Set in South Africa in 1952, Australian filmmaker Nunn's stellar debut explores a divided society through the frame of a classic murder mystery. When Det. Sgt. Emmanuel Cooper, Nunn's tortured sleuth, investigates white suspects in the fatal shooting of Afrikaner police captain Willem Pretorius, he immediately encounters resistance from the victim's family. Before long, brutal investigators from the Security Branch offer a politically expedient solution. Cooper must fend off their threats as he pursues a link between the murder and an open Peeping Tom case that Pretorius had been probing. The detective finds no shortage of people who might have had a motive for killing the captain. Fans of Charles Todd's Inspector Rutledge series (A Matter of Justice, etc.) will note some parallels, in particular Cooper'sA being haunted by the spirit of his old sergeant-major. Smooth prose and a deft plot make this novel a welcome addition to crime fiction set in South Africa. (Jan.)Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
A Beautiful Place to Die (Emmanuel Cooper Series #1)by Malla Nunn
In a morally complex tale rich with authenticity, Nunn takes/b>
Award-winning screenwriter Malla Nunn delivers a stunning and darkly romantic crime novel set in 1950s apartheid South Africa, featuring Detective Emmanuel Cooper -- a man caught up in a time and place where racial tensions and the raw hunger for power make life very dangerous indeed.
In a morally complex tale rich with authenticity, Nunn takes readers to Jacob's Rest, a tiny town on the border between South Africa and Mozambique. It is 1952, and new apartheid laws have recently gone into effect, dividing a nation into black and white while supposedly healing the political rifts between the Afrikaners and the English. Tensions simmer as the fault line between the oppressed and the oppressors cuts deeper, but it's not until an Afrikaner police officer is found dead that emotions more dangerous than anyone thought possible boil to the surface.
When Detective Emmanuel Cooper, an Englishman, begins investigating the murder, his mission is preempted by the powerful police Security Branch, who are dedicated to their campaign to flush out black communist radicals. But Detective Cooper isn't interested in political expediency and has never been one for making friends. He may be modest, but he radiates intelligence and certainly won't be getting on his knees before those in power. Instead, he strikes out on his own, following a trail of clues that lead him to uncover a shocking forbidden love and the imperfect life of Captain Pretorius, a man whose relationships with the black and coloured residents of the town he ruled were more complicated and more human than anyone could have imagined.
The first in her Detective Emmanuel Cooper series, A Beautiful Place to Die marks the debut of a talented writer who reads like a brilliant combination of Raymond Chandler and Graham Greene. It is a tale of murder, passion, corruption, and the corrosive double standard that defined an apartheid nation. I
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South Africa, September 1952.
Detective Sergeant Emmanuel Cooper switched off the engine and looked out through the dirty windscreen. He was in deep country. To get deeper he'd have to travel back in time to the Zulu wars. Two Ford pickup trucks, a white Mercedes, and a police van parked to his right placed him in the twentieth century. Ahead of him a group of black farmworkers stood along a rise with their backs toward him. The hard line of their shoulders obscured what lay ahead.
In the crease of a hot green hill, a jumpy herd boy with fifteen skinny cows stared at the unusual scattering of people in the middle of nowhere. The farm was a genuine crime scene after all -- not a hoax as district headquarters had thought. Emmanuel got out of the car and lifted his hat to a group of women and children sitting in the shade of a wild fig tree. A few of them politely nodded back, silent and fearful. Emmanuel checked for his notebook, his pen, and his handgun, mentally preparing for the job.
An old black man in tattered overalls stepped out from the band of shade cast by the police van. He approached with his cloth cap in his hand.
"You the baas from Jo'burg?" he asked.
"That's me," Emmanuel said. He locked the car and dropped the keys into his jacket pocket.
"Policeman says to go to the river." The old man pointed a bony finger in the direction of the farmworkers standing along the ridge. "You must come with me, please, ma' baas."
The old man led the way. Emmanuel followed and the farmworkers turned at his approach. He drew closer to them and scanned the row of faces to try to gauge the mood. Beneath their silence he sensed fear.
"You must go there, ma' baas." The old man indicated a narrow path that snaked through tall grass to the banks of a wide, shining river.
