Beating Heart [NOOK Book]

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Overview

This house

is mine

and

I am

its beating heart.

She is a ghost: a figure glimpsed from the corner of your eye, a momentary chill, and a memory of secret kisses and hidden passion. He is 17 years old: Evan Calhoun, warm and alive, and ever since moving to this big abandoned house, he has dreamt of her. Ghost and boy fascinate each other–until her memories and his desire collide in a moment that changes them both.

Combining verse fragments with ...

See more details below

Overview

This house

is mine

and

I am

its beating heart.

She is a ghost: a figure glimpsed from the corner of your eye, a momentary chill, and a memory of secret kisses and hidden passion. He is 17 years old: Evan Calhoun, warm and alive, and ever since moving to this big abandoned house, he has dreamt of her. Ghost and boy fascinate each other–until her memories and his desire collide in a moment that changes them both.

Combining verse fragments with chiseled prose, A. M. Jenkins captures the compelling voice of a long–dead ghost and the perspective of a modern teen, twining mystery and romance in this evocative, sensual, and unrelentingly engrossing novel.

Ages 14+

Editorial Reviews

Publishers Weekly
After a rocky divorce, 17-year-old Evan's mother buys a Victorian fixer-upper where she can write and, with Evan and his young sister Libby, make a home. Along with the stained glass window and gingerbread outfittings, comes the spirit of a girl who died in the house a century before. The ghost sees in Evan a reminder of her own lover (a workman's discovery of a box of papers reveals the identities of the two 19th-century lovers). Evan begins to feel ill at ease, and he dreams of sex with a pale-haired girl. His brunette girlfriend, Carrie, senses his emotional withdrawal and becomes more demanding. The story unwinds in two voices, that of the ghost, and the other the third-person account from Evan's perspective. The dead girl's voice starts out as lyrical, conveying her emotions and longing in poems almost like Haiku in their brevity and emotional trenchancy ("quiet/ night nestles into corners/ tall clock in the downstairs hall/ ticks the seconds/ I roam"). Later, the ghost, too, becomes demanding; and past and present converge to bring about a kind of healing for both the ghost and Evan. The third-person narrative works as an excellent foil, portraying Evan's kind nature with an even tone as opposed to the growing urgency of the dead girl's obsession. This is an evocative, often sexy book, demonstrating Jenkins's (Breaking Boxes) skill and imagination. Ages 14-up. (Jan.) Copyright 2005 Reed Business Information.
From The Critics
This original and captivating novel combines poetry and prose to bring out the voices of a murdered sixteen-year-old girl from the late nineteenth century and a contemporary seventeen-year-old boy who moves into the house where the girl once lived and died. The ghost of Cora Royce tells the story of her childhood, her love affair, and her murder in words and lines which float across the pages of her sections in seemingly random but always intriguing patterns. Evan Calhoun's story is told in close-up third person prose as he, his mother, and his five-year-old sister Libby move into the house after his parents divorce. Evan's mother loves owning the huge old house, but Evan resents the move and worries about his little sister's isolation in a partly commercial neighborhood with no other children nearby. The stories begin to come together as Cora invades Evan's dreams. His real life girlfriend, Carrie, starts to seem less appealing than the blond girl he dreams of, and their relationship slowly deteriorates. Cora fell in love with a young man who lived with her family after getting in trouble at home. The two enjoyed sex with each other, but when she talks of marriage he tells her it is impossible. Evan's sexual relationship with Carrie ends when he is no longer willing to tell her that he loves her. On the last day of Evan and Carrie's relationship, with his mother out of the house, Evan holds his hand over Carrie's mouth when he thinks he hears Libby coming, just as Robert held his hand over Cora's mouth in the same room when he thought he heard someone in the hall. But though Robert smothered Cora, Evan releases Carrie when he realizes that Libby's in trouble. When Cora's ghost sees Evancomforting Libby and Carrie abandoning him, she realizes she has confused Evan with Robert and her spirit is finally able to leave the house. 2006, HarperCollins Children's Books, Ages 12 up.
—Judy DaPolito

Product Details

  • ISBN-13: 9780061964558
  • Publisher: HarperCollins Publishers
  • Publication date: 8/25/2009
  • Sold by: HARPERCOLLINS
  • Format: eBook
  • Pages: 256
  • Sales rank: 511,596
  • Age range: 14 years
  • File size: 231 KB
  • Items ship to U.S, APO/FPO and U.S. Protectorate addresses.

