Bach Perspectives, Volume 6: J. S. Bach's Concerted Ensemble Music, The Ouverture

The sixth volume in the Bach Perspectives series opens with Joshua Rifkin's seminal study of the early source history of the B-minor orchestral suite. Rifkin elaborates on his discovery that the work in its present form for solo flute goes back to an earlier version in A minor, ostensibly for solo violin. He also takes the discovery as the point of departure for a wide-ranging discussion of the origins and extent of Bach's output in the area of concerted ensemble music. 

In other essays, Jeanne Swack presents an enlightening comparison of Georg Phillip Telemann's and Bach's approach to the French overture as concerted movements in their church cantatas. Steven Zohn views the B-minor orchestral suite from the standpoint of the "concert en ouverture." In addition, Zohn responds to Rifkin by suggesting Bach may have scored the early version of the B-minor orchestral suite for flute.

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Bach Perspectives, Volume 6: J. S. Bach's Concerted Ensemble Music, The Ouverture

The sixth volume in the Bach Perspectives series opens with Joshua Rifkin's seminal study of the early source history of the B-minor orchestral suite. Rifkin elaborates on his discovery that the work in its present form for solo flute goes back to an earlier version in A minor, ostensibly for solo violin. He also takes the discovery as the point of departure for a wide-ranging discussion of the origins and extent of Bach's output in the area of concerted ensemble music. 

In other essays, Jeanne Swack presents an enlightening comparison of Georg Phillip Telemann's and Bach's approach to the French overture as concerted movements in their church cantatas. Steven Zohn views the B-minor orchestral suite from the standpoint of the "concert en ouverture." In addition, Zohn responds to Rifkin by suggesting Bach may have scored the early version of the B-minor orchestral suite for flute.

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Bach Perspectives, Volume 6: J. S. Bach's Concerted Ensemble Music, The Ouverture

Bach Perspectives, Volume 6: J. S. Bach's Concerted Ensemble Music, The Ouverture

Bach Perspectives, Volume 6: J. S. Bach's Concerted Ensemble Music, The Ouverture

Bach Perspectives, Volume 6: J. S. Bach's Concerted Ensemble Music, The Ouverture

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Overview

The sixth volume in the Bach Perspectives series opens with Joshua Rifkin's seminal study of the early source history of the B-minor orchestral suite. Rifkin elaborates on his discovery that the work in its present form for solo flute goes back to an earlier version in A minor, ostensibly for solo violin. He also takes the discovery as the point of departure for a wide-ranging discussion of the origins and extent of Bach's output in the area of concerted ensemble music. 

In other essays, Jeanne Swack presents an enlightening comparison of Georg Phillip Telemann's and Bach's approach to the French overture as concerted movements in their church cantatas. Steven Zohn views the B-minor orchestral suite from the standpoint of the "concert en ouverture." In addition, Zohn responds to Rifkin by suggesting Bach may have scored the early version of the B-minor orchestral suite for flute.


Product Details

ISBN-13: 9780252099502
Publisher: University of Illinois Press
Publication date: 01/02/2007
Series: Bach Perspectives
Sold by: Barnes & Noble
Format: eBook
Pages: 176
File size: 10 MB

About the Author

Gregory Butler is a professor emeritus of musicology at the University of British Columbia. He is the author of Bach's Clavier-Übung III: The Making of a Print.

Table of Contents

Cover Title page Copyright Contents Preface Editor's Preface Abbreviations The “B-Minor Flute Suite” Deconstructed: New Light on Bach’s Ouverture BWV 1067 by Joshua Rifkin A Comparison of Bach’s and Telemann’s Use of the Ouverture as Theological Signifier by Jeanne Swack Bach and the Concert en ouverture by Steven Zohn Contributors General Index Index of Bach's Compositions
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