Bad Glassby Richard E. Gropp
One of the most hauntingly original dark fantasy debuts in years—perfect for fans of Lost and Mark Danielewski’s cult classic, House of Leaves. Something has happened in Spokane. The military has evacuated the city and locked it down. Even so, disturbing rumors and images seep out, finding their way onto the Internet, spreading/b>/i>/i>… See more details below
One of the most hauntingly original dark fantasy debuts in years—perfect for fans of Lost and Mark Danielewski’s cult classic, House of Leaves. Something has happened in Spokane. The military has evacuated the city and locked it down. Even so, disturbing rumors and images seep out, finding their way onto the Internet, spreading curiosity, skepticism, and panic. For what they show is—or should be—impossible: strange creatures that cannot exist, sudden disappearances that violate the laws of physics, human bodies fused with inanimate objects, trapped yet still half alive. . . . Dean Walker, an aspiring photographer, sneaks into the quarantined city in search of fame. What he finds will change him in unimaginable ways. Hooking up with a group of outcasts led by a beautiful young woman named Taylor, Dean embarks on a journey into the heart of a mystery whose philosophical implications are as terrifying as its physical manifestations. Even as he falls in love with Taylor—a woman as damaged and seductive as the city itself—his already tenuous hold on reality starts to come loose. Or perhaps it is Spokane’s grip on the world that is coming undone. Now, caught up in a web of interlacing secrets and betrayals, Dean, Taylor, and their friends must make their way through this ever-shifting maze of a city, a city that is actively hunting them down, herding them toward a shocking destiny.
A Library Journal Best SF/F Book of 2012
A Locus Magazine 2012 Recommended Reading List selection.
“A chilling, surreal, terrifying, beautiful book . . . an impressive and promising debut.”—Caitlín R. Kiernan, author of The Drowning Girl
“One of the most exciting and accomplished debuts I’ve read in years, Bad Glass welds the eerie, atmospheric horror of Mark Danielewski’s House of Leaves to the transgressive apocalyptic vibe of Samuel R. Delany’s classic Dhalgren.”—Paul Witcover, author of Waking Beauty
“(A) promising debut … with well-drawn psychological portraits of realistically flawed people.”
–Publishers Weekly, notable book
"The terror of this dark fantasy lies in Gropp’s grotesque creatures, who are grounded in reality...Bad Glass is a disturbing yet immensely entertaining story." Romance Times (4 1/2 Star review)
"Well-drawn and utterly believable characters...Anyone who enjoys thoughtful fantasies will find much to celebrate here."
Library Journal (starred review)
- Random House Publishing Group
- Publication date:
- Sold by:
- Random House
- NOOK Book
- Sales rank:
- File size:
- 3 MB
Read an Excerpt
This is the photograph you know:
The soldier’s shirt has been torn open. There are bloodred trenches scoured across his flesh--gouge marks, the work of his own fingernails. And there, right in the middle of his chest, is an arm sprouting up from his breastbone. It’s a thin white arm--sickly pale, like something that’s never seen the sun--reaching up through a puckered, jellied wound, protruding all the way up to the bicep. It looks like the whole arm has been punched up through the man’s body, slammed through from the floor at his back. But the wound is small--too small for such violence.
The arm is bent slightly at the elbow--a crooked tree sprouting up from the dead man’s chest. The wrist does not hang limp. Instead, it is cocked back, the gore-streaked fingers splayed with tension. Teardrops of blood hang from sharpened fingernails.
The soldier’s head is tilted back as far as it will go, the tendons in his neck as taut as a hangman’s rope. His expression is pure agony. His eyes are open, staring at the wall behind him.
The floor is solid concrete. The parts we can see are smooth and unblemished. And there is nothing--save that one horrifying limb--to suggest that there is anything beneath the room, anything except more concrete, earth, and rock.
It is insanity, printed and framed. Pure insanity.
The photograph is real.
I should know. I took the damn thing.
From the Trade Paperback edition.
Meet the Author
Richard E. Gropp lives on a mountain outside of Seattle with his partner of fifteen years. It is a small mountain. He studied literature and psychology at the University of California, Santa Cruz, and has worked as a bookstore clerk, a forklift driver, and an accountant. He has a hard time spelling the word broccoli, and in his spare time he dabbles in photography and cooking.
and post it to your social network
Most Helpful Customer Reviews
See all customer reviews >
This book was a huge disappointment. It started off with a great premise, but it became a disjointed mess quickly. You never find out what the hell happened to the characters or even what was behind the happenings. A total let-down of a book.
This book received four stars from me for one reason alone, The imagery. Mr. Gropp provided allowed me to actually feel the story, the pictures the main character dean took, as well as the place he visited. My issue lied not necessarily in the main story, though most events were short and confined to the few page chapters, my issue stuck with the climax. Or well all of the climaxes. Each chapter beginning with a description of a picture or an event that would be taken or take place later on in the chapter led up to a sort of climax each chapter that afterwards immediately began building up to the next climax over and over finally leading to the end which left me feeling numb and without closure on the story. The book is indeed a page turner full of odd clues and mystery but when jigsaw is over the puzzle is left a few pieces short of something spectacular. But the fact that he kept me turning over and over until I had the book finished hours after buying it earns him 4 stars.