Emmanuel nodded his thanks and walked down the dirt trail. A breeze rustled the underbrush and a pair of bullfinches flew up. He smelled damp earth and crushed grass. He wondered what waited for him.
At the bottom of the path he came to the edge of the river and looked across to the far side. A stretch of low veldt shimmered under clear skies. In the distance a mountain range broke the horizon into jagged blue peaks. Pure Africa. Just like the photos in English magazines that talked up the benefits of migration.
Emmanuel began a slow walk of the riverbank. Ten paces along he saw the body.
Within reach of the river's edge, a man floated facedown with his arms spread out like a parachute diver in free fall. Emmanuel clocked the police uniform instantly. A captain. Wide shouldered and big boned with blond hair cut close to the skull. Small silver fish danced around what looked like a bullet wound in the head and another gash torn into the middle of the man's broad back. A thicket of reeds held the body fast against the current.
A blood-stiffened blanket and an overturned lantern with a burned-out wick marked a fishing spot. Bait worms had spilled from a jam can and dried on the coarse sand.
Emmanuel's heart hammered in his rib cage. He'd been sent out solo on the murder of a white police captain.
"You the detective?" The question, in Afrikaans, had the tone of a surly boy addressing the new schoolmaster.
Emmanuel turned to face a lanky teenager in a police uniform. A thick leather belt anchored the blue cotton pants and jacket to the boy's narrow hips. Wisps of downy hair grew along his jawline. The National Party policy of hiring Afrikaners into public service had reached the countryside.
"I'm Detective Sergeant Emmanuel Cooper." He held out his hand. "Are you the policeman in charge of this case?"
The boy flushed. "Ja, I'm Constable Hansie Hepple. Lieutenant Uys is on holiday in Mozambique for two more days and Captain Pretorius...well...he's...he's gone."
They looked over at the captain, swimming in the waters of eternity. A dead white hand waved at them from the shallows.
"Did you find the body, Constable Hepple?" Emmanuel asked.
"No." The Afrikaner youth teared up. "Some kaffir boys from the location found the captain this morning...he's been out here all night."
Emmanuel waited until Hansie got control of himself. "Did you call the Detective Branch in?"
"I couldn't get a phone line to district headquarters," the boy policeman explained. "I told my sister to try till she got through. I didn't want to leave the captain by himself."
A knot of three white men stood farther up the riverbank and took turns drinking from a battered silver flask. They were big and meaty, the kind of men who would pull their own wagons across the veldt long after the oxen were dead.
Emmanuel motioned toward the group. "Who are they?"
"Three of the captain's sons."
"How many sons does the captain have?" Emmanuel imagined the mother, a wide-hipped woman who gave birth between baking bread and hanging up the laundry.
"Five sons. They're a good family. True volk."
The young policeman dug his hands into his pockets and kicked a stone across the bank with his steel-capped boot. Eight years after the beaches of Normandy and the ruins of Berlin, there was still talk of folk-spirit and race purity out on the African plains.
Emmanuel studied the murdered captain's sons. They were true Afrikaners, all right. Muscled blonds plucked straight from the victory at the Battle of Blood River and glorified on the walls of the Voortrekker Monument. The captain's boys broke from their huddle and walked toward him.
Images from Emmanuel's childhood flickered to life. Boys with skin white as mother's milk from the neck down and the elbow up. Noses skewed from fights with friends, the Indians, the English, or the coloured boys cheeky enough to challenge their place at the top.
The brothers came within shoving distance of Emmanuel and stopped. Boss Man, the largest of the brothers, stood in front. The Enforcer stood to his right with his jaw clenched. Half a step behind, the third brother stood ready to take orders from up the chain of command.
"Where's the rest of the squad?" Boss Man demanded in rough-edged English. "Where are your men?"
"I'm it," Emmanuel said. "There is no one else."
"You joking me?" The Enforcer added finger pointing to the exchange. "A police captain is murdered and Detective Branch send out one lousy detective?"
"I shouldn't be out here alone," Emmanuel conceded. A dead white man demanded a team of detectives. A dead white policeman: a whole division. "The information headquarters received was unclear. There was no mention of the victim's race, sex, or occupation -- "
The Enforcer cut across the explanation. "You have to do better than that."
