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Bandit's Moon

Bandit's Moon

4.6 5
by Sid Fleischman, Jos. A. Smith (Illustrator)

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Annyrose Smith is a true child of calamity, but she is determined to overcome it. So what if she's an orphan? So what if she's stuck with the vilest landlady in California, while her brother's off trying to strike gold? So what if Joaquín Murieta and his band of notorious outlaws swoop in and take her away? The fearsome bandit thinks Annyrose can help him in


Annyrose Smith is a true child of calamity, but she is determined to overcome it. So what if she's an orphan? So what if she's stuck with the vilest landlady in California, while her brother's off trying to strike gold? So what if Joaquín Murieta and his band of notorious outlaws swoop in and take her away? The fearsome bandit thinks Annyrose can help him in his quest for justice, and she thinks he can help her search for her long-lost brother. She's not about to let anything stop her, not the mistaken identities, the daring robberies, the wild chases, or her unlikely friendship with the Mexican Robin Hood.

Editorial Reviews

Publishers Weekly - Publisher's Weekly
Seasoned author Fleischman (The 13th Floor) returns with a spirited novel set against the California Gold Rush. Plucking a character out of history--Joaquin Murieta, an infamous 1850s Mexican outlaw--he expertly crafts a fictionalized tale that takes a clear-eyed look at bigotry and racism, while steering away from the twin pitfalls of pedantry and sermonizing. Told from the point of view of Annyrose Smith, an orphan in search of her brother Lank, the story starts with a bang (she's swept off with the banditos) and never lets up its fierce pace. All the trademarks of one of Fleischman's rollicking yarns are here, from treachery aplenty and multiple cases of mistaken identity, to colorful rascals--all delivered with a double helping of humor (as when Annyrose attempts to teach the outlaw to read and he remarks, "They tell me my name starts with a J. Yes, I have seen that shape on wanted posters"). Fueled by brisk dialogue and lively descriptions ("my heart sounded like woodpeckers in my ears"), the story moves as swiftly as a whitewater stream, carrying readers along for an exhilarating ride. It's not all thundering hooves and gunfire, however. Fleischman also tucks in weightier issues, as Annyrose ruminates on such concepts as revenge, villainy and friendship while riding with the outlaw--who, as it turns out, is hardly the bloodthirsty figure he's been painted to be. Food for thought packaged inside a most enticing adventure. Illustrations not seen by PW. Ages 8-up. (Sept.)
Children's Literature - Jan Lieberman
AnnyRose, 12, is captured by Joaquin Murieta, the bandit. But when he realizes she can read, he wants her to stay with him. Only Fleischman would have her use her dead mother's cookbook to teach him to read. Her recipe for Herring Pie saves his life at one point. The Gold Rush period in California's history is alive with fascinating stories. Add this grand adventure to your booklist. It is the ideal book to accompany the movie, "The Mask of Zorro", starring Anthony Hopkins and Antonio Banderas.
Children's Literature - Sharon Salluzzo
When the bandit, Joaquin Murieta, discovers Annyrose's hiding place, she boldly asks him to take her with him so she can be reunited with her brother. Joaquin believes she is a boy since she is dressed in pants and her hair is short. He agrees to take her if she will teach him to read. As they travel across the countryside, Annyrose is confused by Joaquin's actions. He is a bandit and a horse thief, yet defends her and saves her from being lynched. Fleischman brings to life the legend of Joaquin Murieta. His dialogue has some great banter between Annyrose and Joaquin, and humor and suspense pervade the story. Through this legend, the author reveals the difficult history between the Americans and the Mexicans in California in the mid-nineteenth century. "Where was the honor in mistreating others?" Annyrose wonders, and gives the reader food for thought. Biographical information on Murieta is included at the end. A fast-paced, exciting tale.
School Library Journal
Gr 3-6-An exciting novel set in the days of the California Gold Rush. After young Annyrose breaks her ankle, she is left with the evil O. O. Mary by her brother, who continues on to make his fortune in the mines. She is saved from this horrible fate by the Mexican bandit Joaquin Murieta, who has come for revenge against the people who murdered his family and stole his land. Thinking that Annyrose is a boy, Joaquin takes her along with his gang so that she can teach him to read. During her travels with the band, Annyrose gains an understanding of the injustices the ruthless bandits are avenging and becomes friends with Joaquin and the others despite her fears and objections. She alternately helps and hinders their endeavors and is ultimately reunited with her brother. Written in the style of an old Western, the book is full of lore and legend of the Old West. It is fun, fast, and wild, but there is a serious side to the story. In an author's note, readers learn that a Mexican bandit, Joaquin Murieta, became a legend as both a cutthroat and a Robin Hood-type figure. Fleischman makes Joaquin a sympathetic central character as he shows the injustices suffered by minorities during this time of greed and lawlessness. This is classic Sid Fleischman: a quick read, with lots of twists, wonderful phrasing, historical integrity, and a bit of the tall tale thrown in.-Marlene Gawron, Orange County Library, Orlando, FL
Kirkus Reviews
Fleischman (The Abracadabra Kid, 1996, etc.) tells a meandering but effective story of a Mexican outlaw and a spunky "gringo" girl. During the Gold Rush, when recently orphaned Annyrose, dressed as a boy, escapes from her brutal caretaker, she is taken in by the infamous bandit, Joaqu¡n Murieta. He gives her food and protection in exchange for teaching him to read; he also helps Annyrose in her search for her brother, and she helps the bandit fake his death. Her loyalty to Joaqu¡n is only tempered by her strong sense of ethics (in fact, her moral haranguing is constant); despite his great charm and unusual kindness he is, after all, a murderous outlaw (whose crimes occur mostly offstage). Based on the exploits of bandit Joaqu¡n Murieta, this story wanders all over the map, literally and figuratively. What holds it together is the tense but warm relationship between Annyrose and Joaqu¡n; Fleischman infuses their scenes with charm and offers plenty of excitement set in an intriguing historical period. (b&w illustrations, not seen) (Fiction. 8-12)

