately seduced into being, and children and animals were sadly impervious to reason on this matter.

She sipped another sip of aromatic coffee, forked in her last mouthful of perfectly prepared omelette aux fines herbes, and prepared for the exquisite pleasure of lighting the first gasper of the day.

She had just fixed the cigarette in its long ivory holder and raised the lighter to ignite it when the doorbell rang.

'Damn,' said Phryne. She lit the cigarette anyway. But at least she was now properly awake, and the day, though soggy, appeared to have been aired. Who could be at the door? Too early for the post. A delivery? They usually went to the kitchen door. A visitor? No one knew that she was back as yet. An announcement would soon appear in social notes in Table Talk, of course, along the lines of 'The Hon. Miss Phryne Fisher has returned from her sojourn in Sydney to the delight of all her many admirers.' Then, no doubt, she would have callers.

Phryne avoided the undesirables by warning Mr. Butler in advance that she was never at home to bores. He seemed to have a remarkable ability to weed them out at the door. When taxed with this, he replied magisterially that years of work at a gentleman's club had given him a certain facility. Phryne could only smile and approve.

Footsteps sounded in the hall. Mr. Butler was admitting someone, taking their coat and umbrella and ushering them into the small parlour. Phryne blew a smoke ring and waited. Mr. Butler appeared.

'Detective Inspector Robinson, Miss Fisher,' he announced, in tones more fitting to the breaking of news of the tragic death of a near relative.

'I wonder how he knew I was back? Please clear away, Mr. B, and bring me some more coffee and some tea for the Detective Inspector. I'll ask him if he'd like some breakfast,' she added. 'You know how he likes Mrs. B's cuisine.'

'Yes, Miss Fisher,' said Mr. Butler, bowing a little at this appreciation of Mrs. Butler's skill. He carried the detritus of the feast out to the kitchen while Phryne went to find her favourite policeman.

He was sitting on a cane chair, staring into the depths of a bowl of irises as though it might contain the answer to the question which was dragging his brows together. He was an unmemorable, subfusc man, with mid brown hair and mid brown eyes. Phryne had learned early in their acquaintance that if she looked away from Jack Robinson, she could not envisage his face. It was a very useful attribute for a policeman, and she supposed that his wife had some mnemonic which recalled him to mind. Or possibly he was tattooed with his name and address. Phryne tore her mind away from an indelicate speculation on where this information might be placed, and coughed to announce her presence. Robinson looked up from the irises. They had obviously not been informative. He looked stricken.

'Jack, dear, how very nice to see you!' she exclaimed, putting out both hands to draw him to his feet. 'Do come in and have some tea. Or perhaps some breakfast?'

'Just tea, thank you,' he answered. Phryne was wearing a cherry red dressing gown and a Spanish shawl of far too many colours. Robinson had always admired her adamant refusal to wear pastels. The Spanish shawl, embroidered in red and blue and gold, dazzled his eye and provided a nice splotch of colour in the sea-green, sea-blue decor. Phryne herself looked well. Her holiday had agreed with her, it seemed. She looked even more like a Dutch doll than usual: pink cheeks, bright green eyes, shiny black hair cut in a cap.

'You're looking fine, Miss Fisher,' he said with an effort. 'Decided not to stay in the city by the bay, then?'

'Too fast,' said Phryne, fanning herself with a corner of the shawl. 'Too busy and too, too hot. I have decided that I don't like the tropics. Come along,' she said, leading the detective out of the front room and into her own parlour, cool as the inside of a seashell. The table bore a fresh pot of coffee and a Chelsea teapot shaped like a thatched cottage with matching milk jug, sugar basin and cups and saucers. Phryne loved this set because the cups were big enough for a reasonable amount of coffee, and Mrs. Butler doted on the design.

It seemed to affect Jack Robinson. He winced.

'Whatever is the matter, Jack, dear?' asked Phryne. 'Rheumatism or aesthetic twinges?'

'Probably the latter, Miss Fisher. Not that I'm saying anything against your teapot, though, if it's got tea in it. I'm parched.'

'It certainly has. But say the word and I'll have it transferred into my new Art Moderne silver pot—perfectly bare, just a shape.'

'No, no, please. It's real pretty and that sugar basin in the shape of a haystack is nice. It's just that I've been out to a suspicious death this morning and I'm a bit sensitive on ... er ...'

'Porcelain which is just too, too cunning for words?' asked Phryne, pouring.

'Er ...'

'Overdosed on what the Americans call "cute"?'

