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"That's what I wanted to show in Aya: an Africa without the . . . war and famine, an Africa that endures despite everything because, as we say back home, life goes on." —Marguerite Abouet
Ivory Coast, 1978. Family and friends gather at Aya's house every evening to watch the country's first television ad campaign promoting the fortifying effects of Solibra, "the strong man's beer." It's a golden time, and the nation, too—an oasis of affluence and stability in West Africa—seems fueled by something wondrous.
Who's to know that the Ivorian miracle is nearing its end? In the sun-warmed streets of working-class Yopougon, aka Yop City, holidays are around the corner, the open-air bars and discos are starting to fill up, and trouble of a different kind is about to raise eyebrows. At night, an empty table in the market square under the stars is all the privacy young lovers can hope for, and what happens there is soon everybody's business.
Aya tells the story of its nineteen-year-old heroine, the studious and clear-sighted Aya, her easygoing friends Adjoua and Bintou, and their meddling relatives and neighbors. It's a breezy and wryly funny account of the desire for joy and freedom, and of the simple pleasures and private troubles of everyday life in Yop City. An unpretentious and gently humorous story of an Africa we rarely see-spirited, hopeful, and resilient—Aya won the 2006 award for Best First Album at the Angoulême International Comics Festival. Clément Oubrerie's warm colors and energetic, playful lines connect expressively with Marguerite Abouet's vibrant writing.
Gr 10 Up
Studious Aya and her flighty party-girl friends, Adjoua and Bintou, live in suburban Ivory Coast in 1978. Aya hopes to continue her studies and become a doctor, while her father, a manager at a local brewery, would rather see her marry well. Unfortunately, the mate he has in mind for her, the son of his boss, is an even bigger partier than Bintou and Adjoua—as all will soon find out. Aya is actually more observer than participant—most of the action revolves around the peripheral characters—although she is often an instigator. This realistic story immerses readers in the life of an Ivorian teen of the period. Yet for those familiar with the civil unrest occurring in this part of Africa during the ensuing years, the simplicity of life depicted can't help but be extra poignant; the subplot of one teen's unplanned pregnancy has universal elements. Oubrerie's images are comic and light, somewhat reminiscent of Joann Sfar's, who edited this collection when it was first published in France. There is also some fun back matter, including a glossary, how to wrap a pagne (skirt cloth), and a few recipes. This pleasing volume will make a good addition to graphic-novel collections.
—Jamie WatsonCopyright 2006 Reed Business Information.
Overview
"That's what I wanted to show in Aya: an Africa without the . . . war and famine, an Africa that endures despite everything because, as we say back home, life goes on." —Marguerite Abouet
Ivory Coast, 1978. Family and friends gather at Aya's house every evening to watch the country's first television ad campaign promoting the fortifying effects of Solibra, "the strong man's beer." It's a golden time, and the nation, too—an oasis of affluence ...