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| Marty Stuart | Primary Artist, Acoustic Guitar, Mandolin, Electric Guitar |
| Connie Smith | Vocals |
| David Angell | Violin |
| Sam Bacco | Percussion |
| Connie Ellisor | Violin |
| Tony Harrell | Hammond Organ |
| Byron House | Bass |
| Anthony LaMarchina | Cello |
| Pamela Sixfin | Violin |
| Harry Stinson | Drums, Vocals, Track Performer |
| Robby Turner | Steel Guitar |
| Kenny Vaughan | Acoustic Guitar, Electric Guitar, Track Performer |
| Kris Wilkinson | Viola |
| Mark Fain | Upright Bass |
| Brian Glenn | Bass, Vocals, Track Performer |
| Fabulous Superlatives | Track Performer |
| Carole A. Rabinowitz | Cello |
| Marty Stuart | Composer, Producer, Art Direction |
| Jim DeMain | Mastering |
| Harry Stinson | Vocal Arrangements |
| Kris Wilkinson | String Arrangements |
| Karen Cronin | Art Direction |
| John Carter Cash | Producer |
| Chuck Turner | Engineer |
| Thomas Petillo | Session Photographer |
| Edward S. "Sherriff" Curtis | Cover Photo |
| Marvin Helper | Introduction |
Anonymous
Posted March 2, 2011
No text was provided for this review.
Editorial Reviews
Barnes & Noble - David McGee
Native Americans remain the most marginalized segment of our society, their history and struggles rarely addressed in mainstream media. In Badlands, country rocker Marty Stuart steps up with a brave examination of the Lakota Sioux -- from the triumph at Little Big Horn to the horror of the Wounded Knee Massacre to the struggles on the Pine Ridge Reservation that are going on right now beneath the media's radar. The thundering, guitar-driven title track describes a plains environment barren of physical adornment but nonetheless capable of nurturing the spiritual resourcefulness that will carry the Sioux to a more prosperous time: "[T]he second coming of the red man is ...