Emmanuel chose to focus on the Boss Man.
"I was working the Preston murder case. The white couple shot in their general store," he said. "We tracked the killer to his parents' farm, an hour west of here, and made an arrest. Major van Niekerk called and asked me to check a possible homicide -- "
"'Possible homicide'?" The Enforcer wasn't about to be sidelined. "What the hell does that mean?"
"It means the operator who logged the call got one useful piece of information from the caller -- the name of the town, Jacob's Rest. That was all we had to work with."
He didn't mention the word "hoax."
"If that's true," the Enforcer said, "how did you get here? This isn't Jacob's Rest, it's Old Voster's Farm."
"An African man waved me off the main road, then another one showed me to the river," Emmanuel explained, and the brothers shared a puzzled look. They had no idea what he was talking about.
"Can't be." The Boss Man spoke directly to the boy constable. "You told them a police captain had been murdered, hey, Hansie?"
The teenager scuttled behind Emmanuel. His breathing was ragged in the sudden quiet.
"Hansie..." The Enforcer smelled blood. "What did you tell them?"
"I..." The boy's voice was muffled. "I told Gertie she must say everything. She must explain how it was."
"Gertie...Your twelve-year-old sister made the call?"
"I couldn't get a line," Hansie complained. "I tried..."
"Domkop." The Boss Man stepped to the side, in order to get a clear swing at Hansie. "You really that stupid?"
The brothers moved forward in a hard line, cabbage-sized fists at the ready. The constable grabbed a handful of Emmanuel's jacket and burrowed close to his shoulder.
Emmanuel stood his ground and kept eye contact with the head brother. "Giving Constable Hepple a smack or two will make you feel better, but you can't do it here. This is a crime scene and I need to start work."
The Pretorius boys stopped. Their focus shifted to the body of their father floating in the clear water of the river.
Emmanuel stepped into the silence and held out his hand. "Detective Sergeant Emmanuel Cooper. I'm sorry for the loss of your father."
"Henrick," the Boss Man said, and Emmanuel felt his hand disappear into a fleshy paw. "This here is Johannes and Erich, my brothers."
The younger brothers nodded a greeting, wary of the city detective in the pressed suit and green-striped tie. In Jo'burg he looked smart and professional. On the veldt with men who smelled of dirt and diesel fuel, he was out of place.
"Constable Hepple says there are five of you." He returned the brothers' stares and noticed the areas of redness around their eyes and noses.
"Louis is at home with our ma. He's too young to see this." Henrick took a swig from the flask and turned away to hide his tears.
Erich, the Enforcer, stepped forward. "The army is letting Paul out on compassionate leave. He'll be home tomorrow or the day after."
"What unit is he in?" Emmanuel asked, curious in spite of himself. Six years out of service and his own trousers and shirtsleeves were still ironed sharp enough to please a sergeant major. The army had discharged him, but it hadn't let him go.
"Paul's in intelligence," Henrick said, now flushed pink from the brandy.
Emmanuel calculated the odds that brother Paul belonged to the old guard of the intelligence corps -- the one that broke fingers and smashed heads to extract information. Exactly the kind you didn't want hanging around an orderly murder investigation.
He checked the brothers' posture, the slack shoulders and unclenched hands, and decided to take control of the situation while he had a moment to do so. He was on his own with no backup and there was a murder to solve. He started with the classic opener guaranteed to raise a response from idiots and geniuses alike:
"Can you think of anyone who would do this to your father?"
"No. No one," Henrick answered with absolute certainty. "My father was a good man."
"Even good men have enemies. Especially a police captain."
"Pa might have got on the wrong side of some people, but nothing serious," Erich insisted. "People respected him. No one who knew him could do this."
"An outsider, is your guess?"
"Smugglers use this stretch of river to go in and out of Mozambique," Henrick said. "Weapons, liquor, even Commie pamphlets, they all come into the country when no one is looking."
Johannes spoke for the first time. "We think Pa maybe surprised some criminal crossing over into SA."
"A lowlife bringing in cigarettes or whiskey stolen off the docks in Lorenzo Marques." Erich took the flask from Henrick. "Some kaffir with nothing to lose."
