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Condition:
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1996 Hard Cover First Edition Near Fine Copy. Very Good DJ Near Fine copy in Very Good Dj.......minor edgewear of dj (will be in mylar). Hardcover. FIRST EDITION STATED with
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full number line starting with a 1. No remainder marks. Not ex-library.
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Condition:
Very Good
New York, New York, U.S.A. 1996 Hard Cover 1st Edition Very Good in Very Good jacket Oblong 4to. No pagination. Illustrated. Former owner's name/info is marked over with a black
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marker on the front flyleaf. The ends of the clear plastic dust jacket cover are pasted down.
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Condition:
Like New
Text by Dean Koontz. Color photographs throughout. First printing. Gift inscription on half-title page, else near fine in a near fine, price clipped dust jacket.
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NY: 1996 Hardcover Near Fine in Near Fine dust jacket 067086806X. Text by Dean Koontz. Color photographs throughout. First printing. Gift inscription on half-title page, else
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near fine in a near fine, price clipped dust jacket.
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Condition:
Very Good
1996-10-01 Hardcover Very Good in Very Good jacket 1996 Penguin Studio, 1st printing, hardcover. VG+, Clean, bright book, very light fading on eges of boards, dust jacket shows
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barely noticeable shelfwear. No marks, tight binding.
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New York, New York, U.S.A. 1996 Hard Cover First edition Very Good in Good jacket Photo-History. 9 1/4" square. Unpaginated. With color photographs taken throughout Europe of
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cemeteries and funerary statues. The dustjacket is price-clipped.
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Condition:
Like New
Slight edge wear to dust jacket. Contents include: Full page color photos of European Cemeteries.; Folio - over 12" - 15" ta
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New York, New York, U.S.A. 1996 Hard Cover First Fine in Very Good dust jacket 067086806X. Slight edge wear to dust jacket. Contents include: Full page color photos of European
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Cemeteries.; Folio-over 12"-15" ta.
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Overview
While based in Paris, David Robinson roamed the cemeteries of Europe. Over a period of two years he took more than ten thousand photographs of cemeteries, including Pere-Lachaise, Montparnasse, and Montmartre in Paris, the cemeteries of London and village churchyards in England, the Jewish Cemetery in Prague, and cemeteries across France, Spain, Portugal, and Italy. He sought out the strange, affecting beauty of tombs, the poignant signs of loss, mourning, and separation, and the aspirations to afterlife and reunion in the beyond. In his images we see the fleeting gestures of defiance against oblivion - the claims of the living on behalf of the dead - in the clasping of hands, proffered kisses, fading flowers, beaded