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The Barque of Saviors: Eagle's Passage from the Nazi Navy to the U.S. Coast Guard

The Barque of Saviors: Eagle's Passage from the Nazi Navy to the U.S. Coast Guard

by Russell Drumm

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In 1936 in Hamburg, a splendid three-masted sailing ship was christened Horst Wessel in the presence of Adolf Hitler and thousands of cheering Nazis. It became a training vessel for naval officers during World War II. After Germany’s defeat, the U.S. Coast Guard found its young crew terrified and half starved. The Coast Guardsmen brought the Germans, so recently


In 1936 in Hamburg, a splendid three-masted sailing ship was christened Horst Wessel in the presence of Adolf Hitler and thousands of cheering Nazis. It became a training vessel for naval officers during World War II. After Germany’s defeat, the U.S. Coast Guard found its young crew terrified and half starved. The Coast Guardsmen brought the Germans, so recently their mortal enemies, back to life; the Germans, in return, taught them the ways of the beautiful square-rigged ship, rechristened Eagle. In time, Eagle would become the Coast Guard’s elite school ship — the barque of saviors.
Uncannily linking Eagle’s malign past and its American present is a Coast Guardsman named Karl Dillmann, who believes that the spirit of a young German sailor drowned in a U-boat explosion inhabits his soul. The voices of Dillmann and other crew members are heard throughout the book, as are, incredibly, the voices of young sailors on the Horst Wessel. Drumm has obtained never-before-published logbooks from the war years, affording fascinating new insights into both the ship’s everyday life and its moments of high drama.
A supremely gifted journalist and a vivid, lyrical writer, Russell Drumm knows Eagle intimately. His love of the ship, and of the sea itself, enriches every page. The courage and sacrifice of the “greatest generation” are alive and well today in the dedicated members of the U.S. Coast Guard.

Editorial Reviews

Publishers Weekly
Drumm, senior writer at the East Hampton Star, chronicles some of the "hidden" history of the U.S. Coast Guard's three-masted sailing ship Eagle, currently serving as a training vessel and oft visited by dignitaries for photo ops. The Eagle was originally named the Horst Wessel and was launched in 1936 at a German shipyard, with Adolf Hitler and the chief Nazis of the party present. It served as a training ship for German seamen and officers, many of whom went on to careers in U-boats during WWII. The ship barely survived the war and was taken by the Coast Guard as part of America's share of the former German navy. Derelict but still served by a skeleton crew of emaciated survivors, the ship proved a fertile ground for friendship, as the Coast Guard brought the German crew to health, and a mixed crew eventually sailed across the Atlantic to U.S. port. Drumm accompanied Eagle on a 2001 voyage to the Caribbean. His book interweaves a hardcore sailing history of this stalwart vessel with a dense account of the 2001 voyage. Along the way, the reader becomes familiar with the cadets of various eras, with an obvious focus on WWII. Sea buffs are the primary audience here ("Captain Cummings ordered that Eagle's t'gallants be put `in their gear,' clewed up but not furled, and the mizen gaff topsail doused, along with several staysails"), but the book also offers a rare look at postwar military cooperation and at the integration of female cadets beginning in the 1970s. (Nov. 16) Copyright 2001 Cahners Business Information.
Kirkus Reviews
Drumm (In the Slick of the Cricket, 1997) knows just what a treat it is to sail on the square-rigged barque Eagle, the Coast Guard's great training cutter, and he conveys that thrill here, lacing the experience with episodes from the ship's unforgettable past. It takes the 300-foot Eagle about two weeks to make the voyage from New London, Connecticut, to Panama on a training run to Oregon, and East Hampton Star journalist Drumm is allowed to join the crew. Trim at 39 feet abeam, the Eagle is capable of putting up more than 21,000 square feet of sail to catch the wind that, as Drumm reflects, "boiled down to the earth's turning, the spinning of todays into tomorrows. Wind is time passing." And time weighs heavily on the Eagle, for it was commissioned the Horst Wessel-the name of a Nazi Party martyr-as a training vessel for officers of the Third Reich. The ship was discovered in Bremerhaven in 1946 with a half-dead crew who taught the Coast Guard its ways as they redubbed it Eagle and put it into service training American sailors. Drumm is able to generate some of the flavor of that time through the ship's log. Any "memory of well-oiled evil" that lurks among the spars has been eclipsed by the Eagle's role as public-relations tool and by the spirit of the men and women now sailing her. Though the age of skylarking through the upper yards and crosstrees is gone, there is an electric joyousness about the ship "surrounded by canvas and sculpted air," a thrum of barely contained energy. The strange story of boatswain Karl Dillmann, whose belief in being possessed both of a dead German sailor's soul and a spiritual affinity to the Eagle, is hard to dismiss. Tall ships cast spells, and Drummcatches the witchery of the Eagle's overpowering presence. (b&w photographs throughout)
From the Publisher
"Tall ships cast spells, and Drumm catches the witchery of the Eagle's overpowering presence." Kirkus Reviews