"That casts the net pretty wide," Emmanuel said, and studied the full length of the riverbank. Farther upstream, an older black man in a heavy wool coat and khaki uniform sat in the patchy shade of an indoni tree. Two frightened black boys nestled close to him.
"Who's that?" he asked.
"Shabalala," Henrick answered. "He's a policeman, too. He's half Zulu, half Shangaan. Pa said the Shangaan part could track any animal, and the Zulu part was sure to kill it."
The Pretorius brothers smiled at the captain's old explanation.
Hansie stepped up eagerly. "Those are the boys who found the body, Detective Sergeant. They told Shabalala and he rode into town and told us."
"I'd like to hear what they have to say."
Hansie pulled a whistle from his breast pocket and blew a shrill note. "Constable Shabalala. Bring the boys. Make it fast."
Shabalala rose slowly to his full height, over six feet, and made his way toward them. The boys followed in the shadow he cast. Emmanuel watched Shabalala approach and instantly realized that he must have been the policeman who'd set up the series of native men to guide him to the crime scene.
"Quick, man!" Hansie called out. "You see that, Detective Sergeant? You tell them to hurry and this is what you get."
Emmanuel pressed his fingers into the ridge of bone above his left eye socket where a headache stirred. The country light, free from industrial haze, was bright as a blowtorch on his retina.
"Detective Sergeant Cooper, this is Constable Samuel Shabalala." Hansie performed the introductions in his best grown-up voice. "Shabalala, this detective has come all the way from Jo'burg to help us find out who killed the captain. You must tell him everything you know like a good man, okay?"
Shabalala, a few heads taller and a decade or two older than any of the white men in front of him, nodded and shook Emmanuel's outstretched hand. His face, calm as a lake, gave nothing away. Emmanuel made eye contact, and saw nothing but his own reflection in the dark brown eyes.
"The detective is an Englishman." Henrick spoke directly to Shabalala. "You must use English, okay?"
Emmanuel turned to the brothers, who stood in a semicircle behind him.
"You need to move back twenty paces while I question the boys," he said. "I'll call you when we're ready to move your pa."
Henrick grunted and the brothers moved away. Emmanuel waited until they re-formed their huddle before continuing.
He crouched down to the boys' level. "Uno bani wena?" he asked Shabalala.
Shabalala's eyes widened in surprise, then he joined Emmanuel at child height and gently touched each boy on the shoulder in turn. Continuing in Zulu, he answered Emmanuel's question. "This one is Vusi and this one is Butana, the little brother."
The boys looked about eleven and nine years old, with close-shaven heads and enormous brown eyes. Their rounded stomachs pushed out their frayed shirts.
"I'm Emmanuel. I'm a policeman from Jo'burg. You are brave boys. Can you tell me what happened?"
Butana held his hand up and waited to be called on.
"Yebo?" Emmanuel prompted.
"Please, baas." Butana's finger twisted through a hole at the front of his shirt. "We came here fishing."
"Where did you come from?"
"Our mother's house at the location," the older boy said. "We came when it was just light because baas Voster doesn't like us to fish at this place."
"Voster says the natives steal the fish," Hansie said, and crouched down to join the action.
Emmanuel ignored him. "How did you get to the river?" he asked.
"We came down from that path there." Vusi pointed past the blanket and lantern that lay on the sand to a narrow pathway that disappeared into the lush veldt.
"We came to here and I saw there was a white man in the water," Butana said. "It was Captain Pretorius. Dead."
"What did you do?" Emmanuel asked.
"We ran." Vusi rubbed one palm against the other to make a swishing sound. "Fast, fast. No stopping."
"You went home?"
"No, baas." Vusi shook his head. "We came to the policeman's house and told what we saw."
"What time?" Emmanuel asked Shabalala.
"It was past six o'clock in the morning," the black policeman said.
"They just know what time it is," Hansie supplied helpfully. "They don't need clocks the way we do."
Blacks in South Africa needed so little. A little less every day was the general rule. The job of detective was one of the few not subject to policies forbidding contact between different races. Detectives uncovered the facts, presented the brief, and gave evidence in court to support the case. White, black, coloured, or Indian, murder was a capital offense no matter what race the offender belonged to.
Emmanuel spoke to the older boy. "Did you see or hear anything strange when you came down to the river this morning?"
