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| John Coltrane Quartet | Primary Artist, Track Performer |
| John Coltrane | Indexed Contributor, Soprano Saxophone, Tenor Saxophone, Group Member |
| Elvin Jones | Drums, Group Member |
| Jimmy Garrison | Bass, Group Member |
| McCoy Tyner | Piano, Group Member |
| Reggie Workman | Bass |
| Gene Lees | Liner Notes |
| Michael Cuscuna | Reissue Producer |
| Rudy Van Gelder | Engineer |
| Bob Thiele | Producer |
| Todd Whitelock | Mastering |
| Jeff Adamoff | Cover Art |
| Jason Claiborne | Graphic Design |
| Hollis King | Art Direction |
| Joe Lebow | Liner Design |
| Robert Flynn | Cover Design |
| Jim Marshall | Cover Photo |
Anonymous
Posted July 14, 2009
No text was provided for this review.
Anonymous
Posted December 23, 2010
No text was provided for this review.
Editorial Reviews
All Music Guide - Sam Samuelson
Throughout John Coltrane's discography there are a handful of decisive and controversial albums that split his listening camp into factions. Generally, these occur in his later-period works such as Om and Ascension, which push into some pretty heady blowing. As a contrast, Ballads is often criticized as too easy and as too much of a compromise between Coltrane and Impulse! the two had just entered into the first year of label representation. Seen as an answer to critics who found his work complicated with too many notes and too thin a concept, Ballads has even been accused of being a record that Coltrane didn't want to make. These conspiracy theories and there are more ...