Aztec Fire (Aztec Series)

Aztec Fire (Aztec Series)

3.0 5
by Gary Jennings, Robert Gleason, Junius Podrug

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Juan Rios comes from a long line of Aztec warriors. Slave to a Spanish gun-maker, he becomes the finest gunsmith and sharpshooter in colonial Mexico. But Juan has a secret life as the revolucion's #1 gun-runner.

Juan falls for the beautiful Maria, a beautiful writer and fearless revolucionaria whose dream of freedom is a liability for them both.


Juan Rios comes from a long line of Aztec warriors. Slave to a Spanish gun-maker, he becomes the finest gunsmith and sharpshooter in colonial Mexico. But Juan has a secret life as the revolucion's #1 gun-runner.

Juan falls for the beautiful Maria, a beautiful writer and fearless revolucionaria whose dream of freedom is a liability for them both. The hHard-drinking, womanizing, con-man Luis becomes their last hope against the rack, the stake, and the blood-stained torture dungeons of the Inquisition.

Aztec Fire sweeps readers on a perilous journey from the fabled ruins of ancient Tula to the slave-labor galleons of "the Manila Run" to a South Seas jungle island teeming with crocodiles, snakes, and blood-crazed cannibals. When Juan and his friends finally reach home, they find their country in flames, struggling against its hated Spanish oppressors.

Editorial Reviews

From the Publisher

Aztec Rage is the most extraordinary historical novel to appear in years. It will leave you dazed, shaken, delighted, and moved.” —Douglas Preston, New York Times bestselling author of Tyrannosaur Canyon on Aztec Rage

“Fast-paced, absorbing...the authors paint a vivid picture of the early stages of hte bloody war of independence.” —Publishers Weekly on Aztec Rage

“A beautifully detailed novel for historical fiction fans.” —Booklist on Aztec Rage

Publishers Weekly
The late popular adventure novelist Jennings's Aztec series is revived by editor Gleason and writer Podrug in this lengthy, meandering novel. Mexico is under repressive Spanish rule, and rebellion smolders everywhere. Juan Rios, a Toltec Indian boy taught to make gunpowder and repair weapons for the rebels, is captured by soldiers and sold to a loyalist gunsmith. Juan toils for the Spanish while secretly supplying the rebels with guns and ammo until he eventually escapes with his rebel propagandist love, Maria. They are separated during their flight, and Juan is launched on a preposterous two-year round-the-world voyage of cliffhanging escapes. He eventually returns to Mexico and becomes involved in a treacherous plot as he searches for Maria. Gory battles, sex and a vivid setting add some fun to this overlong, poorly executed tale.
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

Product Details

Tom Doherty Associates
Publication date:
Aztec Series, #5
Edition description:
First Edition
Sales rank:
Product dimensions:
4.20(w) x 6.82(h) x 1.08(d)

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Chapter One

Before my Aztec uncles were hanged, they took me to the mystery city of Tula to teach me the Way of my people. They expected to die there and even brought along a yellow dog—which, according to our beliefs, would guide them through the Nine Hells after death.

I was sixteen years old.

I will tell you more of the Nine Hells, the Mystery City, and Yellow Dog in a moment, but first let me introduce myself. My name is Mazatl—which means "Deer" in the Aztec tongue, Nahuatl—and Mazatl is the name I have always answered to in our village. By law, however, I must have a Spanish name, and in their language I am called Juan Rios.

The Spanish call all indios "Aztecs," which many of my people resent. In the Spaniards' minds, slaves are beneath contempt, and we indios are indeed enslaved. Few Spaniards acknowledge that we have had a culture rich in art, architecture, medicine, and astronomy and that our culture thrived long before they arrived and destroyed our towering monuments to the majesty of the past. Nor has it occurred to these people whose roots are in Europe that people of the Americas did not need to be "discovered."

In truth, however, I am heir to an even older and mightier people than the Mexica, the first people whom the Spanish condescendingly call Aztec: I am of the Toltec, a civilization that scholars call the first true "Aztec" because those civilizations that followed—the Mexica-Aztecs, Mayan, Zapotec, and all the others—shamelessly aped Toltec civilization in their art and architecture, most notably in the construction of their own cities and in the rendering of their .nest artworks.

Like the Mexica-Aztecs and other empires in central Mexico, the Toltec speak Nahuatl—the melodious tongue of the gods.

My people were a mighty empire when the Mexica-Aztec, the People of the Reed, wandered naked and defenseless, the prey of snakes and crocodiles, jaguars and wolves, living on grubs and weeds and worms. These uncouth savages feared our fury and lusted after our prodigious riches—all the while trembling before our soaring pyramids and illimitable empire. Most of all they stared in awestruck wonder at our Scintillating City of Turquoise Gold, our Invincible Citadel and Sacred Shrine—Tula. To the Aztec, Tula was a city of golden turquoise-laden palaces, where meat, maize, beans, avocados, and honeyed sweets were plentiful as earth and air, where mescal, corn beer, and fermented chocolate .owed like water.

