Barry McGee

Overview

Published on the occasion of the first major survey of Barry McGee's work, this monumental volume records more than two decades of incredible fecundity, over the course of which McGee has pioneered a new iconography of sharp street vitality and graphic snap. McGee began as a graffiti artist on the streets of San Francisco, working under such tags as Ray Fong, Twist and Twisto, and his work since then has hugely expanded the terms of both street art and contemporary art. The freshness of McGee's work stems in part...

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2004 Cloth New. No Jacket, As Issued Unpaginated (92 pp. ), 90 pages of illustrations in full color. Tan cloth with red illustration stamped to the cover. Interview with the ... artist Barry McGee and Raphaela Platow. Published on the occasion of the exhibition from the Rose Art Museum, Brandeis University, Waltham MA April 29-July 25, 2004. Read more Show Less

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Overview

Published on the occasion of the first major survey of Barry McGee's work, this monumental volume records more than two decades of incredible fecundity, over the course of which McGee has pioneered a new iconography of sharp street vitality and graphic snap. McGee began as a graffiti artist on the streets of San Francisco, working under such tags as Ray Fong, Twist and Twisto, and his work since then has hugely expanded the terms of both street art and contemporary art. The freshness of McGee's work stems in part from his virtuoso handling and consolidation of a whole panoply of influences, from hobo art, sign painting and graffiti to comics, Beat literature and much else. His extraordinary skill as a draughtsman is energized by his insistence on pushing at the parameters of art—his work can be shockingly informal in the gallery and surprisingly elegant on the street—and by his keen nose for social malaise.
This volume revisits McGee's most influential installations in art spaces, and considers the evolution of his aesthetic within institutional settings. Previously unseen photographs by Craig Costello document the artist's work on the streets of San Francisco in the early 90s, highlighting the contributions of his friends and mentors. Also included are images from the artist's famous slide lecture, compiled and refined over the past 20 years, and an oral history of the Bay Area's Mission School by McGee's friends, mentors and collaborators. Featuring 450 images, including many never before published, the book is designed by the artist in collaboration with Conny Purtill.
Barry McGee (born 1966) began exhibiting his work in the 1980s—not in a museum or gallery setting but on the streets of San Francisco. In the early 90s he was closely associated with the Mission School and the San Francisco Bay Area's graffiti boom. In 2001 his work was included in the Venice Biennale.

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Editorial Reviews

W
As a teen in the eighties, Barry McGee practiced the outlaw art of graffiti in San Francisco's public spaces; these days, he routinely gets invited to make his mark on museum walls..."His cluster aesthetic," says [University of California's Berkeley Art Museum's] director, Lawrence Rinder, "echoes the experience of the street...he really captures that cacophony of an inner-city American landscape.
— Hilarie Sheets
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Product Details

  • ISBN-13: 9780962054587
  • Publisher: The Rose Art Museum
  • Publication date: 2/1/2009
  • Pages: 90
  • Product dimensions: 6.70 (w) x 9.50 (h) x 0.40 (d)

Meet the Author

Born in San Francisco in 1966, Barry McGee took the tag name "Twist" when he started drawing in the streets in the mid-80s. Some of the more conventional locations where his work has been exhibited include the 2001 Venice Biennale; the Drawing Center, New York; the Walker Art Center, Minneapolis; and the San Francisco Museum of Modern Art.

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