'Just that. You never saw such stuff. Thanks.' The room was silent except for the soft, soothing noise of a policeman absorbing tea. Phryne was intrigued. Jack Robinson had a habit of quoting Shakespeare, who he considered a good working poet with a word for every situation, but she had never suspected him of being at all precious. And that Chelsea set was worth a small fortune. It was one of the few things that Phryne had retained from her childhood. The only reason her father hadn't sold it in his indigent days had been that Phryne herself had hidden one of the cups, delighted by the country scene on the side and the fluted edging. Then her father had succeeded to the title, acquired a large fortune (his grandfather had married an American heiress) and had given the set to Phryne with a fine generous flourish. She had restored the missing cup, which tripled its value. Who was Jack Robinson to object to her Chelsea china?

The third draught seemed to have restored some life to the wasted frame of this unappreciative officer of the law. He set the empty cup down gently into its parent saucer. Phryne was slightly mollified.

'Now, if you'll not object to my pipe ...' he hinted. Phryne waved a pink-tipped finger. Her cigarette holder described a perfect ellipse.

'Light up, and I'm warning you, Jack, dear, if you don't tell me what this is all about fairly soon, I'll self-combust.'

'Heard of an authoress called Marcella Lavender? Also known as Rosebud Peachblossom?'

Phryne stifled a giggle. 'No, never. I'm sure I'd remember the name if I'd ever heard it before,' she told Robinson. 'What does she write?'

'Books for kids,' said Robinson. 'Fairies. You know. Little naked flying creatures.'

'Usually seen over rather good botanical drawings. Yes, I know the kind of thing. I had a flower fairy alphabet when I was small, but I grew out of it rather quickly. A is for Appleblossom, B is for Buttercup ...' Jack Robinson was nodding his head gloomily. 'That was one of hers?'

'Yes. She did masses of them. And her cottage is crammed with pictures of fairies—no, you really have to see it, Phryne. You won't believe it.'

Phryne noted that Jack had relaxed enough to call her Phryne, which was all to the good.

'And ...' she prompted.

'Well, the cook's assistant took her her breakfast this morning and found the door unlocked and the authoress dead as a doornail. Just keeled over at the table.'

'Oh? And what makes this a suspicious death?'

'Nothing in the dying of it. Police surgeon says she died of respiratory failure consequent on possible thrombosis of the pulmonary artery. She was as blue as a cornflower,' added Jack Robinson, waxing unexpectedly poetic. 'With pink splotches.'


'But he'll know more after the autopsy. Thing is, you see, she'd been to see us. Getting threatening letters. Someone threw a brick through her window. Felt she was being followed. Last week she was almost run down by a car. Just managed to jump out of the way in time. No damage except a fright and a pair of ruined stockings. No description of the car and no witnesses. Nothing much we could do.'

'So you thought she was a dotty old lady,' said Phryne gently.

'Yes, well, yes. We get a lot of complaints from people who have a few kangaroos loose in the top paddock.' Jack's stubby finger circled near his ear.

'Away, in fact,' said Phryne, 'with the fairies?'

Jack grimaced at the comment. 'Persecution complex, that's what they call it. Lots of people have it. And they're dead convincing.'

'Until you let them talk some more,' said Phryne, addressing the flower-filled grate. She did not want to look at Robinson, who would never forgive himself if he broke down in front of a woman. 'Then it comes out, whatever it is. I was on a train once with a perfectly charming old gentleman who was telling me all about the genealogy of the local gentry and I thought he was quite sane until he informed me that he was the illegitimate son of Queen Victoria and thus the rightful ruler of England. I had to call him "Your Majesty" for five stations until I could manage to transfer into a Ladies Only carriage. Nice man, though. He conferred an earldom on my first-born son.'

'You're right,' said Robinson. 'And even though she was real irritating, she wasn't insane. I took her through the story several times. She showed me the notes. She might have written 'em herself, of course.'

'How did she come to see you, Jack? Poison pen letters aren't your usual fare.'

'No, well, she was a distant relative of the Chief, and he put her onto me. I did what I should have done,' said Robinson miserably. 'I sent a constable around to examine the house, I told the foot patrol to walk past and see that all was well twice a night, I told her to call me if she got any more notes, and I told her she wasn't in any real danger. I can hear my own voice saying it. "These poison pen writers sound nasty but they never actually hurt anyone," I said.'

'But it's true,' said Phryne. 'They usually don't.'

'Not true this time,' said Jack Robinson, puffing at his pipe.