Perhaps most of all, the Aztec envied our science and our skill with numbers. To them our learning must have indeed seemed inscrutable as the sun and stars. Rather than working fields, the people of Tula probed the heavens and through their celestial science and godlike wisdom divined the future.

My Toltec ancestors raised wondrous plants—which cured all the ills that human flesh is heir to. Erecting vertiginous temples and magnificent monuments, we even placated the implacable gods.

Aztec emperors would later claim lineal descent from Tula's royalty, while its high nobility truckled after Toltec wives.

Now all that remained of Tula's golden grandeur was shards and slivers, wrack and ruin—the centuries-ravaged wreckage of a five-tiered step-pyramid dedicated to Quetzalcoatl; cracked, crumbling foundations of other toppled temples; ruins of two ball courts, and the scattered, shattered remains of a Sun King's grandiose palace.

The terraces of the step-pyramid's sloping sides were still embellished with painted and sculpted friezes of marching jaguars and ferocious dogs, of birds of prey devouring human hearts, and of human faces, trapped and staring wild-eyed inside the gaping jaws of serpents.

No, nothing before or since had equaled the Toltec—including the Mexica. Ignorant of art and architecture, the Mexica ransacked the culture of my people. When building their own great city, Tenochtitlán, they pillaged Tula's religion, culture, art—even the concept of themselves as warrior-priests of the sun god. Thus most "Aztec" myths, legends, their pantheon of gods, pictographs, temples, and palaces were imitations of our own culture, our infinite creativity.

Even now the grandeur of our lost Toltec world could be felt—despite the barbarism of the Spanish. Indio ruins throughout the colony were shaped to resemble Toltec edifices, including those of the magnificent Chichén Itzá monuments in the land of the Maya to the far south.

Ayyo . . . Tula had been a great empire a thousand years before I was born—though now it was only an abandoned ruin. The city, however, was not abandoned by the gods of my people—I sensed their presence the moment I reached the pyramid's summit and walked among the forest of giant stone warriors now known as the Atlanteans, a name drawn from the legend of the lost continent of Atlantis rather than the history of my people because no one knows the true name of these mighty warriors.

These fierce stone warriors, standing nearly three times the height of a man, evoked visions of great wars and conquest by a people far superior to those that walk the land today.

I have lived my entire life in a village in the mountains to the east of Tula. The village is small, fewer than a hundred huts and not really big enough to support a church, though we had our own small chapel. It was said that our village was so small and poor that only priests being punished for transgressions against God and the Church were sent there.

No Spaniards lived in the village except for the priest, and as would be expected for a man sent to purgatory on earth, he was neither a very good Spaniard nor a very devout priest.

Mexico City was two long days' walk to the south. I had never been to the great city, though I had heard many tales of its savage wrath and majestic wonder.

The people of my village subsisted on the maize and beans and peppers we grew. We also mined a sulfur pit in a nearby mountainside.

My people did not grow rich off the sulfur. Unlike gold or silver, it is not precious. There would be a time when we used the sulfur as an ingredient in black powder, but we never profited from the sale of the black powder.

In the end, however, that damnable gunpowder doomed my uncles—and had forced our journey to Tula to fight our last battle.

Copyright © 2008 by Eugene Winick, Executor Estate of Gary Jennings
Published in April 2009 by Tom Doherty Associates, LLC

All rights reserved. This work is protected under copyright laws and reproduction is strictly prohibited. Permission to reproduce the material in any manner or medium must be secured from the Publisher.

Meet the Author

Gary Jennings was known for the rigorous and intensive research behind his books, which often included hazardous travel—exploring every corner of Mexico for his Aztec novels, retracing the numerous wanderings of Marco Polo for The Journeyers, joining nine different circuses for Spangle, and roaming the Balkans for Raptor. Born in Buena Vista, Virginia in 1928, Jennings passed away in 1999 in Pompton Lakes, New Jersey, leaving behind a rich legacy of historical fiction and outlines for new novels.

Junius Podrug is an accomplished writer of both fiction and nonfiction. He lives on Cape Cod.

Robert Gleason was Gary Jennings' editor for a number of years. He lives in New York City

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Aztec Fire (Aztec Series) 3 out of 5 based on 0 ratings. 5 reviews.
redwolf68 More than 1 year ago
This one lacks the sex (as well as the sexiness) of its predecessors, and it often seems as if the authors were trying to short-cut through most of the action by giving us a few salient details, but little else. On the whole, curiously unsatisfying. It's as if they wanted us to focus on the forthcoming "Apocalypse 2012" and not bother with this one.
Laphroaig More than 1 year ago
I've read all of Gary Jennings' books, and this doesn't come close. The "authors" seem to have taken Jennings' remaining research notes and haphazardly strung them together without considering plausibility or reader engagement.
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