Balin/Lucky

Balin/Lucky

by Marty Balin
     
 

BGO's 2013 two-fer pairs Marty Balin's two early-'80s solo albums for EMI: 1981's Balin and its 1983 sequel, Lucky. Marty Balin left Jefferson Starship in 1978, not long after "Miracles" gave the group a Top Ten soft rock hit in 1975, thereby providing a window into the world the singer inhabited when he went solo inSee more details below

Overview

BGO's 2013 two-fer pairs Marty Balin's two early-'80s solo albums for EMI: 1981's Balin and its 1983 sequel, Lucky. Marty Balin left Jefferson Starship in 1978, not long after "Miracles" gave the group a Top Ten soft rock hit in 1975, thereby providing a window into the world the singer inhabited when he went solo in 1981 with Balin. He largely abandoned songwriting -- he collaborated on one song on each of these records -- in the pursuit of being an AOR superstar. The 1981 eponymous album was indeed a hit thanks to the gorgeous soft rock staple "Hearts," written by longtime friend Jesse Barish, as was a good chunk of the rest of the album. Some of Balin follows the direction of "Hearts" -- "Atlanta Lady" and "Music Is the Light" both softly shimmer -- but the album overall plays like a sampler of the mainstream rock sounds of 1981. On "Spotlight" and "I Do Believe in You," guitars are cranked up to 11 so they can fill an arena, "Tell Me More" cops some of Michael McDonald's Doobie Brothers disco-soul, "You Left Your Mark on Me" and "Elvis and Marilyn" flirt with new wave while "Lydia!" outright embraces it, sounding a bit like Donnie Iris. Maybe this hodgepodge didn't do much to establish Balin as a recording star at the time -- certainly it didn't please some Jefferson Starship fans -- but as an artifact of early-'80s rock, it's wildly fun and somewhat compelling. Lucky plays almost like a reaction to the scattershot nature of Balin, streamlining its sampler nature in favor of a sleek hard rock sound, one that is so big it often echoes. Strangely, given the hit "Hearts," there isn't much of an attempt to mimic it on Lucky. Instead, the album opens with the rampaging "Born to Be a Winner," whose keyboards suggest a West Coast Springsteen, a sound Balin returns to occasionally elsewhere on the LP ("Just Like That," with its punchy horns, also has a Boss beat), and there are reprisals of the Doobie Brothers and new wave flirtations (the breezy, beachy "Will You Forever" and "What Do People Like," respectively), but very little of the soft satin croon of either "Hearts" or "Atlanta Lady." This deficit is reflected in Lucky's position on the charts: it didn't crack the Top 100 and didn't have a major hit, with one of its lone ballads, "Do It for Love," wandering onto the adult contemporary charts and one of its arena rockers, "What Love Is," going no further than 63 on the charts. The problem is, despite appealing AOR sounds scattered throughout Lucky, there just aren't many memorable tunes, something that hurt the record in 1983 and something that is all the more apparent years later, after all these styles have faded into the history books.

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Product Details

Release Date:
02/12/2013
Label:
Bgo - Beat Goes On
UPC:
5017261210791
catalogNumber:
6121079
Rank:
7137

Tracks

  1. Hearts  - Marty Balin
  2. You Left Your Mark On Me  - Marty Balin
  3. Lydia!  - Marty Balin
  4. Atlanta Lady  - Marty Balin
  5. Spotlight  - Marty Balin
  6. I Do Believe In You  - Marty Balin
  7. Elvis and Marilyn  - Marty Balin
  8. Tell Me More  - Marty Balin
  9. Music is the Light  - Marty Balin
  10. Born To Be a Winner  - Marty Balin
  11. What Do People Like  - Marty Balin
  12. Just Like That  - Marty Balin
  13. Do It For Love  - Marty Balin
  14. What Love is  - Marty Balin
  15. Heart of Stone  - Marty Balin
  16. Palm of Your Hand  - Marty Balin
  17. Will You Forever  - Marty Balin
  18. All We Really Need  - Marty Balin
  19. When Love Comes  - Marty Balin

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Album Credits

Performance Credits

Marty Balin   Primary Artist,Acoustic Guitar,Vocals
Bill Champlin   Background Vocals
Jim Price   Horn
Bobbye Hall   Percussion
Richard Bassil   Bass,Background Vocals
William Bergman   Horn
Louis Biancaniello   Synthesizer
Harry Bluestone   Concert Master
Michael Boddicker   Vocoder
Mark Cummings   Synthesizer,Piano,Background Vocals,Vocoder
Johnny DeCaro   Guitar,Background Vocals
Steve Forman   Percussion
Steve Goldstein   Synthesizer,Keyboards
Jimmie Haskell   Conductor
John Jarvis   Piano
David Landau   Background Vocals
Neil Larsen   Synthesizer,Electric Piano
Darrell Leonard   Horn
Rick Marotta   Drums
Kevin McCormick   Bass
Daniel Moore   Background Vocals
Matthew Moore   Background Vocals
Rick Nowels   Background Vocals
Jerry Peterson   Horn
Michael D. Slusher   Horn
Greg Smith   Horn
Lee Thornburg   Horn
Kenneth Tussing   Horn
Ken Watson   Cymbalom
Waddy Wachtel   Guitar
Sidney Sharp   Concert Master
Billy Lee Lewis   Percussion,Drums,Background Vocals
M.L. Benoit   Percussion
John Hug   Guitar,Conductor

Technical Credits

Marty Balin   Composer
Leon Russell   Composer
Barsha   Composer
Dyan Diamond   Composer
Kim Fowley   Composer
Franne Golde   Composer
Peter Ivers   Composer
Frank DeCaro   Composer
John Farey   Composer
Tom Flye   Engineer
Val Garay   Producer,Engineer
Steve George   Composer
Steve Goldstein   Composer,Horn Arrangements
Jimmie Haskell   String Arrangements
Steve Head   Composer
John Lang   Composer
Jerry Manfredi   Composer
Rick Marotta   Composer
Richard Page   Composer
Greg Prestopino   Composer
Lee Thornburg   Horn Arrangements
Brock Walsh   Composer
John Tobler   Liner Notes
Bob Alan   Composer
Adrian Peritore   Composer
Terry Turrell   Composer
Eric Burgeson   Composer
Getter!   Composer
David Evan   Composer
Barish   Composer
Knowles   Composer
John Hug   Producer,String Arrangements
Gene Heart   Composer
Brian Marnaell   Composer
Obren Bokich   Composer

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