'But she died of a pulmonary thrombosis,' said Phryne.

'Maybe,' said Robinson. 'Maybe she was frightened to death. You should have seen her face.'

'No, I shouldn't, not so soon after breakfast. What do you want me to do, Jack?'

'Come with me and have a look at her apartment. I never saw a place so ... so ... feminine. I reckon you'd get a lot more out of it than I have.'

'Being female,' agreed Phryne.

'I'm not feeling too good about this,' said Robinson, in case Phryne hadn't noticed. 'I did all the required things, of course, but I really never took her seriously. I never believed her. Now she's dead.'

'You're feeling guilty,' diagnosed Phryne.

'I did what I could,' said Robinson stubbornly. 'I couldn't have done any more. Not with no witnesses. But I feel like I owe it to the old chook to at least take a close look at her death. Might be nothing in it. Probably isn't. But.'


Excerpted from Away with the Fairies by Kerry Greenwood. Copyright © 2001 Kerry Greenwood. Excerpted by permission of Poisoned Pen Press.
All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
Excerpts are provided by Dial-A-Book Inc. solely for the personal use of visitors to this web site.

Meet the Author

Kerry Greenwood is the author of more than 40 novels and six non-fiction books. Among her many honors, Ms. Greenwood1 has received the Ned Kelly Lifetime Achievement Award from the Crime Writers’ Association of Australia. When she is not writing she is an advocate in Magistrates’ Courts for the Legal Aid Commission. She is not married, has no children and lives with a registered Wizard.

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Away with the Fairies (Phryne Fisher Series #11) 4.6 out of 5 based on 0 ratings. 13 reviews.
flatboat More than 1 year ago
I really enjoy the character development and the historical background along with an interesting plot. This book has it all, with a real thriller sub plot. You should start with some of the first books to meet the characters, but set time aside to really enjoy this book. Everything clicks in this book. This would make a great movie but then you might miss all the insight into the characters.
Storytellermary 5 months ago
Double Trouble Phryne investigates the murder of an advice columnist and author/illustrator of fairy stories at a woman’s magazine. Meanwhile, Lin Chung has not returned from a silk buying trip to China, captured by pirates. There are layers and layers of complications in both cases, and much to learn, for example, Cyanide turns blue colors red. I love this series, and love the way characters work as a team and care for others. Aside: Curious about mention of a paper frill in a fireplace (decoration for warm weather when fireplace not in use), I found a piece by Harriet Beecher Stowe on making a home comfortable for those living there and another piece giving advice for young women living in boarding houses, furnishing rooms on a budget. I love books that lead to learning something new!
Anonymous More than 1 year ago
Anonymous More than 1 year ago
Anonymous More than 1 year ago
Licked a paw.
Anonymous More than 1 year ago
The message is, that I don't usually RP kits. I don't know much about out warriors, mostly because I haven't read the books. I mostly RP in BloodClan, and I'm not really active. But when I am, I am REALLY active and post quickly. I don't ignore anyone, unless I don't want to talk to them, or they're trying to disrupt the Clan. I'm very loyal to others and I'm very understanding. But I can get almost 100% OOC a lot. <p> The request is to adopt at least one these kits. You ca take one to RP yourself, if you want, but I just want to have an RP that actually has a family. And yes, I have read the stuff above. <p> ForestKit: She is a swirly cream colored cat, with dark brown paws and tail tip. Her eyes are dark green. <p> VineKit: He is black, with silver specked green eyes. <p> DewKit: She's a pretty Calico with light purple eyes. <p> I'll post at 'falling ash', too.
Anonymous More than 1 year ago
Sedgewhisker nudged Stormflower. &quot;are you sure? Kits belong with their mother.&quot;
Anonymous More than 1 year ago
Sedgewhisker nodded. &quot;we have to get the other three!&quot;
Anonymous More than 1 year ago
Nuu Lily. Lol. Pretend this was posted earlier because I've been busy setting everything up :) technically from around midday. Anyway, it's at AshClan's new area's border.)) A small white cat, with a foreign scent, slowly weaved down along the border, taking in the scents and collecting where the markings were the strongest. She barely looked around, and was long gone before the sunset patrol. ~A white cat &hearts
Anonymous More than 1 year ago
She jerked up. "I'll get the other three."
Anonymous More than 1 year ago
I am not active because in hospital.try to get on tomorrow night
Anonymous More than 1 year ago
We are at 'Raining ash' result 1
Anonymous More than 1 year ago
Cool.)) She padded to the gathering.