"The unusual thing was the body of the captain in the water," said Vusi.
"What about you?" Emmanuel asked the smaller boy. "You notice anything different? Besides the captain in the water?"
"Nothing," the little brother said.
"When you saw the body, did you think of anyone you know who could have hurt Captain Pretorius?"
The boys considered the question for a moment, their brown eyes wide with concentration.
Vusi shook his head. "No. I thought only that today was not a good day to go fishing."
"You both did a very good thing by telling Constable Shabalala what you saw. You will make fine policemen one day."
Vusi's chest puffed out with pride, but his little brother's eyes filled with tears.
"What's the matter?" Emmanuel asked.
"I do not want to be a policeman, nkosana," the small boy said. "I want to be a schoolteacher."
The terror that came with discovering the body had finally surfaced in the little witness. Shabalala laid a hand on the crying boy's shoulder and waited for the signal to dismiss the boys. Emmanuel nodded.
"To be a schoolteacher, first you must go to school," the black policeman said, and waved to one of the farmworkers standing on the ridge. "Musa will take you home."
Shabalala walked the boys past the Pretorius brothers to a man standing at the top of the path. The man waved the boys up toward him.
Emmanuel studied the riverbank. The green spring veldt and wide sky filled his vision. He pulled out his notebook and wrote the word "pleasing" because it was the first thing to come to his mind when he examined the wider elements of the scene.
There would have been a moment just after the blanket was spread and the lantern turned to full light when the captain would have looked out over the river and felt a sense of joy at this place. He might have even been smiling when the bullet struck.
"Well?" It was Erich, still put out by being moved away from the questioning. "Did you get anything?"
"No," Emmanuel said. "Nothing."
"The only reason we haven't taken Pa home," Henrick said, "is because he would have wanted us to follow the rules..."
"But if you're not getting anything," Erich said, his short fuse lit, "there's no reason for us to stand here like anthills when we could be helping Pa."
The wait for the big-city detective to work the scene had taken a toll on the brothers. Emmanuel knew that they were battling the urge to turn the captain faceup so he could get some air.
"I'll take a look at the blanket, then we'll take your father back to town straight after," Emmanuel said when Shabalala rejoined the group. "Hepple and Shabalala, you're with me."
They leaned in close to the bloodstained blanket. The material was coarse gray, scratchy, and comfortable as a sheet of corrugated iron to sit on. Every outdoor event, farm truck, and braai came with blankets just like this one.
Blood had dried rust-brown on the fabric and spilled over the blanket's edge into the sand. Deep lines, broken at irregular intervals, led from the blanket to the river's edge. The captain had been shot, then dragged to the water and dumped. No mean feat.
"What do you make of this?" Emmanuel pointed to the blood-stiffened material.
"Let's see." Hansie came forward. "The captain came fishing, the way he did every week, and someone shot him."
"Yes, Hepple, those are the facts." Emmanuel glanced at Shabalala. If the captain was right, the Shangaan part of the silent black man would see more than the obvious. "Well?"
The black policeman hesitated.
"Tell me what you think happened," Emmanuel said, aware of Shabalala's reluctance to show up Hansie's poor grasp of the situation.
"The captain was shot here on the blanket, then pulled over the sand to the water. But the killer, he's not strong."
"He had to rest many times." Shabalala pointed to the shallow indentations that broke the line as it ran from the blanket to the water. "This is the mark of the captain's boots. Here is where his body was put down. Here was his head."
In the hollow lay a dried pool of blood and a matted tuft of blond hair. The indentations appeared closer and closer together, the pools of blood larger, as the killer stopped to catch his breath more often.
"Somebody wanted to make sure the captain wasn't coming back," Emmanuel muttered. "Are you sure he didn't have any enemies?"
"None," Hansie answered without hesitation. "Captain got on good with everyone, even the natives, hey, Shabalala?"
"Yebo," the black constable said. He stared at the evidence, which said otherwise.
"Some places have trouble between the groups. Not here," Hansie insisted. "A stranger must have done this. Someone from outside."
There wasn't much to go on yet. If it had been a crime of passion, the murderer might have made mistakes: no alibi, murder weapon hidden in an obvious place, blood left to dry on shoelaces...if the murder was premeditated, then only careful police work would catch the killer. Outsider or insider, it took guts to kill a white police captain.