Meet the Author

A. M. Jenkins is the award-winning author of Damage, Beating heart: A Ghost Story, and the Printz Honor Book Repossessed, and lives in Benbrook, Texas, with three sons, two cats, and two dogs. Jenkins received the PEN/Phyllis Naylor Working Writer Fellowship for night road.

Read an Excerpt

Beating Heart

A Ghost Story
By A. Jenkins

HarperCollins Publishers, Inc.

Copyright © 2006 A. Jenkins
All right reserved.

ISBN: 0060546077

Chapter One


That night, Evan has strange, choppy dreams that come in flashes. He dreams of sex, which wouldn't be unusual except that these dreams have a detailed, familiar feel to them, as if his mind is playing back a memory rather than making up something new.

He also realizes, when he wakes, that he never saw the girl's face. What he mostly remembers is her fine, pale hair. In the beginning it fell in a long braid over her bare shoulder. Later he saw it loose when she was under him and her hands reached up to clutch his arms and shoulders. Unbound, he remembers, it was soft against his nose and lips.

He comes downstairs in the morning to find his mother at the table in the breakfast nook, which is off the kitchen. The dining room itself is large, empty of furniture, and rather dark. Mom has finished eating breakfast and is drinking coffee. She looks relaxed and pleased with life in general. She has the house of her dreams, the job of her dreams, and happily she is unaware that her son has been having dream-sex with a hot young blonde all night.

"Good morning," she says.

"Morning," says Evan.

"Doughnut?"

"No, thanks." He gets some milk out of the refrigerator, and a glass. He pours the milk, then starts drinking it the way he always does, in one long series of gulps.

His mother takes a sip of coffee. "You look tired," she tells him.

"I had a lot of dreams."

"About what?"

"I don't remember." He does remember; he just has no intention of discussing this with her.

It's summer, but Mom keeps both hands wrapped around the cup. She always does that, as if she enjoys the warmth. "You should keep a dream diary," she advises.

"Yeah, I should," Evan agrees, but he doesn't mean it.

Mom sips her coffee again, then sets the cup down with a careful clunk. "I'll pick you up a journal, if you want. I'm about to get out and go sign Libby up for swim lessons."

"About time," Evan says without thinking. Immediately he knows he shouldn't have said it. It occurs to him now that Mom has been busy getting the house ready, picking out paint colors, meeting with workmen, signing papers. Now that they're here, of course she'll have more time to do things for Libby.

Mom's hands are still on the cup, but she's intent on him now. "What's that supposed to mean?"

"Nothing," he tells her, but then figures since it's halfway out, he might as well finish. "It's just that you moved her away from all her friends, and there's nobody for her to play with around here. And the Asshole never comes to see her."

Mom grips her cup a little tighter, and the look she gives Evan could nail him to the wall. "Don't call him that," she says in her put-your-foot-down voice. "He's your father." She starts to take another sip of coffee, but stops with the cup halfway in the air. "And you know something? You are not the parent here, Evan."

"Sorry," says Evan. He's not sorry, not really. And he adds to himself, as he walks off, but he really is an asshole.

Continues...


Excerpted from Beating Heart by A. Jenkins Copyright © 2006 by A. Jenkins. Excerpted by permission.
All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
Excerpts are provided by Dial-A-Book Inc. solely for the personal use of visitors to this web site.
Customer Reviews
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  • Anonymous

    Posted January 5, 2012

    Expected too much of this book

    Bought it at the store, seemed interesting. Still left many questions unanswered and seemed like it wasnt finished. I expected a ghost story, not a guy having hormone issues because of a ghist presence.

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    Posted December 14, 2009

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    Posted January 19, 2011

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