Back of the Big House: The Architecture of Plantation Slavery / Edition 1

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Overview

Exploring the structures and spaces used by slaves on antebellum plantations, Vlach shows how slaves subtly appropriated this landscape as their own. These newly claimed spaces fostered a feeling of community that served as a seedbed for further resistance and for the invention and maintenance of a distinctive African American culture. 206 illustrations. A New York Times Notable Book.

Behind the "big houses" of the antebellum South existed an entirely different world, socially and architecturally, where slaves lived and worked. Vlach has chosen over 200 photographs and drawings from the Historic American Buildings Survey of the 1930s--an archive that has been mined many times for its images of the planters' residences but almost never for those of slave dwellings.

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Editorial Reviews

From the Publisher
Interweaves contemporary reports, oral histories of former slaves and archaeological evidence of surviving outbuildings in an unemotional but powerful manner.

New York Times Book Review

A book that is at once album, introduction, and overview of the complexity and diversity of southern plantation architecture.

South Carolina Historical Magazine

This is a solid piece of documentation which forcefully illuminates a neglected yet pivotal aspect of eighteenth- and nineteenth-century reality.

Maryland Historical Magazine

One of the most user-friendly studies of African-American material culture ever written.

American Historical Review

Library Journal
This important and pioneering study explores the scene behind the plantation houses of the antebellum South where slaves lived and worked. Taking advantage of the extensive collection of drawings and photographs from the Historic American Buildings Survey, Vlach (American studies, George Washington Univ.) vividly depicts the architectural settings of plantation slavery: the yards, smokehouses, slave cabins, barns, stables, kitchens, and other outbuildings that defined the cultural landscape. Oral histories from former slaves recorded during the 1930s and 1940s, as well as period accounts, provide powerful depictions of how African Americans transformed those settings to serve their particular needs. Highly recommended for social and architectural historians alike.-- H. Ward Jandl, National Park Svce., Washington, D.C.
School Library Journal
YA-In the past, much study was devoted to antebellum plantation houses and to the planters who erected them. The slaves upon whom these estates relied have only just begun to receive scholarly attention. Vlach uses interviews with former slaves, photographs, and architectural drawings from the 1930s and `40s to analyze how the black population fit into this environment. The author dispels the Gone with the Wind myth of sterile-white fiefdom and builds an accurate portrayal of plantations as dynamic places that were dominated by the master, yet still influenced by the slaves. This book should fascinate students of American history.- Hugh McAloon, R. Christopher Goodwin & Associates, Frederick, MD
Booknews
Covers utility buildings--dairies, kitchens, smokehouses as well as slave quarters. Annotation c. Book News, Inc., Portland, OR (booknews.com)
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Product Details

  • ISBN-13: 9780807844120
  • Publisher: The University of North Carolina Press
  • Publication date: 5/28/1993
  • Series: Fred W. Morrison Series in Southern Studies
  • Edition description: 1
  • Edition number: 1
  • Pages: 273
  • Product dimensions: 8.54 (w) x 11.12 (h) x 0.82 (d)

Meet the Author

John Michael Vlach is professor of American studies and anthropology and director of the folklife program at The George Washington University. His books include The Planter's Prospect: Privilege and Slavery in Plantation Paintings and The Afro-American Tradition in the Decorative Arts.

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Read an Excerpt

Exploring the structures and spaces used by slaves on antebellum plantations, Vlach shows how slaves subtly appropriated this landscape as their own. These newly claimed spaces fostered a feeling of community that served as a seedbed for further resistance and for the invention and maintenance of a distinctive African American culture. 206 illustrations. A New York Times Notable Book.
Read More Show Less

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