The Washington Post
Balzac's Omelette: A Delicious Tour of French Food and Culture with Honoré de Balzacby Anka Muhlstein
“Tell me where you eat, what you eat, and at what time you eat, and I will tell you who you are. ”This is the motto of Anka Muhlstein’s erudite and witty book about the ways food and the art of the table feature in Honoré de Balzac’s The Human Comedy. Balzac uses them as a connecting thread in his novels, showing how food can/i>… See more details below
“Tell me where you eat, what you eat, and at what time you eat, and I will tell you who you are. ”This is the motto of Anka Muhlstein’s erudite and witty book about the ways food and the art of the table feature in Honoré de Balzac’s The Human Comedy. Balzac uses them as a connecting thread in his novels, showing how food can evoke character, atmosphere, class, and social climbing more suggestively than money, appearances, and other more conventional trappings.
Full of surprises and insights, Balzac’s Omelet invites you to taste anew Balzac’s genius as a writer and his deep understanding of the human condition, its ambitions, its flaws, and its cravings.
The Washington Post
The New York Times Book Review
“Fabulous . . . worth nibbling on, as prelude or accompaniment to the pièce de résistance, ‘The Human Comedy.’” —New York Times Book Review
“Balzac’s Omelette . . . is a charming and modest little book.” —New York Review of Books
“Muhlstein uses Balzac as a guide to the French culinary scene of the 19th century in a literary analysis that is original, delectable and entirely readable.” —The Washington Post
“This scholarly yet escapist book explores how French cuisine influenced Honoré de Balzac’s genius… irresistible.” —Daily Beast
“An absorbing and insightful portrait of Balzac…and of the role that food played in 19th-century France.” —Wall Street Journal
“Muhlstein’s gastronomic and cultural tour of 19th-century France is concocted from food references in Balzac’s work.” —Entertainment Weekly
“Felicitous phrasing, a scholar’s sage scope, and enormous fondness for Balzac’s panoply of characters mark this charming, intimate look at the French novelist’s depiction of the highs and lows of 19th-century French society, as reflected in its culinary offerings... Muhlstein delves lovingly into Balzac’s characters, misers and gluttons alike, and finds the presentation of food an important indicator of social status, and well-cooked food equal to a woman’s love.” —Publishers Weekly
“The story of post-Revolution food in Paris and the rise of food as a literary metaphor, as told through Balzac’s work…Not just for French lit majors—honest.” —France Magazine
“Like the many feasts it describes—historical and fictional—this book presents readers with course after course, carefully crafted to appeal to palates with a taste for history, biography, or literary criticism…Well written and thorough, this title will appeal most to students of French history, lovers of Balzac and his writings, and those with a deep interest in food history...” —Library Journal
“‘Balzac brought meals into literature,’ writes Anka Muhlstein, delivering up an elegant, mouthwatering feast. Here is food as characterization, as preoccupation, as consolation—a gastronomic tour of 19th century France in which Balzac serves as headwaiter.” —Stacy Schiff, author of Cleopatra: A Life
“Alimentarians great and humble will want to own, read, and reread Balzac’s gastronomic tour of nineteenth-century Paris and the provinces, reconstructed from his food-infused novels with delicacy and brilliance by Anka Muhlstein.” —Jason Epstein, Eating: A Memoir
“This is a superb book, a delightful plunge into 19th century French culture and life in all its glory, a real page turner. If you love books, the art of writing, or dinner parties, if you revel in France, if travel and culture are your thing, Balzac’s Omelette will please you more than any other book this season. Bon appétit!” —André Bernard, author of Now All We Need Is a Title and Bartlett’s Book of Anecdotes
“Reading Balzac's Omelette is like going to a party where all the guests are brilliant and entertaining, the food is exquisite, and you wish it would never end.” —Jeanne Martinet, author of The Art of Mingling
“For anyone who loves to read, or eat, or both, Anka Muhlstein’s terrific Balzac’s Omelette is a must: the historian takes on the evolution of food in fiction—specifically Balzac’s—with results that I could (but won’t) call mouth-watering. I’m a total food-history nerd, but I don’t think you’d need to be to enjoy what’s ultimately a treatise on the making of modern French culture.” —Sadie Stein, The Paris Review Daily
“Anka Muhlstein folds wit into scholarship as easily as breaking an egg. Let us now join hands and say grace for her brilliant and beguiling Balzac’s Omelette.” —Patricia Volk, author of Stuffed and To My Dearest Friends
“Balzac’s Omelette is perhaps less of an omelette than a light and charming soufflé. Or perhaps a meze, where you can pick and choose among choice bits of information or anecdote at will. And ultimately it has the effect of awakening your appetite for more than food…sending you back to the bookshelf to reread Balzac’s novels themselves.” –The East Hampton Star
- Other Press, LLC
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- 6 MB
Read an Excerpt
The most astonishing illustration of Balzac’s taste for ephemeral luxury is the meal he had delivered to him in prison; yes, Balzac was in prison for a spell, not for debts but for evading—several times—his duty to serve in the National Guard.
Every citizen who lived in Paris had to spend a few days a year on guard duty, and those who failed were condemned to a day’s incarceration. Deeming this constraint intolerable, Balzac succeeded in avoiding it on numerous occasions, most often by claiming he was traveling or by simulating a house move: he would stay with a friend for a few days and wait for the danger to pass. Sometimes he did not escape in time but wriggled out of the tight spot by offering a few gold coins or a couple of good bottles of Vouvray to the arresting agents…until the day when he eventually had to submit to the law and was unceremoniously dumped at the Hôtel des Haricots, the National Guard’s own prison.
Once he was settled in his third-floor cell, he sent his valet to his publisher, Werdet, with a note asking him to send money.Werdet complied immediately, and went to the prison armed with two hundred francs. To his considerable surprise, Balzac thought the sum miserly but invited him in to dine. He had arranged to have a meal delivered from Véfour, and explained to Werdet that he had deliberately chosen one of the most expensive restaurateurs in Paris because, on his release, he wanted to leave behind memories of “every tradition in the art of fine living.” So, down they went to the refectory at the agreed time and, at one end of a long table, they saw a magnificent meal set for two. It was theirs. The two friends enjoyed a succulent dinner; Balzac proved in excellent humor when, at about seven o’clock, the door opened and another draft-dodger came in: Joseph-François Michaud, editor-in chief of La Quotidienne, a royalist newspaper to which Balzac gladly contributed. Michaud eagerly accepted the invitation to share in Balzac’s “modest” meal, and the evening ended in very high spirits.
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