"…the book offers a rare look at postwar military cooperation." Publishers Weekly

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Houghton Mifflin Harcourt
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Read an Excerpt

Prologue - It was on the deck of Coast Guard Patrol Boat 41934 on the night of July 17, 1996, that I realized the necessity of writing this book. Three of the boat’s crew members were struggling to lift aboard the body of a young woman, one of the 230 victims of TWA Flight 800. Much more lifting would be required before the sun rose again off Moriches, Long Island.
As a reporter for a local newspaper, I watched my job shrink to insignificance as our boat and others like it moved through the wreckage. I did not have to be there, but the young Coast Guard men and women retrieving bodies and hoping against all reason for survivors did. The manner in which they went about their work was a story that needed telling.
I was no stranger to the Coast Guard, having had a working relationship with my hometown station and having written a number of stories over the years about scary Coast Guard rescues of yachtsmen and fishermen in the northwest Atlantic. They were stories of heroism plain and simple, but they seemed to blurt from the page, incongruous among the routine drug arrests, meeting announcements, and posturing letters to the editor. Except within the shrinking fishing community, drowning in giant seas appears to have gone out of fashion, to be a primal throwback, something like being eaten alive. The flares in the night sky, the ropes and floats of rescue, seem primitive, like leeches applied to the sick. The general public translates such stories into fiction, our repository for acts too selfless to fathom. The professionalism I was witnessing on the Montauk station’s 41- footer, though familiar to me, was of another age—it had roots. That quality is old but strong, spawned long ago on vulnerable, wind- driven ships, but it continues to breathe today.
Two weeks earlier I had been aboard the barque Eagle, the Coast Guard Academy’s training ship, as she moved down the Elbe River from the city of Hamburg. The cadet training cruise that summer had included a visit to the old Hanseatic port on the occasion of the barque’s sixtieth birthday. In June of 1936 she had been christened Horst Wessel in honor of a Nazi martyr and put into service as a training ship for naval officers of the Third Reich. Adolf Hitler had attended the christening. Now, having been claimed and renamed by the Coast Guard after the war, Eagle trains rescuers.
There is good in the world and evil, heroes and villains, and a whole lot in between. There are ways to fall and ways to rise, to sink and to remain afloat. The Barque of Saviors is about falling and rising and staying afloat.
A few apologies. First, to those who are expecting a chanty- filled, “blow-ye-winds-hi-ho” profile of a sailing ship: Eagle is, indeed, a noble square-rigger, heir to one of the great shipbuilding traditions, but this book is more about her people and their worlds— Germans during one of the darkest periods in history and Americans ever since—and about the world of one man in particular. I apologize to the thousands of Coast Guard folks, active, retired, and passed over the bar, whose stories I was unable to tell. Finally, to readers who will confront nautical jargon for the first time: although I’m proud to have been called shipmate, I cannot claim to be part of the Coast Guard’s extended family. I have, however, made an attempt to record its ancient language, and I include a glossary of nautical terms in the book’s after section.

