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Editorial Reviews
Barnes & Noble - Mark Schwartz
America was introduced to Amy Winehouse through her second album (her U.K. debut, Frank, saw release during Back to Black's reign at the top of the charts), but got caught up with storyline quickly enough: "Rehab," her inescapable and perfect single, branded her right from the start. Here was Amy, obviously a major vocal talent, but also nearly superheroically self-destructive. Unlike her hometown audience, we never got to hear that expressive, jazz-indebted voice outside of the carnival of tawdriness that has followed Winehouse since Back to Black surfaced, that is, apart from the cartoon. But our gain is an artist fully formed. The album is smartly conceived, and as ...