Bach: The Brandenburgs

Editorial Reviews

All Music Guide - Alex Henderson
Depending on who you talk to, the third stream movement of the '50s was either an absolute blessing or an absolute curse. There are racial separatists who claim that third stream was an assault on African-American culture because it tried to "whiten" jazz, and there are equally silly individuals who insist that Beethoven and Mozart were jazz musicians but that Chick Corea, Michael Brecker and Pat Metheny are not. Discussions of third stream tend to inspire moronic comments from both pro-third stream and anti-third stream people, but the bottom line is that third stream has had both its ups and downs creatively more ups than downs. Not everything that French pianist ...
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Editorial Reviews

All Music Guide - Alex Henderson
Depending on who you talk to, the third stream movement of the '50s was either an absolute blessing or an absolute curse. There are racial separatists who claim that third stream was an assault on African-American culture because it tried to "whiten" jazz, and there are equally silly individuals who insist that Beethoven and Mozart were jazz musicians but that Chick Corea, Michael Brecker and Pat Metheny are not. Discussions of third stream tend to inspire moronic comments from both pro-third stream and anti-third stream people, but the bottom line is that third stream has had both its ups and downs creatively more ups than downs. Not everything that French pianist Jacques Loussier one of Europe's leading third stream proponents has recorded is great -- some of his jazz/Euro-classical experiments have worked well, some not so well -- but his risk-taking spirit clearly serves him well on Bach: The Brandenburgs. This 2006 recording finds Loussier's trio which also includes bassist Benoit Dunoyer de Segonzac and drummer André Arpino interpreting the six Brandenburg concertos that Johann Sebastian Bach b. 1685, d. 1750 composed between 1708 and 1720, and interpret is definitely the operative word. Unlike a musician who plays Euro-classical music exclusively, Loussier does not play Bach's material note for note; he improvises, offering personal and introspective performances. Loussier is quite tasteful, and he makes Bach's compositions sound perfectly natural in a jazz setting. Bach: The Brandenburgs is not recommended to classical purists; this is an album for jazz piano enthusiasts who also happen to appreciate Bach's legacy, and those who fit that description will find Bach: The Brandenburgs to be one of Loussier's more lucid and artistically successful offerings.
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Product Details

  • Release Date: 10/24/2006
  • Label: Telarc
  • UPC: 089408364426
  • Catalog Number: 83644
  • Sales rank: 34,986

Tracks

Disc 1
  1. 1 I. (Allegro) (1:54)
  2. 2 II. Adagio (2:57)
  3. 3 III. Allegro (2:33)
  4. 4 I. (Allegro) (2:39)
  5. 5 II. Andante (3:10)
  6. 6 III. Allegro assai (3:02)
  7. 7 I. (Allegro) (2:30)
  8. 8 II. Adagio (1:53)
  9. 9 III. Allegro (2:19)
  10. 10 I. Allegro (4:53)
  11. 11 II. Andante (3:16)
  12. 12 III. Presto (2:38)
  13. 13 I. Allegro (6:19)
  14. 14 II. Andante (5:36)
  15. 15 III. Presto (7:09)
  16. 16 I. (Allegro) (2:14)
  17. 17 II. Allegro (3:17)
  18. 18 III. Adagio ma non tanto (1:50)
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Album Credits

Performance Credits
Jacques Loussier Primary Artist, Piano
Jacques Loussier Trio Ensemble
Technical Credits
Jacques Loussier Producer, Audio Production
Johann Sebastian Bach Composer
Robert Woods Executive Producer
Anilda Carrasquillo Art Direction
Patricia Dussaux Liner Note Translation
Alyn Shipton Liner Notes
Elizabeth Note Producer, Audio Production
Jim Burt Illustrations
Gila Fox Liner Note Translation
Jean-Philippe Laffont Engineer
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