1 Under Way

MAY 2, 1999 Eagle shoulders large seas, her sails white against a bruise of clouds. Her masts sketch giant arcs as she rolls. Small, yellow shapes — the crew in rain gear high in the rigging — streak across a blackening sky. Eagle’s bowsprit, holding the feet of four triangular jibs, points skyward, then down into a trough. Her sharp cutwater slices the large, cold swells lifting her 1,800 tons smoothly and deliberately, as only a 300-foot sailing ship can slice them. The t’gallants, the topgallant sails just set, have encouraged a stiff northeast breeze to heel us to 12 degrees, according to the brass clinometer mounted on the pilothouse. The deck is a hillside.
Eagle’s beam is just 39 feet. She is yachty, with a sexy, rounded tumblehome, the type of stern called a champagne counter, which invites the waves of a following sea to lift it rather than crash down upon it. The teak fo’c’sle deck is 12 feet above the water, although today the bow watchman standing next to the ship’s bell is riding 20 feet heavenward toward a lingering morning moon as the crests of waves pass under him. Then he drops into the troughs within easy reach of the geyser slices that peel with a roar from beneath the eagle eye of the barque’s golden figurehhead. Whistling low, the steel cable stays and shrouds supporting the masts withstand tremendous forces of wind and swell. Mainmast and foremast each rissssse nearly 150 feet above the sea. Their entire suit of ten square sails, plus the headsails and staysails and the mizzenmast’s split spanker, total 21,350 square feet. When the sails are filled by a 30-knot wind such as this, they generate the power of 10,000 horses.
We left New London, Connecticut, yesterday, May 1, slipping past the black whalebacks of nuclear submarines at Groton en route to the Pacific Ocean via the Panama Canal. Officer candidate trainees, many from the Coast Guard’s enlisted ranks, will depart at the former Rodman Naval Station on the west side of the Panama Canal and be replaced by the first-phase cadets of the United States Coast Guard Academy’s class of 2001. The training ship will then head up the West Coast to Oregon. The cadets will spend five weeks on board learning basic seamanship, navigation, quartermastering, engine-room protocol, and watch-standing. The other half of their class will replace them in August. All are third-class cadets, sophomores, and have been aboard before only for a few days during the summer preceding their first year. But in that brief time most cadets begin their transformation. I’ve witnessed this process twice, once in 1994 under Captain Patrick Stillman and again in 1996, when Captain Robert Papp took command. Papp is to be relieved on July 3 in San Francisco by Captain Ivan Luke, who will join us at Guantanamo Bay, Cuba, and observe until we reach Panama. These three men, like 60 percent of all Coast Guard officers since 1946 and hundreds of German naval officers and sailors for ten years before that, began their careers as will the class of 2001 — with a mental rearrangement.
The change begins when an eighteen-year-old steps onto the deck of this sailing ship, onto what before had been distant horizon dressing: pretty and perhaps vaguely evocative of a lost era. With the ship still tied to the dock, the new cadet steps aboard and confronts the overwhelming power predicted by the masts and rigging. Large constructs are brought out of storage like antique furniture from the collective attic. They are muscled across slippery decks, down to where the stomach turns, and arranged among long shadows. Then, all at once, the teenager grasps that the towering steel masts with their crucifix yards, the taut cable shrouds, and the miles of coiled rope are meant to receive and harness an awesome force. These young men and (since 1976) women, who may never have given much thought to the wind, now sense the truth behind its invisibility. They begin to understand that they’ve come aboard with insufficient fears. Some realize faster than others that this is the point; that wild fear can and must be harnessed like the wind. It follows that humor, however nervous, is the first yoke to be applied. “Herculean,” an adjective that fits the ship, is cut down and proudly shrugged off as “herky.” The word is an active part of Eagle vocabulary, as is “pucker factor,” the ship’s standard measure of fear, based on the relative constriction of the anal sphincter. Today the pucker factor is low, despite the bad weather conditions. Only the more experienced hands are aloft. For them, climbing about the labyrinth of cable and line and handling a few acres of sail in a 30-knot blow is just another day at work. Yet there is fear nearby, or the ghost of it.
