Batman: Whatever Happened to the Caped Crusader?

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Overview

Best-selling author Neil Gaiman (The Sandman) joins a murderer's row of talented artists in lending his unique touch to the Batman mythos for this Deluxe Edition hardcover! Spotlighting the story "Whatever Happened to the Caped Crusader?" from Batman #685 and Detective Comics #852, Gaiman joins artist Andy Kubert and inker Scott Williams for a story that shines a new light on the Batman mythos. Batman: Whatever Happened to the Caped Crusader? also collects Gaiman stories from Secret Origins #36, Secret Origins ...

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Overview

Best-selling author Neil Gaiman (The Sandman) joins a murderer's row of talented artists in lending his unique touch to the Batman mythos for this Deluxe Edition hardcover! Spotlighting the story "Whatever Happened to the Caped Crusader?" from Batman #685 and Detective Comics #852, Gaiman joins artist Andy Kubert and inker Scott Williams for a story that shines a new light on the Batman mythos. Batman: Whatever Happened to the Caped Crusader? also collects Gaiman stories from Secret Origins #36, Secret Origins Special #1, and Batman Black And White #2. This collection is not to be missed!

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Editorial Reviews

Library Journal
In Batman: Whatever Happened to the Caped Crusader? author Neil Gaiman has the ghost of the titular superhero attending his own funeral where he is dutifully eulogized by an array of friends and foes. Through these clever recollections, Batman transforms from a mere man to a deified icon whose doomed existence is necessary to bring balance to the world. It is a loving ode to Batman’s many incarnations and to the meaning of the superhero in modern mythology, concepts that artist Andy Kubert extends through careful use of perspective and attention to iconic detail.

(c) Copyright 2013. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

George Gene Gustines
Its title story, written by Neil Gaiman and illustrated by Andy Kubert, imagines several variations of Batman's death. This anthology, published by DC Comics, also includes other stories by Mr. Gaiman about the millionaire Bruce Wayne's famous alter ego. The other tales are very good, but "Whatever Happened to ..." packs enough emotional punch to stand solo.
—The New York Times
Publishers Weekly
Following the “death” of Bruce Wayne in last year's “Batman: R.I.P.” arc comes Gaiman's loving eulogy not just to Batman but to the Batman of each era since the character's debut. Bolstered by slick art from Kubert (Batman; Captain America), Gaiman's lyrical chops are in fine form, weaving a surreal wake in which characters from Batman's history take turns relating what he meant to them, and their takes on the Dark Knight and the dangerous microcosm he fought for and eventually purportedly “died” to protect. Although this is obviously a love letter from one of the comics medium's premiere talents, the volume will appeal more to readers well-versed in Batman's continuity than Gaiman's normal legion of fans As the finished story only amounts to two issues of material, this hardcover is padded out with lesser—though not badly written by any means—stories teaming Gaiman with Simon Bisley, Mark Buckingham, Kevin Nowlan and Bernie Mireault, plus a sketchbook by Kubert. (July)
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Product Details

  • ISBN-13: 9781401223038
  • Publisher: DC Comics
  • Publication date: 7/21/2009
  • Series: Batman Series
  • Pages: 128
  • Sales rank: 173,088
  • Product dimensions: 7.20 (w) x 11.10 (h) x 0.50 (d)

Meet the Author

Neil Gaiman
Novelist Neil Gaiman has sent a British businessman tumbling into a fantastic underworld and had a devil and angel comically conspiring to thwart the Apocalypse. He found his biggest success, though, in Death, Dreams and Destruction -- and the four other similarly named siblings who controlled the reins of the human race's emotional impulses in his graphic-novel series The Sandman, a wholesale rejuvenation of graphic fiction that had everyone from Tori Amos to Norman Mailer spinning with, yes, Delirium.

Biography

Neil Gaiman thought he wrote comic books. But a newspaper editor, of course, set him straight.

Back when he was riding the diabolical headwinds of his popular series of graphic novels, The Sandman, the author attended a party where he introduced himself as a comic-book writer to a newspaper's literary editor. But when the editor quickly realized who this actually was -- and the glaze melted from his eyes -- he offered Gaiman a correction tinged with astonishment: "My God, man, you don't write comics, you write graphic novels." Relating the story to theLos Angeles Times in 1995, Gaiman said, "I suddenly felt like someone who had been informed that she wasn't a hooker, that in fact she was a lady of the evening."

Gaiman's done much more, of course, than simply write graphic novels, having coauthored, with Terry Pratchett, Good Omens, a comic novel about the Apocalypse; adapted into hardcover the BBC miniseries Neverwhere about the dark underworld beneath the streets of London; and, inspired by his young daughter, put a horrifying spin on C.S. Lewis' wardrobe doors for Coraline, a children's book about a passageway into a magical, yet malevolent, land.

But it is The Sandman that is Gaiman's magnum opus.

Though he had told a career counselor in high school that he wanted to pen comic books, he had a career as a freelance journalist before his first graphic novel, Violent Cases, was published in England in 1987. DC Comics discovered him and The Sandman was born. Or reborn, actually. The comic debuted back in 1939 with a regular-Joe crime fighter in the lead. But in Gaiman's hands the tale had a more otherworldly spin, slowing introducing readers to the seven siblings Endless: Dream, Death, Desire, Destiny, Destruction, Despair and Delirium (once Delight). They all have their roles in shaping the fates of man. In fact, when Death was imprisoned for decades, the results were devastating. Richard Nixon reached The White House and Michael Jackson the Billboard charts.

