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Condition:
Good
Book has a small amount of wear visible on the binding, cover, pages. Selection as wide as the Mississippi.
Ships from: St Louis, MO
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Condition:
Good
Only lightly used. Book has minimal wear to cover and binding. A few pages may have small creases and minimal underlining. Book selection as BIG as Texas.
Ships from: Dallas, TX
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Condition:
Acceptable
1981 Paperback Acceptable May contain highlights, notes and underlining. Open Books is a Non-profit literacy organization and proceeds from the sale benefit literacy programs.
Ships from: Chicago, IL
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Condition:
Acceptable
All text is legible, may contain markings, cover wear, loose/torn pages or staining and much writing. SKU:9780874771640-5-0
Ships from: Salem, OR
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Condition:
Good
May include moderately worn cover, writing, markings or slight discoloration. SKU:9780874771640-4-0
Ships from: Salem, OR
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Condition:
Good
1981 Paperback Good Not ex-library. Binding tight. Spine sunned. All items shipped within 2 business days and guaranteed. Proceeds benefit the Pima County Public Library,
...
serving the greater Tucson area.
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Ships from: Tucson, AZ
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Condition:
Good
No creases on spine. Owner's name written on first page. Underlining in a few sections. Cover is different than shown and shows shelf wear at edges. Ships next business day. Money
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back guarantee. c1310
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Ships from: Amesbury, MA
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Condition:
Very Good
SHIPS FAST! via UPS(AK/HI Priority Mail) within 24 hrs/ used sticker/some hilite
Ships from: Columbia, MO
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Condition:
Acceptable
1981-03-01 Paperback Fair Acceptable to good. Name/Personal greeting inside cover. Corner bumps. Good readable copy. Tight Book. Light shelf cover. Clear Text. Thank you for
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choosing Opt By Design.
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Ships from: Sacramento, CA
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Condition:
Very Good
1981 Trade paperback Very good. No dust jacket as issued. Just mild wear. Reference section. Trade paperback (US). Glued binding. 186 p. Audience: General/trade.
Ships from: Auburn, CA
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Overview
A reissue of a classic work originally published in 1934 on writing and the creative process, Becoming a Writer recaptures the excitement of Dorothea Brande's creative-writing classroom of the 1920s. Decades before brain research "discovered" the particular roles of the right and left sides of the brain in human endeavor, Brande was teaching students how to see again, how to hold their minds still, how to call forth the inner writer. She had novice writers note the effects of everything in their environment on their writing. She showed them how to harness the unconscious, how to fall into "artistic coma," then how to reemerge and be their own critics. Becoming a Writer is Brande's legacy to all those who have ever wanted