"Comb the riverbank," he instructed Hansie. "Walk as far as the path where the boys climbed up. Go slowly. If you find anything out of the ordinary, don't touch it. Call me."
"Yes, sir." Hansie set off like a Labrador.
Emmanuel scoped the scene. The captain's killer had dragged the body to the water without dropping a thing.
"Did he have enemies?" he asked Shabalala.
"The bad people did not like him, but the good people did." The black man's face betrayed nothing.
"What do you really think happened here?"
"It rained this morning. Many of the marks have been washed away."
Emmanuel wasn't buying. "Tell me anyway."
"Captain was kneeling and facing this way." Shabalala pointed in the direction Hansie had gone. "A man's boot prints come here from behind. One bullet in the head, captain fell. Then a second bullet in the back."
A boot print with deep, straight grooves was pressed into the sand.
"How the hell did the killer manage a clean shot in the dark?" Emmanuel asked.
"It was a full moon last night and bright. The lantern was also burning."
"How many people can take a shot like that even in broad daylight?"
"Many," the black policeman said. "The white men learn to shoot guns at their club. Captain Pretorius and his sons have won many trophies." Shabalala thought for a moment. "Mrs. Pretorius has also won many."
Emmanuel again pressed his left eye socket where the headache was beginning. He'd landed in a town of sharpshooting inbred Afrikaner farmers.
"Where did the killer go after dumping the body?"
"The river." Shabalala walked to the edge of the water and pointed to where the captain's heel marks and the killer's footprints disappeared into the flow.
A clump of bulrushes with the stems snapped back lay on the opposite bank. A narrow path trailed off into the bushlands.
"The killer came out there?" He pointed to the trampled rushes.
"I think so."
"Whose farm is that?" Emmanuel asked, and felt a familiar surge of adrenaline -- the excitement of the first lead in a new case. They could track the killer to his door and finish this today. With luck he'd be back in Jo'burg for the weekend.
"No farm," came the reply. "Mozambique."
"You sure, man?"
"Yebo. Mo. Zam. Bique." Shabalala repeated the name, long and slow, so there was no mistake. The syllables emphasized that across the bank was another country with its own laws and its own police force.
Emmanuel and Shabalala stood side by side and looked across the water for a long while. Five minutes on the opposite shore might give up a clue that could break open the case. Emmanuel did a quick calculation. If he was caught across the border, he'd spend the next two years checking ID passes at whites-only public toilets. Even Major van Niekerk, a canny political animal with connections to burn, couldn't fix up a bungled visit across the border.
He turned to face South Africa and concentrated on the evidence in front of him. The neatness of the scene and the sniper-like targeting of the victim's head and spine indicated a cool and methodical hand. The location of the body was also a deliberate choice. Why take the time to drag it to the water when it could have been left on the sand?
The brother's smuggler theory didn't hold water, either. Why wouldn't the smuggler cross farther upstream and avoid all that attention and trouble? Not only that, why would he compromise his path between borders by murdering a white man?
"Did the killer come out of the river?" Emmanuel asked.
The Zulu policeman shook his head. "When I came here the herd boys and their oxen had been to the river to drink. If the tracks were here, they are gone now."
"Detective Sergeant," Hansie said, walking toward them, pink skin flushed with exertion.
"Nothing but sand, Detective Sergeant."
The dead man floated in the river. A spring rain, gentle as mist, began to fall.
"Let's get the captain," Emmanuel said.
Sadness flickered across the black man's face for a moment and then it was gone.
Copyright © 2009 by Malla Nunn
Meet the Author
Malla Nunn was born in Swaziland, South Africa, and currently lives in Sydney, Australia. She is a filmmaker with three award-winning films to her credit and is currently at work on her next novel.
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This is the story of Sergeant Detective Emmanuel Cooper, sent out from Johannesberg South Africa to a small village to solve a murder case. This is a WHO DUN IT mystery, with no obvious suspects, no obvious clues to throw the reader off course. Detective Cooper is working the case alone, which makes him more vulnerable and the action starts out on the first page and doesn't stop. Set in the 1950's in South Africa, the prejudice and injustice for people in South Africa of the time were eye-opening and powerful as the background noise of the mystery. A very good story!