Here, off the Rhode Island coast, Eagle passes — all sails set, sleek, like the slipper of a goddess, with her golden eagle figurehead and a bone in her teeth — almost directly over the rusting bones of U-Boat 853. On this cold May 2, it has been fifty-five years and four days since Moby Dick, the name given U-853 by her pursuers, died right here on the ocean floor with all hands. It was Nazi Germany’s final military defeat. The histories of this sailing ship and of the fallen submarine are tightly interwoven, like the lay of the long ropes coiled and hanging from Eagle’s brass belaying pins.
At the end of World War II, Germany had three nearly identical steel sailing ships, which had trained naval officers and petty officers, many of whom were bound for the U-boat service. One of the trainers was scuttled by her crew in the Baltic a few days before Admiral Karl Dönitz, Hitler’s successor as head of state, surrendered. The other two were seized by the Royal Marines soon after. In bomb-gutted Bremerhaven, on May 15, 1946, after three months of repair and refitting, Horst Wessel was recommissioned as the U.S. Coast Guard Cutter Eagle. (A cutter is any Coast Guard vessel 65 feet or more in length and with accommodations for the crew to live on board.) Though older than the cadets, I too came aboard innocent, a newspaper reporter who liked the idea of sailing ships but had only a basic knowledge of them. From time to time I’d seen the barque under sail on the horizon and seen it closer when she anchored in Montauk’s Fort Pond Bay, a magnificent visitor whose people and purpose were unknown to me. A vow to one day go aboard took twenty years to realize. The academy’s public affairs office suffered the likes of me on occasion and granted my request to join the ship for a leg of the cadet summer cruise in 1994.
Because of the perception that Coasties practice a lost art out somewhere at sea — and because they are also the cursed fish police to some of the very people who depend on their skills, I found the Montauk Coast Guard Station to be an outpost, cheerful enough within, but nevertheless a place apart. At the time I was unaware of any connection between the station’s people and the barque that graced the horizon from time to time. And I was assured by the station’s commanding senior chief, Ed Michels, that there was no connection. An excellent leader, well liked by his people and the community, he admitted that the last pangs of romance with the sea had been beaten out of him years before within the cramped bulkheads of dozens of “afloat assignments.” He knew of my fascination with the barque and seemed to delight in telling me how Eagle squandered the Coast Guard’s perennially limited resources. She was the officers’ yacht and had nothing to do with “real” operations. Worst of all, she was a sailboat, bigger perhaps, but of the same species that was the bane of the SAR (Search and Rescue) stations’ summers because of the sailboat crews’ frequent lack of judgment. But then came the day when Chief Ed Michels approached me to say that his father, a man who had captained a charter fishing boat most of his life, was dying, and if I was going to New London, could I get this one particular poster of Eagle under sail, heeled, with a bone in her teeth. He wanted to put it by his father’s bed. I complied.
I’m sure that although he’d never been aboard Eagle, Chief Michels knew far better than I that the immediate mesmerizing grace of her lines camouflages an immense strength that takes time to appreciate. It means learning enough to see the invisible tissue that grows among people, between the past and the present, the quick and the dead, the animate and its opposite. I’ve learned that the wind driving her is invisible just to prove that such tissue exists today. In ’94 I watched a man who was about to be transferred from his Eagle billet sitting alone on a bench in the middle of the night looking up at the ship, moved to tears at the mating of form and function as she lay dockside in Baltimore’s Inner Harbor. His fellow petty officers had taken him out, and he was drunk, crying, blubbering, and repeating over and over to the ship: “You beautiful girl, you beautiful fucking girl.” Michels liked to praise the superiority of engines, but in the process he protested wind too much. Motisola Howard, the meteorologist on this trip, can tell you that wind results from variations in temperature and barometric pressure, but after twenty- five years in the Coast Guard the chief knew that it all boiled down to the earth’s turning, the spinning of todays into tomorrows. Wind is time passing. Eagle was built herky because some of it passes very hard. Like the Cape Horners she was designed after, she was made to withstand extreme weather but also to avoid another tragedy of the kind Germany suffered in 1933, when the trainer Niobe sank with the loss of sixty-four young men.
