Balenciaga and His Legacy: Haute Couture from the Texas Fashion Collection

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Overview

Born in 1895 in a remote fishing village in Spain, Cristóbal Balenciaga learned sewing and tailoring at his mother’s knee. By 1937, the talented and persistent young man had opened his own design salon in Paris, and in the years following World War II he emerged as a designer to be reckoned with in the world of haute couture. The House of Balenciaga grew to serve an international clientele from locations in Paris, Madrid, and Barcelona, and from 1937 to its closing in 1968 created some of the most outstanding and innovative examples of French and Spanish haute couture of the era.
This beautifully illustrated book presents nearly 70 Balenciaga creations ...

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Overview

Born in 1895 in a remote fishing village in Spain, Cristóbal Balenciaga learned sewing and tailoring at his mother’s knee. By 1937, the talented and persistent young man had opened his own design salon in Paris, and in the years following World War II he emerged as a designer to be reckoned with in the world of haute couture. The House of Balenciaga grew to serve an international clientele from locations in Paris, Madrid, and Barcelona, and from 1937 to its closing in 1968 created some of the most outstanding and innovative examples of French and Spanish haute couture of the era.
This beautifully illustrated book presents nearly 70 Balenciaga creations for day and evening, along with 25 hats, from the extraordinary archives of the Texas Fashion Collection of the University of North Texas. The book also includes striking fashion photographs from Vogue magazine and Harper’s Bazaar by Richard Avedon and Louise Dahl-Wolfe. A series of essays explores many aspects of the designer’s work, among them his contributions to fashion history; connections with such other prominent designers as Hubert de Givenchy and Oscar de la Renta; important relationships with Neiman Marcus and fashion buyer Bert de Winter in Dallas; and his close friend and client Claudia Heard de Osborne.

Product Details

  • ISBN-13: 9780300121537
  • Publisher: Yale University Press
  • Publication date: 1/24/2007
  • Edition description: New Edition
  • Pages: 224
  • Sales rank: 624,596
  • Product dimensions: 9.50 (w) x 11.90 (h) x 0.80 (d)

Meet the Author

Myra Walker is curator and director of the Texas Fashion Collection and professor in the School of Visual Arts at the University of North Texas. She lives in Dallas.

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  • Anonymous

    Posted September 2, 2007

    Superb!

    M. Balenciaga was a master couturier so lacking today as one considers haute couture, especially, as the French houses of haute couture are virtually gone. At the time of M. Balenciaga's impact from the 1930s through 1968 when he closed his Parisian house, there were many more houses of haute couture. He, like Chanel, Christian Dior, Pierre Balmain, Mainbocher, Jacques Fath, Schiaparelli, Vionnet, and Gres to name a few, flourished as women from around the globe turned to the tradition and process of the haute couture as the pinnacle of what it meant to being well-dressed. Out of this number, the creations of M. Balenciaga stand-out. There is that certain something about his work which commands and rivets the attention. Yes, unquestionably elegant, imbued with masterful design, quality, and exacting a nobility for the wearer which she may or may not have actually possessed, but still whenever I view his creations I think to myself 'more'. Unlike today where being anonymous seems to be the rule of what passes for style, M. Balenciaga assured a woman would never be forgotten. This volume pays homage to that certain something and begs the question 'where are the contemporary talents?' At the moment, in Paris there are only in my view, Karl Lagerfeld at Chanel and Valentino. These individuals know how to dress their haute couture clients 'especially, those not wishing to dress perennially 18 years old' whereas the remaining haute couture houses present nothing but a media circus, for too long lead by that dreadful costumier posing as a couturier at Christian Dior. For the sheer pleasure of pondering something beautiful, I recommend this volume as well as Balenciaga by Marie-Andrée Jouve and Jacqueline Demornex published in 1991.

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