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Editorial Reviews

All Music Guide - Chris Nickson
Gregory Porter's sophomore effort confirms the talent that was so apparent on his debut. He's developed greater technique and subtlety in his impressive singing. The '70s soul is still quite apparent in his voice, with shades of Donny Hathaway and Bill Withers, but he's also the vocal heir to Nat King Cole. He's becoming a major talent, not just as a singer but also as a composer, with a unique, elliptical style, both for melodies and lyrics, which is quite evident when held up against the covers here. Porter is also acutely aware of dynamics, able to move smoothly from the softness of "Imitation of Life" to the almost atonality of the raucous "Bling Bling," which also ...
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Editorial Reviews

All Music Guide - Chris Nickson
Gregory Porter's sophomore effort confirms the talent that was so apparent on his debut. He's developed greater technique and subtlety in his impressive singing. The '70s soul is still quite apparent in his voice, with shades of Donny Hathaway and Bill Withers, but he's also the vocal heir to Nat King Cole. He's becoming a major talent, not just as a singer but also as a composer, with a unique, elliptical style, both for melodies and lyrics, which is quite evident when held up against the covers here. Porter is also acutely aware of dynamics, able to move smoothly from the softness of "Imitation of Life" to the almost atonality of the raucous "Bling Bling," which also features some excellent scat singing. His own material isn't immediately memorable, but insinuates itself into the brain after a few hearings, sophisticated and often beautiful. He keeps his soul/blues credentials alive with a version of "Work Song" that allows him to go full-throated against some honking sax. To finish, there's an a cappella version of "God Bless the Child," a song forever associated with Billie Holiday. It's a daring move, and one that works as it showcases the tenderness in his voice, with an almost liquid quality in the singing, the emotions hinted at rather than laid out. It's a superb climax to a disc that should certainly help Porter's star rise even further.
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Product Details

  • Release Date: 2/14/2012
  • Label: Motema Music
  • UPC: 181212000757
  • Catalog Number: 75
  • Sales rank: 163

Album Credits

Performance Credits
Gregory Porter Primary Artist, Vocals
Kamau Kenyatta Horn, Soprano Saxophone
Chip Crawford Piano
Keyon Harrold Trumpet, Flugelhorn, Horn, Soloist
Tivon Pennicott Saxophone, Tenor Saxophone
Aaron James Bass
Yosuke Sato Saxophone, Alto Saxophone
Emanuel Harrold Drums
Technical Credits
Nat Adderley Composer
Kamau Kenyatta Horn Arrangements
Brian Bacchus Producer
Paul Francis Webster Composer
Rebecca Meek Art Direction
Liberty Ellman Mastering
Gregory Porter Composer
Mike Marciano Engineer
O. Brown Jr. Composer
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Customer Reviews

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Sort by: Showing 1 Customer Reviews
  • Posted September 23, 2013

    more from this reviewer

    A reincarnation of old melodic characteristics delivered by an c

    A reincarnation of old melodic characteristics delivered by an clear soul. Gregory Porter wields his voice like a grand mother's comforting hand. Prepare for a wonderful listening experience. Beautiful music surely still exists.

    1 out of 1 people found this review helpful.

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Sort by: Showing 1 Customer Reviews