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Beauty of the Father
     

Beauty of the Father

by Nilo Cruz
 

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“In Beauty of the Father one of the American theater’s most promising voices rings true and strong.”—Lynn Jacobson, Variety

“Cruz conducts arias with his pen. He is a writer of ideas, who fills the stage with a kind of lush dramatic literature . . . Beauty of the Father brings to mind the playwright Maria Irene

Overview

“In Beauty of the Father one of the American theater’s most promising voices rings true and strong.”—Lynn Jacobson, Variety

“Cruz conducts arias with his pen. He is a writer of ideas, who fills the stage with a kind of lush dramatic literature . . . Beauty of the Father brings to mind the playwright Maria Irene Fornes. Like his artistic forebear, Cruz recognizes the magic in the everyday. And he has found an astonishing language with which to describe it.”—Hilton Als, The New Yorker

What will we sacrifice in the name of love? After young woman reunites with her painter father in the south of Spain, both fall in love with the same exciting young man. Beauty of the Father invokes the lyrical language of Lorca, as the great poet himself appears to the father and counsels him in his life. The play’s rhythms are infused with the spirit of the Andalusian people who sing their sorrows in cante jondo, as Cruz once again creates musical poetry to honor unrequited love.

Nilo Cruz won the 2003 Pulitzer Prize for Drama for his play Anna in the Tropics. Other works include Two Sisters and a Piano, Lorca in a Green Dress, Night Train to Bolina, A Bicycle Country, and Dancing on Her Knees. He is one of this country’s most produced Cuban American writers.

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From the Publisher

“In Beauty of the Father one of the American theater’s most promising voices rings true and strong.”—Lynn Jacobson, Variety

“Cruz conducts arias with his pen. He is a writer of ideas, who fills the stage with a kind of lush dramatic literature . . . Beauty of the Father brings to mind the playwright Maria Irene Fornes. Like his artistic forebear, Cruz recognizes the magic in the everyday. And he has found an astonishing language with which to describe it.”—Hilton Als, The New Yorker

“In spite of the contemporary flavor of Mr. Cruz’s plot, his stagecraft is delightfully old-fashioned. His characters are forever waxing poetic, reeling of elaborate soliloquies at the drop of a paint brush.” – Terry Teachout, Wall Street Journal

New Yorker
[Cruz] is a writer of ideas, who fills the stage with a kind of lush dramatic literature, unifying character with thought and action in time and space.
Wall Street Journal
In spite of the contemporary flavor of Mr. Cruz's plot, his stagecraft is delightfully old-fashioned. His characters are forever waxing poetic, reeling off elaborate soliloquies at the drop of a paint brush...

Product Details

ISBN-13:
9781559363105
Publisher:
Theatre Communications Group
Publication date:
08/01/2008
Pages:
112
Sales rank:
1,355,311
Product dimensions:
5.20(w) x 8.30(h) x 0.40(d)

Meet the Author


Nilo Cruz, whose plays include NIght Train to Bolina, A Bicyle Country, Dancing on Her Knees, is one of the country's most produced Cuban-American writers. An alumnus of New Dramatists, Cruz has taught playwriting at Brown and Yale Universities.

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