From the Publisher
"An action-packed narrative . . . detailed and authentic."—Booklist, Starred

"All the trademarks of one of Fleischman's rollicking yarns are here . . . delivered with a double helping of humor." —Publishers Weekly, Starred

Product Details

HarperCollins Publishers
Publication date:
Edition description:
Sales rank:
Product dimensions:
5.12(w) x 7.62(h) x 0.43(d)
Age Range:
8 - 11 Years

Read an Excerpt



I had hardly got three miles down the road when 0.0. Mary herself caught me running away and locked me up in the harness room off the barn. It was infernally dark, and I knew there were black widow spiders in there. I tried to keep my mind off them except to think that 0.0. Mary could give black widows lessons in meanness.

I had been padlocked almost a week when I heard someone come around the pond on a winded horse, frightening off the squawking ducks and mud hens. I heard a yell; "Mary! 0.0. Mary! That Mexican's a-coming after you! The whole gang of 'em! Run for your life! They ain't far behind!"

It was hardly a moment before a key started rattling in the padlock. 0.0. Mary flung open the door. The white afternoon sunlight about blinded me.She tore through the saddles and harnesses and general trash until she came up with a scuffed red hatbox with the tips of yellow feathers sticking out the lid. I'd been using the box to eat on when she remembered to bring me some food.

I could hardly imagine that she'd ever owned a pretty hat. She had a head of hair as matted as a dead cat's. But hadn't I heard her say she'd once been with the circus or a showboat or something? That must have been a hundred years ago, I thought. I don't know what her real name was. She told me that everyone called her 0.0. because her eyes were always open, and don't forget it.

She gave the leather box a smile with that fossil face of hers and then seemed to notice me for the first time.

"Out of my way, child! Run for your life!"

"What on earth for?"

"Annyrose! Didn't you hear? That cutthroat don'tspare women and children! Why are you standing there? Contrary orphan! Run!"

"I'm not exactly an orphan," I said. After all, I had kin. I had a brother still alive.

"It's no skin off my bones if that confounded outlaw murders you in your shoes!"

If I'd wanted to argue fine points with her, I'd have reminded her they weren't my shoes, either. She'd sold my New Orleans petticoats and dresses months ago. She had me walking around in some boy's castoffs, shirt and pants, and brown boots as curled up as dead fish.

"Don't claim I didn't warn you!" she shouted, pushing me out of the way. "And don't think he'll spare you! It's the devil on horseback riding this way! It's Wakeen himself!"

I answered, calm and snooty, "He isn't coming after me."

"Stupid girl!" she snapped. "His arms drip blood up to his elbows. And if he don't finish you, there's Three Fingered Jack to do it. They'll cackle over your bones, the whole gang of them! Pesky foreigners! Greasers!"

That was what she called her Mexican help, when she had any. The foul and lumpish woman didn't have a good word for anyone. "You don't aim on coming back, do you?" I asked, hoping I might be seeing the last of her forever.

"Even if they burn the place to the ground, I'll be back," she snapped.