Even on sunny days, the northwest Atlantic in early May still holds the gunmetal of winter. The green color and the creatures of the Gulf Stream have not yet arrived. Cod and other bottom dwellers dominate the waters. On the bottom, the early spring lobsters are hard and black, their molting not begun. Traps baited with bunker and skate are set on the sea bottom all along the coasts of eastern Long Island and southern New England.
Below us, among the lobster traps, Moby Dick settles into the sand, sloughing metal. If ocean swells could reach down 17 fathoms, they would rinse the olive Thames and Connecticut river silt from the sandy bed to reveal white quartz, pink granite, and purple garnet grains. The same glacial sands drape the shoulders of Nantucket, Martha’s Vineyard, Block Island, Narragansett, and Montauk, the islands and points of land that are the head and footstones of Moby’s grave. The U-boat’s last victim, the collier Black Point, rests nearby. Fourteen miles to the west, within the same cemetery, the skeleton of HMS Culloden lies where she ran aground when her pursuit of French ships during the American Revolution was interrupted by a violent winter storm. In Gardiner’s Bay, near where we anchored last night, the wooden submarine Turtle was blown apart by Royal Navy guns during the War of 1812. Turtle’s captain, Joshua Penny, and the nine men who turned the sub’s screw oar” by hand, failed in their attempt to attach explosives to the frigate Superb and paid the price. Two victims of Kaiser Wilhelm’s U-boats are on the bottom near the Race, which connects Block Island and Long Island sounds. Fishing boats, too numerous to count, molder on this bottom. U-853 sits upright, with ragged depth-charge holes above the forward crew quarters and on the starboard side of the engine room. Over the years sport divers have taken souvenirs, including bones. In 1960 an anonymous German crewman was buried in Newport with full U.S. military honors after a diver brought his skeleton ashore from the conning tower. The West German government was outraged, as were the local clergy and a number of retired U.S. Navy officers.
The funeral illustrates a central fact of life: soldiers and sailors kill their enemy counterparts for an entire panoply of reasons — always noble, always heinous, according to the two-way mirrors of war. Then, when the shooting stops, they are often able to welcome their former foes as members of a larger fraternity, leaving it to heaven to cast blame, to wreak vengeance. Of course, they draw a distinction between war — to professionals a natural occurrence to be endured like a hurricane — and crimes against humanity, which are indefensible. The distinction can be obvious or subtle, but the inevitability of storms, be they man-made or heaven-sent, cannot be argued. Nor can the existence of the rescuers among us, the very few who are called to save the innocents from the maelstrom and even, as I’ve witnessed, to escort the drowned back from the sea.
Perhaps on the moral plane, Eagle’s is a rags-to-riches story, but it is not altogether simple. The barque that trained sailors for the doomed Third Reich is also the product of a maritime culture that created the master race of sailing ships. Should you wish to build a steel barque today, Lloyds of London will provide the insurance only if she is built to this ship’s 1936 specifications, which are still the state of the art. Trial and tragic error went into the design, perfecting in steel the square-rigger technology that evolved in wood and hemp over centuries. Today Eagle lifts hearts and frees souls as she soars under sail, yet she will never escape her strange and fateful ties to Unterseeboote — submarines — and to their drowned crews, many of whom trained on this ship and her two sisters. She is a school of paradox, and I’ve become one of her students, with much to learn.

Copyright © 2001 by Russell Drumm. Reprinted by permission of Houghton Mifflin Company.

Meet the Author

Russell Drumm is a senior writer on the East Hampton Star and the author of In the Slick of the Cricket.

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