This mystery is set in South Africa in the 1950s. It gives a very interesting portrait of life in a small town during this period, which is helpful in understanding the South Africa of today. The characters are of different races and status in life and the relationships between them are skillfully drawn and fascinating. The mystery is gripping and the story exciting, but even more than that I felt that I had a better knowledge of this complex country with its difficult past once I had read the book. I have been interested in South Africa for a long time and read many books set there, but I still learned a lot. I especially love the description of the different paths through the town; there is something almost magical about this part of the book.
First in a new mystery series set in 1952 South Africa and featuring Det Emmanuel Cooper, "A Beautiful Place to Die" reminds me of the Harry Bosch, Dave Robicheaux, and Joe Pickett novels. Emmanuel Cooper, like his more well-known fictional counterparts, is a distinct renegade and maverick unafraid to take on the powers that be, with their conflicting and oftentimes political motivations in solving (or not solving) a case. In this book, Cooper investigates the murder of Afrikaner police captain Willem Pretorius amid the newly instituted South African apartheid laws that divide white from black. Complicating matters is the powerful Security Branch, whose agenda of finding black communist radicals supercedes learning the truth about Pretorius' murder. "A Beautiful Place to Die" has a colorful and original sense of place in early-apartheid South Africa as well as an intriguing investigator haunted by the memory of an old comrade (shades of James Lee Burke's Billy Bob Holland.) The mystery itself moves along quickly, with no shortage of suspects and a possible connection to a peeping tom case Pretorius had been investigating. I highly recommend this debut mystery, and look forward to the next in the series. Also recommended: A STRANGER LIES THERE - another debut mystery with a strong sense of place (the Southern California desert), it won the Malice Domestic Award for best first mystery and received "two thumbs way up" from this web site's Editorial Review.
The first in the Detective Emmanuel Cooper Mysteries, A BEAUTIFUL PLACE TO DIE is set in 1950's apartheid South Africa. Cooper is sent to investigate the murder of the local Afrikaner Police Captain --the father of the town's powerful Pretiorus family. He is aided by the town's only black Zulu police officer and a Jewish doctor transplant from WW2. Cooper is having to work secretly and carefully because of the politically powerful Security Branch, which is determined to ring a confession from a "black Communist" who was actually a man who happened to be in the wrong place at the wrong time. Racial tensions dominate the investigation and the addition of the Immorality Laws (forbidding sex between the races) and a Peeping Tom case confuse everything. Then there is also Cooper's haunting by his old WW2 Scottish Sergeant Major. Secrets, forbidden photographs, twisted religion, and mixed race people confuse an already difficult case. Power, greed, and brutality are all too common as Cooper tries to stay away from the vengeance and muscles of those who have determined their own outcome choices. It's hard to say that I enjoyed this book. I can say it rang very true of the times. The injustices and sheer evil of the situations and laws made for difficult reading at times, but perhaps that is what actually made this an excellent book.
great great book.
Very nice beginning to a series, though still a bit rough in places. There is plenty of room to grow with characters like Nunn has created, and much physical beauty in the landscape. One can just see the heat and smell the air. The cariacatures created to people the Security Forces are much too clownish to give a deep sense of evil, but perhaps that is the tone Nunn wished to establish. After all, real evil is off-putting in the extreme. It may be good enough to sketch it without giving it a real face, if the rest of the work can carry it. But there were weaknesses throughout, I thought, that perhaps a little time and distance would have made apparent to the author. Anyway, I'll look for book two, in hopes that practice makes perfect.
What I enjoyed most is the way the author wove life in South Africa into the book and helped me see things may look different but at their core, they aren't always what they seem.
The various relationships were very interesting and kept me immersed. The white detective who maintains his own ethical treatment of others despite the pressure of living in an apartheid society. The blacks who trusted the white detective, despite the society that told them different. The wife, who knew but couldn't deal with it. The two young adults, one who could pass as white, and the one who couldn't.
I don't read enough murder mysteries to write much about that but I definitely enjoyed the interplay of people's relationships on the story. It was a good way to spend a rainy Saturday.