Moments laterI saw her with her hatbox racing down the road in her dusty black buggy. It was piled withloose dresses and her big goose-feather mattress, all rolled up and puffy as a cloud. With the horsewhip held aloft, she struck sparks in the air.

I'd heard the horrible tales about Wakeen, and they were enough to give anyone the fits. Now as I saw dust rising behind the hill, I decided I ought not to be passing the time on the porch having myself a long fresh drink out of the water barrel.

I got my few belongings in a pillow slip, in case the outlaws set the ranch on fire. My eyes lit on the bundles of hay standing out in the field like a flock of scarecrows. With my bootheels flopping in the dirt, I hurried to the field and snugged myself inside the nearest stack of hay -- but not too deep. I wanted to be able to see the famous cutthroat.

As I waited, I thought I must be a true child of calamity to be standing all covered with smelly hay. Ever since we'd set out for California, my mother and brother, Lank, and I, bad luck came leaping out at us. Crossing Panama on muleback to reach our ship in the Pacific Ocean, Mama had caught a jungle fever. We had had to bury her at sea off the coast of Mexico.

When Lank and I landed in San Diego, where Mama had planned to start a school, our money was stolen right out of Lank's left coat pocket. Not only our money but all our papers, including a guide to the gold country up north that Lank had got hold of. It showed an X mark near a place called Mariposa where there was supposed to be a rich vein of gold.

In order to eat, we had had to sell off Mama's trunkful of books, including all of Shakespeare in red leather bindings. And then Lank got it into his head to walk to the gold diggings a few hundred miles north, the both of us, and strike it rich like everybody else. He figured we'd outfit ourselves in Sacramento first. So we set out with all our belongings on our backs like peddlers. But you'd think someone had thrown a curse over me.

Mama never believed in evil curses and hokey-pokey stuff like that, so I figured bad luck just happened. And when it did, Mama never spared it more than ten minutes of her time and just got on with things. I tried to get on with things, but why couldn't I have tripped over my own long feet and broken my ankle in a better spot? Lank carried me to the nearest house, which was only a mile away. Tarnation! It turned out to be 0.0. Mary's horse ranch.

Only she was just back from across the border in Mexico, and so powdered and gussied up you'd hardly recognize her. She splinted my leg with greasewood sticks and seemed as kindly as your grandmother. So Lank left me there to heal and said he'd send coach fare as soon as he could. And she said not to worry, for as soon as I could walk on my leg, I could do little things around the horse ranch to earn my keep.

Lank was hardly out of sight when she pulled off her wig and put it in mothballs. The next day I found her holding up my dresses and lace petticoats to the light. They disappeared to pay for my keep. I cried when she sold my violin in its black leather case and every note of my Mozart and Schubert. She even cut off my long yellow hair and sold it.

With all the comings and goings around the place, it didn't take me long to figure out that she dealt in stolen horses and earrings and anything else you didn't hang on to with both hands and a foot. I think she must have stolen letters from Lank. He wrote me once from Sacramento to say he'd be sending me coach fare, but I never saw it.

I was awakened from my thoughts by the squawk of ducks from the pond. When I looked out again, there came the bandits, about ten of them, with their hawk's eyes looking out from the black shade of large straw hats. Yellow cartridge belts made X marks across their chests. The men looked as stiff as soldiers, and I wondered if they'd fought in the war we'd finished off with Mexico. The Mexicans had sold us California and Texas when it was over, but when it was over, my papa didn't come back. Closer and closer the horsemen came, walking their beasts now, with only the silver jingle of spurs and the snort of a horse to disturb the afternoon quiet.

I recognized a big Mexican by the finger missing off his right hand and figured he must be Three-Fingered Jack. My gaze shifted to the bandit riding beside him, the one with the silver buttons running down his legs. He smiled. His teeth gave off a flash as white as oyster shells. That must be Wakeen, I thought.

He made my blood run cold, smiles or not. I'd never been so near to murdering villains. It surprised me that Wakeen hardly appeared much older than my brother, Lank, who was seventeen. And the outlaw wasn't even as tall. He wore a red scarf around his long black hair so that he looked more like a pirate than a general leading his army of cutthroats. Step by step he advanced. He frightened me even though his arms weren't stained with blood all the way up to his elbows.

He smoked a thin black cigar as crooked as a twig and wore silver spurs almost as big and spiky as sunflowers. He said something in Spanish, and his men began ransacking the place, looking for 0.0. Mary. He dismounted and helped himself to the water dipper on the porch.

As I peered out, I saw him staring down at the dust, studying it. He must have had a keen eye for tracking because he began following my fresh footsteps as directly as if I'd left a trail of breadcrumbs like the kids in the fairy tale. I saw him pull a pistol from his sash, shift to one side, and cock back the trigger.

