Batman: Noel

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#1 NEW YORK TIMES Bestseller

Inspired by Charles Dickens' immortal classic A Christmas Carol, BATMAN: NOEL features different interpretations of The Dark Knight, along with his enemies and allies, in different eras.

Along the way, Batman must come to terms with his past, present and future as he battles villains from the campy 1960s to dark and brooding menaces of today, while exploring what it means to be the hero that he is. Members of ...

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#1 NEW YORK TIMES Bestseller

Inspired by Charles Dickens' immortal classic A Christmas Carol, BATMAN: NOEL features different interpretations of The Dark Knight, along with his enemies and allies, in different eras.

Along the way, Batman must come to terms with his past, present and future as he battles villains from the campy 1960s to dark and brooding menaces of today, while exploring what it means to be the hero that he is. Members of Batman's supporting cast enact roles analogous to those from A Christmas Carol, with Robin, Catwoman, Superman, The Joker and more playing roles that will be familiar to anyone who knows Dickens' original holiday tale.

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Editorial Reviews

From Barnes & Noble

Imagine a Batman story inspired by Charles Dickens' immortal A Christmas Carol. Of course in this pulsing Caped Crusader graphic novel, a ghoulish Scrooge takes center stage. Brace yourself, Tiny Tim; life has just become more complicated.

Publishers Weekly
What happens when Batman gets a bad cold? Does Gotham and its perpetually overwhelmed police force fall to pieces? Bermejo’s somewhat tongue-in-cheek answer to that question puts the Dark Knight—who, by the way, doesn’t seem to believe he can get sick, no matter how bad the cough claims otherwise—into a scenario that’s mostly A Christmas Carol, with a dash of It’s a Wonderful Life. A crusty, streetwise narrator follows the story’s Bob Cratchit stand-in, a low-level crook who Batman is willing to dangerously dangle as bait—no matter that Bob has a Tiny Tim–like son at home. Ghosts of Batman’s more lighthearted past swing by, whether it’s the memory of Robin or an all-too-real Catwoman, who doesn’t get why he won’t play with her like he once did. The moral hangs heavy over Bermejo’s snowy, painterly Gotham, with Batman as the grizzled old vigilante trying to remember why he got into this game in the first place, and whether it’s even worth it. As a follow-up to the bestselling Joker graphic novel that he painted, Bermejo has created a clever, thoughtful piece of work, and one of the more satisfying Batman one-offs. (Nov.)
From the Publisher
“Amazing. This book is a visual treat.”—The New York Times

“Simply terrific.”—Scripps Howard News Service

“The caped crusader channels the gravelly paranoia of Frank Miller’s The Dark Knight Returns while a desperate father working for the Joker lends the story its moral weight and inevitable humanitarian payoff.”—Paste Magazine

“Absolutely exquisite… I'd be more than happy to add reading "Batman: Noel" and watching it to my yearly yuletide festivities.”—Yahoo! Movies

"Bermejo has simply created an instant classic with BATMAN NOEL that is larger than any holiday."—Ain’t It Cool News

“Surprising, new, gorgeous to look at, and also incredibly heartfelt. So you know, the perfect stocking stuffer.”—MTV GEEK

“[Bermejo]’s incorporating his unique style to create a fresh kind of Batman tale, lending it a distinctive flavor that would be impossible for any other artist to replicate.”—IGN

“More than just a regular graphic novel.”—UGO

“Gorgeously illustrated.”—io9

“More than a clever entertainment, and does more than just prove that Bermejo is a fine writer.” —The Morton Report

“Some artists like Bermejo seem to be regarded as having objectively beautiful illustrations. Bermejo is able to take characters we know and love and give them a sinister and realistic twist that makes them pop out of the pages. Batman Noel is worth picking up for the artwork alone."—, Pick of the Week

“Gives the classic story the dark edge that's inherent in anything set in Gotham City.”—Newsarama

“Lush.”—Comic Book Resources

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Product Details

  • ISBN-13: 9781401232139
  • Publisher: DC Comics
  • Publication date: 11/8/2011
  • Pages: 112
  • Sales rank: 82,597
  • Product dimensions: 7.00 (w) x 11.00 (h) x 0.20 (d)

Meet the Author

Lee Bermejo began drawing comics in 1997 for WildStorm Studios in San Diego at age 19. He collaborated with acclaimed writer Brian Azzarello on the graphic novels JOKER, LUTHOR and BEFORE WATCHMEN: RORSCHACH, and worked with writer John Arcudi on the Superman feature in WEDNESDAY COMICS. He has also worked on HELLBLAZER with writer Mike Carey and GLOBAL FREQUENCY with writer Warren Ellis. He has written and illustrated The New York Times best-selling book BATMAN: NOEL, as well as the new Vertigo series SUICIDERS.

