Baudelaire and Caricature: From the Comic to an Art of Modernity / Edition 1

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Overview

Baudelaire's essays on caricature offered the first sustained defense of the value of caricature as a serious art, worthy of study in its own right. This book argues for the crucial importance of the essays for his conception of modernity, so fundamental to the subsequent history of modernism. From the theory of the comic formulated in De l'essence du rire to his discussions of Daumier, Goya, Hogarth, Cruikshank, Bruegel, Grandville, Gavarni, Charlet, and many others, Baudelaire develops not only an aesthetic of caricature but also a caricatural aesthetic—dual and contradictory, grotesque, ironic, violent, farcical, fantastic, and fleeting—that defines an art of modern life.

In particular, Baudelaire's insistence on the dualism and ambiguity of laughter has radical implications for such emblems of modernity as the city and the flâneur who roams the streets. The modern city is the space of the comic, a kind of caricature, presenting the flâneur with an image of dualism, one's position as subject and object, implicated in the same urban experiences one seems to control. The theory of the comic invests the idea of modernity with reciprocity, one's status as laughter and object of laughter, thus preventing the subjective construction and appropriation of the world that has so often been linked with the project of modernism. Comic art reflects what Walter Benjamin later defined as Baudelairean allegory, at once representing and revealing the alienation of modern experience. But Baudelaire also transforms the dualism of the comic into a peculiarly modern unity— the doubling of the comic artist enacted for the benefit of the audience, the self-generating and self-reflexive experience of the flâneur in a "communion" with the crowd. This study examines his views in the context of the history of comic theory and contemporary accounts of the individual artists. Complete with illustrations of the many works discussed, it illuminates the history and theory of caricature, the comic, and the grotesque, and adds to our understanding of modernism in literature and the visual arts.

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Editorial Reviews

Booknews
Baudelaire's 1821-1867 three essays on caricature offered the first sustained defense of the value of caricature as a serious art, worthy of study in its own right. Hannoosh argues for the crucial importance of the essays for Baudelaire's conception of modernity, so fundamental to the subsequent history of modernism. Annotation c. Book News, Inc., Portland, OR booknews.com
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Product Details

  • ISBN-13: 9780271008042
  • Publisher: Penn State University Press
  • Publication date: 8/28/1992
  • Format: Library Binding
  • Edition description: New Edition
  • Edition number: 1
  • Pages: 360
  • Product dimensions: 6.00 (w) x 9.00 (h) x 0.88 (d)

Meet the Author

Michele Hannoosh is Associate Professor of French and Comparative Literature at the University of California, Davis. She has been a Fellow of the Society of Fellows in the Humanities, Columbia University, and the Institute for Advanced Study, Princeton. She is the author of Parody and Decadence: Laforgue's "Moralites legendaires" (Ohio State, 1989).

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Table of Contents

Acknowledgments
List of Illustrations
Introduction 1
1 Baudelaire's Theory of the Comic: De l'essence du rire 9
The Scope of the Comic 11
Le rire est satanique, il est donc profondement humain 15
The Theory of Superiority 26
Knowledge, Civilization, and the Comic 32
The Types of the Comic 38
Examples and Exempla 45
The Paradox of the Comic Artist 68
2 Quelques caricaturistes francais 75
Vernet, Pigal, and Charlet 84
Daumier 113
Monnier, Grandville, and Gavarni 152
Trimolet and Travies 181
3 Quelques caricaturistes etrangers 191
Hogarth, Seymour, and Cruikshank 193
Goya 210
Leonardo and Pinelli 224
Bruegel 235
Pieces retrouvees: Hood and Rethel 240
4 The Comic and Modernity 251
The Salon de 1846 255
The Dualism of Art 261
The Dualism of Man 268
Cosmopolitanism and Dedoublement 288
An Art of the City 299
Conclusion 309
Selected Bibliography 317
Index 335
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