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Bach Studies from Dublin: Irish Musical Studies 8

Overview

The eighth volume in the IMS series analyzes the performances of Bach in Ireland and abroad. Contents; Ido Abravaya - The Baroque upbeat: outline of its typology and evolution, Harry White - Johann Joseph Fux and the question of Einbau techniqueJanice B. Stockigt - The royal Polish and electoral Saxon court and state calendars, 1728-50, Rebecca Kan - Vivaldi, Bach and their concerto slow movements , Gregory Butler - The Prelude to the Third English Suite BWV 808, Don O. Franklin - Bach's temporal design for the ...
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Overview

The eighth volume in the IMS series analyzes the performances of Bach in Ireland and abroad. Contents; Ido Abravaya - The Baroque upbeat: outline of its typology and evolution, Harry White - Johann Joseph Fux and the question of Einbau techniqueJanice B. Stockigt - The royal Polish and electoral Saxon court and state calendars, 1728-50, Rebecca Kan - Vivaldi, Bach and their concerto slow movements , Gregory Butler - The Prelude to the Third English Suite BWV 808, Don O. Franklin - Bach's temporal design for the Goldberg Variations, Robin A. Leaver - Death and beyond in Bach's vocal music, J. Drew Stephen - Bach's horn parts, Martin Elste - Bach in North America during the Shellac era (1900-50), Dorottya Fabian - Bach performances during the late 20th century, John Butt - Bach in the 21st century, Yo Tomita - Bach's Credo in England, Barra Boydell - Performance of Bach's vocal music in Dublin in the 19th and early 20th centuries, Hans-Joachim Schulze - Bach at the turn of the 20th century (Series: Irish Musical Studies)
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Product Details

  • ISBN-13: 9781851828579
  • Publisher: Four Courts Press
  • Publication date: 5/19/2004
  • Series: Irish Musical Studies
  • Pages: 270
  • Product dimensions: 6.40 (w) x 9.30 (h) x 1.00 (d)

Table of Contents

Contributors 7
Preface 11
Acknowledgements 13
List of Abbreviations 15
I Historical Studies
1 The Baroque upbeat: outline of its typology and evolution 17
2 Johann Joseph Fux and the question of Einbau technique 29
3 The royal Polish and electoral Saxon court and state calendars, 1728-50 49
II Compositional Process
4 Vivaldi, Bach and their concerto slow movements 65
5 The prelude to the third English Suite BWV 808: an allegro concerto movement in ritornello form 93
6 Composing in time: Bach's temporal design for the Goldberg Variations 103
III Theology
7 Eschatology, theology and music: death and beyond in Bach's vocal music 129
IV Performance Practice
8 Bach's horn parts: alternatives to nodal venting and hand stopping 149
9 Bach in North America during the shellac era (1900-50): early sound documents of art and commerce 161
10 Bach performance practice in the twentieth century: recordings, reviews and reception 179
11 Bach in the twenty-first century: re-evaluating him from the perspective of performance 191
V Reception
12 Bach's Credo in England: an early history 205
13 'This most crabbed of all earthly music': the performance and reception of Bach's vocal music in Dublin in the nineteenth and early twentieth centuries 229
14 Bach at the turn of the twenty-first century 247
Index of Works 261
General Index 265
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