Beaumont's Kitchen

Overview

One evening in 1956 our friend Andrew Wolf burst into our house in Rochester with the startling news that he had bought a weekly suburban paper,The Brighton-Pittsford Post. He explained that he planned to report local news and publish columns on a variety of subjects, such as reviews of the theater, concerts, motion pictures and cooking. "You'll be the food editor," he told me! "What! I can't do that!" "Why not? I know you can write because I like to read it. You can cook well, because I like to eat ...
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Overview

One evening in 1956 our friend Andrew Wolf burst into our house in Rochester with the startling news that he had bought a weekly suburban paper,The Brighton-Pittsford Post. He explained that he planned to report local news and publish columns on a variety of subjects, such as reviews of the theater, concerts, motion pictures and cooking. "You'll be the food editor," he told me! "What! I can't do that!" "Why not? I know you can write because I like to read it. You can cook well, because I like to eat it."--Beaumont Newhall, Focus: Memoirs of a Life in Photography, 1993.
Often referred to as the "Father of Photographic History," the legendary curator and critic Beaumont Newhall was known by his intimate circle--which included Ansel Adams, Edward Weston and Henri Cartier-Bresson, among many others--as a great chef and a gracious host. This beautifully designed volume, with images printed in deluxe duotones, contains a key selection of articles and recipes culled from "Epicure Corner," Newhall's weekly column for The Brighton-Pittsford Post, which appeared in the Rochester, New York, newspaper from 1956 to 1969. The columns are accompanied by a selection of photographs by the "Newhall Circle"--including Adams, Weston and Cartier-Bresson, among many other twentieth-century photographic luminaries.
Beaumont Newhall (1908-1993) was an influential curator, art historian, writer and photographer. His classic The History of Photography, published by The Museum of Modern Art in 1949, remains one of the most significant books in the field. In 1940, Newhall became the first director of MoMA's Photography Department. He served as Curator of the International Museum of Photography at the George Eastman House from 1948 to 1958, then as its Director from 1958 to 1971. While at the Eastman House, Newhall was responsible for amassing one of the greatest photographic collections in the world.
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Product Details

  • ISBN-13: 9781934435069
  • Publisher: Radius Books
  • Publication date: 8/31/2009
  • Pages: 172
  • Product dimensions: 7.90 (w) x 10.40 (h) x 1.11 (d)

Meet the Author

Henri Cartier-Bresson was born in France in 1908. He studied painting and then began to photograph in the early 1930s. After escaping from prison camp in 1943, he made portraits of artists, covered the liberation of Paris and filmed a documentary on the return of war prisoners. In 1947, the year he had his first show at MoMA, he also founded Magnum Photos with Robert Capa, George Rodger and David Seymour. Not long after, he began in earnest the life of a traveling photographer, working in India, Burma, Pakistan, Indonesia, China, Japan, Mexico and Cuba. His first, defining book The Decisive Moment was published by Teriade in 1952. By the late 60s, he had almost ceased making reportage to re-embrace his first passion, drawing. Cartier-Bresson created his Foundation in Paris in 2003, and passed away in 2004.

Edward Weston was born in 1886 in Highland Park, Illinois, outside of Chicago. One of photography's most widely exhibited and collected photographers, he began his career as a door-to-door portrait photographer in California in 1906. After having lived in Mexico City in the early 20s, where he ran a studio with apprentice and lover Tina Modotti, he returned to California permanently and began the work for which he is most famous: natural form close-ups, nudes and landscapes. Weston died in 1958 in Carmel.

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