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Interviews & Essays

The first solo project from superstar artist Lee Bermejo, BATMAN: NOEL is an oversized, original graphic novel which traces a parallel path to the beloved holiday fable. Bermejo is best known for his Superman story in WEDNESDAY COMICS, which was serialized in USA TODAY - and perhaps for collaborating with Brian Azzarello on the NEW YORK TIMES bestselling JOKER and the critically-acclaimed LEX LUTHOR: MAN OF STEEL miniseries.

With BATMAN: NOEL hitting stores, Bermejo took some time to speak about the project.

1. Let's look at the basic premise of BATMAN: NOEL. What is the connection between Batman and A Christmas Carol? Where did the idea come from?
I initially wanted to do something with A CHRISTMAS CAROL after being contacted by a European publisher to adapt a classic work of literature. It was either this or HEART OF DARKNESS. Only problem was I didn't want to do a strict adaptation. At the same time I was also toying with a Batman story that I'd had in mind for some time and there where a few elements that just were not gelling. At a certain point, I started seeing a way to combine the two projects and things started to come together. It became a nice little vehicle to tell a more innocent Batman story while still being able to comment on the character, his place in his own history, and his place in the literary world.

2. Is this a straight re-telling of Dickens, using the Dark Knight and his rogues in the familiar roles? What is the point of view of the book, and how did you structure the narrative?
No, I like to call it a 'blue collar' re-telling. Look, you're never going to write as good as Dickens, so why try? I thought it would be more interesting to have a narrator with a very specific voice telling you the tale almost as if it was a bedtime story. That way it's up for interpretation a bit more and you can condense and expand on elements as you see fit. I love 'spoken stories.' I listen to a lot of Tom Waits, who is just a master storyteller as well as an amazing musician, and I pictured him telling this particular story and tried to write something that would reflect that. That approach seemed to fit the 'story-book' format I had in mind for the artwork as well. I always knew I wanted to have two different narratives that mirror each other as the story progressed.

3. Scrooge is a literary icon from one of the most beloved authors, and Batman is a far more modern icon. How do they compare in the cultural consciousness?
That's an interesting question because I honestly feel like Batman has become a literary character for all intents and purposes. Batman has gone through so many different iterations throughout the years where the character of Scrooge is extremely well defined and unbending. The interesting comparison between the two for me was more how these changes Batman has undergone over the years in the cultural consciousness reflect the changes Scrooge underwent in his life. At this point, you still have people who make jokes about Batman that come from the 60's television show, whereas there is also this common perception that modern takes on him are much more dark and 'serious'' This puts the character in an interesting time within his own history. He is literally at the same impasse as Scrooge. Honestly, how much darker can we go with the character without losing what defines the character, his humanity? This question is intriguing to me and played a big role in the book's development.

4. Gotham City of BATMAN: NOEL actually bears some striking visual resemblances to Dickens' London. What was your approach to the book's aesthetic?
I think Gotham lends itself to a very Victorian scenery, but honestly I just tried to infuse how I generally approach the city with a bit more atmosphere and scope. From the beginning, the intention was to do a book that mixed a 'childrens' book' aesthetic with a standard comic book. I wanted to be able to do lusher artwork than the angular harshness of JOKER and treat certain layouts with a bit more freedom. I liked the idea of having boxless captions and keeping the lettering style a bit more playful. Todd Klein did a masterful job with this and I feel like it's SUCH an important contribution to round out the look of the book.

5. Taking on Dickens is quite ambitious for your first solo project as writer. Were you nervous? How did you approach the project?
Of course it wasn't an easy transition, but then again nothing really comes easy for me, including the artwork. The nice thing about basing it on a familiar piece of literature is that it gives you guidelines to play within. The structure of that story is so well defined that the writing became about finding a voice and style to tell the story in more than anything. Again, Dickens is such a master of language that it felt useless to try and do something elegant. I opted to go in the other direction.

6. Having seen the book, we see some different iterations of Batman. What was your reasoning behind showing the different costumes? How does that fit in with the narrative and the tone?
It was just an easy way to play with the passage of time. Batman has had such a myriad of interpretations that it made it easier to show him as a younger, more positive man simply by juxtaposing a more modern, armored character design with more familiar looks from past iterations. I also feel that the darker, armored Batman very much places him in this particular time and reflects the more current takes on his personality as well. I'm positive that in 20 years the popular interpretation of the character will be very different. Plus, I'm just a big fan of the character in all his various forms. Purely from an artistic standpoint it's just fun to play around in his history.

