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Continuing Patrick McGilligan's highly acclaimed series on Hollywood screenwriters, these engrossing, informative, provocative interviews give wonderfully detailed and personal stories from veteran screenwriters of the seventies and eighties focusing on their craft, their lives, and their profession. Backstory 4 is a riveting insider's look at how movies get made; a rich perspective on many of the great movies, directors, and actors of the seventies and eighties; and an articulate, forthright commentary on the art and the business of screenwriting.
The screenwriters interviewed for this volume include well-known Oscar winners as well as cult filmmakers, important writers who were also distinguished directors, and key practitioners of every commercial genre. These writers have worked with Steven Spielberg, Woody Allen, Peter Bogdanovich, George Lucas, Francis Ford Coppola, Robert Altman, Clint Eastwood, and other film giants of the so-called New Hollywood. The stories of their collaborations—some divine, some disastrous—provide some of the most fascinating material in this volume. They also discuss topics including how they got started writing screenplays, their working routines, their professional relationships, their influences, and the work of other major writers and directors.
Backstory 4 features interviews with Robert Benton, Larry Cohen, Blake Edwards, Walter Hill, Ruth Prawer Jhabvala, Lawrence Kasdan, Elmore Leonard, Paul Mazursky, Nancy Meyers, John Milius, Frederic Raphael, Alvin Sargent, and Donald E. Westlake.
|Robert Benton : the new traditionalist||11|
|Larry Cohen : manic energy||37|
|Blake Edwards : jumping around||83|
|Walter Hill : last man standing||102|
|Ruth Prawer Jhabvala : out of India||131|
|Lawrence Kasdan : a humanist in Hollywood||160|
|Elmore Leonard : the hot kid||195|
|Paul Mazursky : a map of the heart||222|
|Nancy Meyers : late bloomer||262|
|John Milius : the good fights||274|
|Frederic Raphael : renaissance man||317|
|Alvin Sargent : pursuit and destination||344|
|Donald E. Westlake : the worst happens||367|