- Hurricane Season
- On Your Way Down
- Quiet as Kept
- Something Beautiful
- Backatown
- Right to Complain
- Neph
- Suburbia
- In the 6th
- One Night Only (The March)
- Where Y' At
- Fallin'
- The Cure
- 928 Horn Jam
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0602527364131
Troy Andews Keyboards,Drums,Vocals,Trumpet,Trombone,Percussion
Lenny Kravitz Guitar,Soloist,Featured Artist,Vocals (Background)
Dwayne Williams Percussion
Marc Broussard Vocals,Featured Artist
Allen Toussaint Piano,Featured Artist
Mike Ballard Bass
Charles Smith Synthesizer Bass
Clarence Slaughter Flute,Saxophone
Dan Oestreicher Sax (Baritone)
Joey Peebles Drums
Pete Murano Guitar
Mike Kappus Management,Executive Producer
Dwayne Williams Composer
PJ Morton Composer
Vartan Art Direction
Allen Toussaint Composer
Kevin Reagan Design
Troy "Trombone Shorty" Andrews Composer
Korey Richey Vocal Engineer
Matt Cornell Management,Executive Producer
Mike Ballard Composer,Vocal Engineer,Composer
Kirk Edwards Photography
Charles Smith Vocal Engineer
Alexander Alvarez Engineer
Clarence Slaughter Composer
Dan Oestreicher Composer
Dave Barlett Management
David Barlett Executive Producer
Joey Peebles Composer
Kyle Lamy Engineer
Pete Murano Composer
Ben Ellman Engineer,Producer


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Overview
Backatown, the Verve debut from New Orleans composer, bandleader, and trombone and trumpet boss Troy "Trombone Shorty" Andrews, was one of the most hotly anticipated recordings of 2010. Given the well-deserved reputation Andrews and his Orleans Avenue band have for incendiary live performances, one had to wonder if it would translate in their studio offerings for independent labels. It didn't because they'd never had the budget to get the vibe right. Backatown is the first time that Orleans Avenue -- Dwayne "Big D" Williams (percussion), Mike Ballard (bass), Joey Peebles (drums), Pete Murano (guitar), and Dan Oestreicher (baritone sax) -- have had an actual budget to capture the Trombone Shorty experience, and they've made a studio record that offers a real taste of the live show's excitement. Shorty calls his music "supafunkrock," and it's an accurate term for the aural gumbo on this fingerpopping, butt-shakin' mix set. Produced by Galactic's Ben Ellman, it contains 13 Shorty originals and an original interpretation of Allen Toussaint's "On Your Way Down," on which Toussaint plays piano. The set is titled for a term used by residents of the Treme neighborhood in the city's 6th Ward -- the oldest black neighborhood in America. It definitely sounds like it was recorded in a proper recording studio (Number C and Shorty's Gumbo Room in N.O.) but transcends those confines. It crackles and burns with an unburdened, unfettered, passionate live feel. Clocking in at 43 minutes, it opens with "Hurricane Season." It commences with a marching rhythm on snare and bass drum followed by Andrews playing a trumpet vamp. It kicks into dancing gear with one of the nastiest, funkiest basslines since Parliament's "Flash Light," followed by horn vamps, big power chords, and drum kit breaks that are infectious. "Quiet as Kept" combines Ballard's bass with guest Charles Smith's synthesized bassline, honking baritone sax, grimy distorted electric guitars and trombones, percussion, and organ for a monster funk workout. Former Andrews boss Lenny Kravitz guests on guitar and backing vox on "Something Beautiful," which weds hip-hop, rock, and neo-soul. The rockist power chords on "Right to Complain" underscore Andrews duetting with Marc Broussard on an anthem that reflects the need for personal transformation in order to solve community problems. Proof of Andrews' vocal prowess is everywhere, but especially on the modern soul ballad "Fallin." That said, it's the instrumentals with their drum-heavy, cracking on-the-one funk and second-line rhythms that keep the the entire album moving and grooving -- check out "Neph," "In the Sixth," and closer "928 Horn Jam." But the rockers -- "Suburbia," "Where Y' At," and "The Cure" -- meld metallic guitars, second-line, and funky breaks, hip-hop and jazz seamlessly and are equally potent and satisfying. Backatown is everything popular American music should be; yet it's also what sets Andrews and Orleans Avenue, and New Orleans music in general, apart, without compromise. This is a Best of 2010 candidate hands down. ~ Thom Jurek
Product Details
Release Date: | 04/20/2010 |
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Label: | Verve Forecast |
UPC: | 0602527364131 |
Tracks
Album Credits
Performance Credits
Troy "Trombone Shorty" Andrews Primary ArtistTroy Andews Keyboards,Drums,Vocals,Trumpet,Trombone,Percussion
Lenny Kravitz Guitar,Soloist,Featured Artist,Vocals (Background)
Dwayne Williams Percussion
Marc Broussard Vocals,Featured Artist
Allen Toussaint Piano,Featured Artist
Mike Ballard Bass
Charles Smith Synthesizer Bass
Clarence Slaughter Flute,Saxophone
Dan Oestreicher Sax (Baritone)
Joey Peebles Drums
Pete Murano Guitar
Technical Credits
Ryan Montbleau ComposerMike Kappus Management,Executive Producer
Dwayne Williams Composer
PJ Morton Composer
Vartan Art Direction
Allen Toussaint Composer
Kevin Reagan Design
Troy "Trombone Shorty" Andrews Composer
Korey Richey Vocal Engineer
Matt Cornell Management,Executive Producer
Mike Ballard Composer,Vocal Engineer,Composer
Kirk Edwards Photography
Charles Smith Vocal Engineer
Alexander Alvarez Engineer
Clarence Slaughter Composer
Dan Oestreicher Composer
Dave Barlett Management
David Barlett Executive Producer
Joey Peebles Composer
Kyle Lamy Engineer
Pete Murano Composer
Ben Ellman Engineer,Producer
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