"Buenas tardes, Calico. I heard a whisper that 0.0. Mary was hiding you. Do you wish a moment to say your last prayers? It is me, Wakeen!"

I was almost afraid to breathe. If the outlaw saw even a few straws jiggle, he might be edgy enough to fire.

Copyright © 1998 by Sid Fleischman Bandit's Moon. Copyright © by Sid Fleischman. Reprinted by permission of HarperCollins Publishers, Inc. All rights reserved. Available now wherever books are sold.

Meet the Author

Sid Fleischman wrote more than sixty books for children, adults, and magicians. Among his many awards was the Newbery Medal for his novel The Whipping Boy. The author described his wasted youth as a magician and newspaperman in his autobiography The Abracadabra Kid. His other titles include The Entertainer and the Dybbuk, a novel, and three biographies, Sir Charlie: Chaplin, The Funniest Man in the World; The Trouble Begins at 8: A Life of Mark Twain in the Wild, Wild West; and Escape! The Story of The Great Houdini.

Jos. A. Smith, illustrator of Hurry! by Jessie Haas, Ogres! Ogres! Ogres!: A Feasting Frenzy from A to Z by Nicholas Heller, and A Creepy Countdown by Charlotte Huck, lives in New York City.

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Bandit's Moon 4.6 out of 5 based on 0 ratings. 5 reviews.
Guest More than 1 year ago
Most girls would be upset if a gang of bandits rode in, but newly orphaned Annyrose Smith sees it as an opportunity and improvement. When Annyrose breaks her ankle, her brother leaves her to heal in the care of O. O. Mary at her horse ranch as he goes off to make his fortune in the gold digging territory. The villainous O. O. Mary is terrible, and she has Annyrose "walking around in some boy's castoffs, shirt and pants, and brown boots as curled up as dead fish." She even cuts of Annyrose's long yellow hair and sells it. Locked in a barn since she tried to run away from the villainous O. O. Mary, Annyrose pleads with the bandit called "Wakeen" to let her go along with the gang. When the infamous Mexican bandit Wakeen Murieta and his outlaw band raid O. O. Mary's property, Annyrose is discovered hiding in the hay. Annyrose convinces the bandit called "Wakeen" to let her go with him if she'll teach him how to read. Thinking she is a boy, Wakeen agrees to take her--provided she'll teach him to read so that he can find out what the gringos/yankees are saying about him on wanted posters and in the newspapers. Annyrose and Wakeen are both surprised when they discover Wakeen's name is really spelled J-o-a-q-u-i-n not W-a-k-e-e-n which was what Annyrose had taught him. SO Annyrose becomes a part of Joaquin's quest for revenge against the people who had murdered his family and stolen his land. She comes to realize that the bandits are only stealing what was taken from them when ruthless white settlers came. Who wrote laws to pry off those with darker skins from the diggings.
Anonymous More than 1 year ago
Bandit's Moon is a great book for fourth graders to read. It tells the tale of the famous robber, Joaquin Murretta and the relationship he develops with a young girl. The story has lots of twists and turns. This book ties in nicely with the gold rush era, a topic covered in Social Studies for California history. I hope you enjoy reading this book. My students loved it and so did I.
Anonymous More than 1 year ago
The Bandit's Moon was the greatest book in history. It all started when I was in 4th grade. My teacher read it to me, and it was fantastic. I especially loved Joaquin Murrieta, the horse thief. He is my favorite character. Now I am in 5th grade and I found my favorite book once again. I am very happy. My favorite part of the book was when they caught Joaquin, the bandit, but Annyrose came to the rescue. She said that Joaquin can't read or write his name. But then she showed Joaquin a cookbook and told him to read Herring Pie. It was hilarious.
Guest More than 1 year ago
Number one, it's hillarious. I didn't have any idea of what twist Mr. Fleischman would inject into the plot. He carries his readers into, through, around, and under the dangerous hideouts of a band of 19th century bandits with great speed. At the story's end, I felt I knew some of the secrets of the characters, but definitely not all.
Guest More than 1 year ago
This book is called Bandits Moon. It was written by Sid Fleichman and illustrated by Peter Sis. I liked this book because it was an adventure story. It is about a girl that is left with a mean old lady. Then some bandits come and she bribes them into taking her with them. They become friends but she still wants to get back to her brother. The bandits won¿t let her. This book is sort of hard to under stand because some of the words are in Spanish. I would recommend this story to a friend because it is a good adventure story.