Basics Film-Making: Producing / Edition 1

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Basics Film-Making: Producing, the first in the new film-making series from AVA, helps emerging producers understand and manage the production process from development to post-production and distribution. What is the role of the producer? What are the relationships between the producer and the other members of the production team? Basics Film-Making: Producing explores these questions and many more as well as presenting case studies of producers from the UK television industry, who reveal the day-to-day realities of their jobs and the responsibilities they hold. Copyright, production management, and multiplatform delivery are also covered, making this the complete introduction to an exciting and challenging field.

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Product Details

  • ISBN-13: 9782940373574
  • Publisher: Bloomsbury Academic
  • Publication date: 1/6/2009
  • Series: Basics Film-Making Series
  • Edition description: First Edition
  • Edition number: 1
  • Pages: 176
  • Sales rank: 1,034,852
  • Product dimensions: 6.40 (w) x 9.00 (h) x 0.60 (d)

Meet the Author

Charlotte Worthington, the course leader for the M.A. in Film and Digital Media Production at London Metropolitan University, has worked extensively as a producer and director for the BBC and Channel 4 in the UK. She lives in the UK.

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Table of Contents

Chapter One: The Producer

Chapter Two: The Basics

Chapter Three: Producing Documentary

Chapter Four: Producing Drama

Chapter Five: Producing Magazine Shows

Chapter Six: Learning Curves

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  • Anonymous

    Posted August 17, 2010

    I Also Recommend:

    Fantastic Read!

    What a book - great content combined with a well structured layout and useful images! The content simplifies what is a complex job; even those new to film-making can completely understand the theory and practicality behind the financial and scheduling of production. The layout and images, combined with the content, left me feeling relaxed and confident with the subject. I felt like I was finishing this book with a wealth of knowledge and understanding; this gave me a lot of confidence.

    There were two elements which really impressed me about this title. I really enjoyed reading the case studies of producers such as Andrew Eaton, who produced amongst others, The Road to Guantanamo. I found these experiences insightful and interesting. I felt truly inspired about film-making after reading these accounts. Secondly, I found the way the author combined dealing with financial and managerial aspects of being producer impressive; it is clearly a tough but rewarding role and for someone to consider the practicalities of it, as they do in this text, is refreshing. If you are interested in film-making and/or a media/film student this is an essential read.

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