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The New York Times Samanth Subramanian
Splendid . . . Similar to F. Scott Fitzgerald . . . Deb works largely within the format of the profile, which allows him to closely inspect the dents made by modern India in his characters' lives. . . There is a nuance to even the direst of Deb's pessimisms--an acknowledgement that India's lives are newly precarious precisely because they could swing either the way of opportunity or the way of ruin.