7. What was your approach to the general Batman continuity with this book? How does it fit in with everything else in the Dark Knight's ongoing canon?
Since I'm fairly slow, it makes working within continuity very difficult for me. I also tend to prefer stories that just play with who the character is in a very broad way. Similarly, in JOKER and LUTHOR, those stories are able to stand on their own as character pieces and I feel NOEL is no different. I'd like the book to appeal to as many people as possible, and this very much includes folks who don't read comics regularly. I think by creating stories that don't need to fit anywhere in particular make them easier reads for the 'uninitiated.'

8. Given that this is parallel between Scrooge and Batman and the distinctive attire of each, will we get to see the Dark Knight in a silk top hat?
Hahahahaha, definitely no top hats. Although maybe that was a mistake. I mean, the top hat and cane could be the two missing elements to take his costume to the next level. Who knows, maybe in 20 years that'll be standard fare for the character...

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Customer Reviews

Average Rating 5
( 9 )
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Sort by: Showing all of 9 Customer Reviews
  • Posted September 21, 2012

    more from this reviewer

    Every page is a masterpiece

    I think this comic is a "must have" for Batman's fans but also for people interested in illustrations. The artist's work here is absolutely gorgeous.

    2 out of 2 people found this review helpful.

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  • Posted December 22, 2011

    more from this reviewer

    A Dickens of a Bat Tale!

    OK, you want me to tell you a story? Batman: Noel is quite a graphic novel. It takes a tip from Charles Dickens and creates its own version of "A Christmas Carol," minus the ghosts. It is a commentary on the Dark Knight, a vigilante who tends to cross the line that others would fear to cross (Gordon said that). It's a narrative piece, where someone (we find out who at the end) is telling his kid a story, about Scrooge (Batman) and how he meets three people who make him take a look at his life and make some changes. As the novel says, some people need a wake-up call like getting hit with a baseball bat before they change! The hint of Christmas is muted in favor of a story of a guy (Bob) who is running some money for the Joker. The Batman jumps on Bob in his search for the Clown of Crime. The Bats has a run-in with Catwoman (who is nicely drawn) and Superman. The final confrontation with the Joker is meaningful and exciting in its storyline and art. Lee Bermejo draws some great panels. His use of shadow and light and conveying mood and mystery is really exciting. If I could nitpick, it's in the way he throws sweat and spit around. It's a good device to use, but it's over and over again to a point where the "spit" loses interest for me! Lee also wrote the story and the man really has a talent for the written word. Minimal, yet keeps it informal and interesting. Bottom Line: This is NOT an adaptation of Dickens' A Christmas Carol. It's a deep, dark and sometimes frightening look at a man who has crossed the line and has lost all hope in his quest to beat down the criminal element and "reduce the criminal surplus population!" It's a story that a man can change with some conviction and some tough love! Highly recommended.

    1 out of 1 people found this review helpful.

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  • Posted February 14, 2014

    Excellent service!

    Fast shipping, quick responses and love
    The book! Brand new condition and everything. Thanks a million!

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  • Anonymous

    Posted December 21, 2011

    Batman's got class!

    This is an awesome novel, and it combines the awesomest hero with the oldest tale. good job LB!

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  • Posted December 6, 2011

    Try this!

    Ba! Hambug! This collection takes the classic tale of Charles Dicken's A Christmas Carol, and twists it into the world of Batman. Batman, (of course!) is Scrooge, with members of his supporting cast taking on other roles such as Catwoman, Superman, and the Joker taking on the those of the Christmas Spirits, and Robin as Jacob Marley. Sounds Strange, right? But the way the story plays out is actually quite intelligent, funny, and heart warming. It's definitely the graphic novel you want to add to your shelf with its beautiful and breathtaking art and splendid storyline. Check it out today!

    Was this review helpful? Yes  No   Report this review
  • Anonymous

    Posted December 3, 2011

    A defiant must have for any Batman fan!

    This is a fantastic twist, on Dickens A Christmas Carol. A must read with excellent art!

    Was this review helpful? Yes  No   Report this review
  • Anonymous

    Posted September 11, 2012

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  • Anonymous

    Posted February 18, 2012

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  • Anonymous

    Posted May 23, 2014

    No text was provided for this review.

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