Direction from newspaper editors notwithstanding, to Gaiman, these stories are still comic books. The man who shuttled back and forth between comics and classics in his formative years and can pepper his writing with references to Norse mythology as well as the vaudevillian rock group Queen, never cottoned to such highbrow/lowbrow distinctions. Comparing notes on a yachting excursion with members of the Irish rock band U2, the writer who looks like a rock star and Delirium and the rock stars who gave themselves comic-worthy names such as Bono and The Edge came to a realization: Whether the medium is pop music or comic books, not being taken seriously can be a plus. "It's safer to be in the gutter," he told The Washington Post in 1995.

In 1995, Gaiman brought The Sandman to a close and began spending more time on his nongraphic fiction, including a couple of short-story collections. A few years later he released Stardust, an adult fairy tale that has young Tristan Thorn searching for a fallen star to woo the lovely but cold Victoria Forester. In 2001, he placed an ex-con named Shadow in the middle of a war between the ancient and modern dieties in American Gods. Coming in October 2002 is another departure: an audio recording of Two Plays for Voices, which stars Bebe Neuwirth as a wise queen doing battle with a bloodthirsty child and Brian Dennehy as the Angel of Vengeance investigating the first crime in history in heaven's City of Angels.

Gaiman need not worry about defining his artistic relevance, since so many other seem to do it for him. Stephen King, Roger Zelazny and Harlan Ellison are among those who have contributed introductions to his works. William Gibson, the man who coined the term "cyberspace," called him a "a writer of rare perception and endless imagination" as well as "an American treasure." (Even though he's, technically, a British treasure transplanted to the American Midwest.) Even Norman Mailer has weighed in: "Along with all else, Sandman is a comic strip for intellectuals, and I say it's about time."

The gushiest praise, however, may come from Frank McConnell, who barely contained himself in the pages of the political and artistic journal Commonweal. Saying Gaiman "may just be the most gifted and important storyteller in English," McConnell crowned Sandman as the most important act of fiction of the day. "And that, not just because of the brilliance and intricacy of its storytelling -- and I know few stories, outside the best of Joyce, Faulkner, and Pynchon, that are more intricate," he wrote in October 1995, " but also because it tells its wonderful and humanizing tale in a medium, comic books, still largely considered demimonde by the tenured zombies of the academic establishment."

"If Sandman is a 'comic,'" he concluded, "then The Magic Flute is a 'musical' and A Midsummer Night's Dream is a skit. Read the damn thing: it's important."

Good To Know

Some fascinating factoids from our interview with Gaiman:

"One of the most enjoyable bits of writing Sandman was getting authors whose work I love to write the introductions for the collected graphic novels -- people like Steve Erickson, Gene Wolfe, Harlan Ellison, Clive Barker, Peter Straub, Mikal Gilmore, and Samuel R. Delany."

"I have a big old Addams Family house, with -- in the summertime -- a vegetable garden, and I love growing exotic pumpkins. As a boy in England I used to dream about Ray Bradbury Hallowe'ens, and am thrilled that I get them these days. Unless I'm on the road signing people's books, of course."

"According to my daughters, my most irritating habit is asking for cups of tea."

"I love radio -- and love the availability of things like the Jack Benny radio shows in MP3 format. I'm addicted to BBC radio 7, and keep buying boxed CD sets of old UK radio programs, things like Round the Horne and Hancock's Half Hour. Every now and again I'll write a radio play."

"I love thunderstorms, old houses, and dreams."

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    1. Hometown:
      Minneapolis, Minnesota
    1. Date of Birth:
      November 10, 1960
    2. Place of Birth:
      Portchester, England
    1. Education:
      Attended Ardingly College Junior School, 1970-74, and Whitgift School, 1974-77
    2. Website:

Customer Reviews

Average Rating 3.5
( 22 )
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See All Sort by: Showing 1 – 20 of 22 Customer Reviews
  • Posted September 19, 2009

    more from this reviewer

    Neil Gaiman could make the phone book interesting...

    I found part two of this two-part comic arc on a Christmas trip to Canada.

    Upon my return to Indiana, I had my local comic shop find the first part before I read the story.

    I immersed myself in the wonders of the Batman mythos; swimming the eddies and currents that Neil Gaiman left in the wake of his writing.

    I won't attempt details or synopsis...I can't make the words sing or the punctuation keep time.

    This is a story that makes all Batmen one. Bob Kane to Frank Miller, Adam West to Christian Bale-they all belong, they all make sense.

    I bought this hardcover because the story deserves a permanent place in my library. The extras chapters are excellent as well.

    The deciding factor was the personal, touching dedication that Neil penned to his recently deceased father.

    Perfect.

    1 out of 2 people found this review helpful.

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  • Anonymous

    Posted February 22, 2010

    Exceptionally Original

    I'm not particularly a huge batman fan but I grew up watching the cartoon etc... I am, however, a big fan of adult comics, especially those with more complicated plots and themes. This one was put together spectacularly from start to finish and really bent my mind as to what a basic super hero comic could do. The art is equally compelling but not just for its immediately aesthetic appeal....
    I have read "The Killing Joke" Alan Moore, "Joker" by Brian Azzarello and this. I would place them in this order, which may seem like blasphemy to some

    1) Caped Crusader
    2) Killing Joke
    3) Joker

    0 out of 1 people found this review helpful.

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  • Posted September 5, 2009

    I Also Recommend:

    A Big Disappointment

    The two issues (Batman and Detective Comics) that were the focus of the collection were pretty boring and the plot and artwork somewhat ludicrous. Thankfully the other 3 or 4 stories included were very good; much better than the lead material. If you want an "end of superhero x" story, the "Whatever Happened to the Man of Tomorrow?" by Alan Moore is far superior.

    0 out of 2 people found this review helpful.

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