A pop-culture masterpiece of exhaustive reporting, psychological insight and elegant writing.
Becoming Richard Pryor is a compulsively readable book that sets a new gold standard for American biography. Scott Scaul’s research is extraordinary; his writing his taut, elegant, and insightful; and he captures both the hilarity and pain that made Richard Pryor such a towering figure.
A gripping read....The only book you need on its subject.
Absorbing, incisive....With skill and insight, Saul shows how both the best and the worst of Pryor could merge into a great body of work unmatched by anyone who was ever paid to make people laugh.
Masterful.
The most detailed and rigorously researched work on the comic’s life and performances....Pryor was both the quintessential hipster and the vulnerable, damaged witness of his age...Becoming Richard Pryor captures these dimensions of the persona and the man behind it very well.
Absorbing, incisive....With skill and insight, Saul shows how both the best and the worst of Pryor could merge into a great body of work unmatched by anyone who was ever paid to make people laugh.
With Becoming Richard Pryor , Scott Saul gives us the fullest picture yet of a great and puzzling American figure. What starts as a procedural on the making of an artist becomes a story of a man desperate to be free.
Magisterial....Brilliantly reveals the glorious highs and lows of Pryor’s life....Becoming Richard Pryor reveals itself to be not simply a biography, but the compassionate map of a terra incognita.
Pryor has had the good fortune to fall into the hands of a writer with the smarts to understand both his greatness and his madness. Becoming Richard Pryor is a first-rate biography.
Becoming Richard Pryor takes you on a wild, tumultuous ride. Scott Saul’s superb storytelling is a perfect match for his subjecthe keeps you mesmerized, laughing, crying, stunned, hungry, and above all, surprised.
Drawing on interviews with family and friends, unpublished journals and court records, Saul jauntily chronicles the year-by-year, and almost day-by-day, evolution of Richard Pryor. Glaringly honest, Saul shines a light on a revolutionary stand-up comic who perfected the art of dramatizing his own imperfections, and the world’s.
Booklist (starred review)
Magisterial....Brilliantly reveals the glorious highs and lows of Pryor’s life....Becoming Richard Pryor reveals itself to be not simply a biography, but the compassionate map of a terra incognita.
Sharply observed....lays out the case that Pryor was not only a comic genius but ‘a bellwether of the great changes of postwar American life, some of which he helped incite.’...Riveting.
A fascinating, exhilarating read. Saul dives deeper and comes up with more treasure than previous biographers; he deftly traces the stamp that Pryor left on American culture at one of its more impressionable moments…I didn’t want to put the book down and couldn’t wait to get back to it.
11/17/2014 Drawing on interviews with family and friends, unpublished journals and court records, Saul (Freedom Is, Freedom Ain’t) jauntily chronicles the year-by-year, and almost day-by-day, evolution of the young man from Peoria who developed into the man that Jerry Seinfeld called “the Picasso of our profession.” Saul examines the forces that propelled Pryor to the top of his game in the late 1970s, tracing the comedian’s early years being raised in a brothel and his introduction to improvisational acting by teacher Juliette Whittaker to his days in New York’s Greenwich Village and Manny Roth’s Café Wha? honing his skills. In his heady days in L.A. he played baseball with Aaron Spelling and Bobby Darin. Saul then documents Pryor’s retreat to Berkeley in 1969, where he found himself part of the city’s counterculture movement. Glaringly honest, Saul shines a light on Pryor’s descent into drugs, his brutal treatment of his wives, and his fretful insecurities about his own abilities. In the end, Pryor emerges as a revolutionary stand-up comic who perfected the art of dramatizing his own imperfections, and the world’s; a trenchant social critic, often called “Dark Twain”; and a crossover artist whose work in film often failed to achieve the incendiary raw power of his live comic shows. (Dec.)
Absorbing, incisive....With skill and insight, Saul shows how both the best and the worst of Pryor could merge into a great body of work unmatched by anyone who was ever paid to make people laugh.” — USA Today
“The most detailed and rigorously researched work on the comic’s life and performances....Pryor was both the quintessential hipster and the vulnerable, damaged witness of his age...Becoming Richard Pryor captures these dimensions of the persona and the man behind it very well.” — Washington Post
“Sharply observed....lays out the case that Pryor was not only a comic genius but ‘a bellwether of the great changes of postwar American life, some of which he helped incite.’...Riveting.” — TIME magazine
“A gripping read....The only book you need on its subject.” — Sunday Times (London)
“A pop-culture masterpiece of exhaustive reporting, psychological insight and elegant writing.” — Cleveland Plain Dealer
“Insightful and expansive, Scott Saul’s remarkable biography of the now legendary comic chronicles how a sensitive brilliant man with a hardscrabble past mined his personal life for American entertainment, revolutionizing stand-up along the way.” — Playboy , "This Winter's Best Books"
“Masterful.” — Newsweek
“A fascinating, exhilarating read. Saul dives deeper and comes up with more treasure than previous biographers; he deftly traces the stamp that Pryor left on American culture at one of its more impressionable moments…I didn’t want to put the book down and couldn’t wait to get back to it.” — Michael Chabon, bestselling and Pulitzer Prize-winning author of The Amazing Adventures of Kavalier & Clay and Telegraph Avenue
“Becoming Richard Pryor is a compulsively readable book that sets a new gold standard for American biography. Scott Scaul’s research is extraordinary; his writing his taut, elegant, and insightful; and he captures both the hilarity and pain that made Richard Pryor such a towering figure.” — Debby Applegate, winner of the Pulitzer Prize for biography and author of the forthcoming Madam: The Notorius Life and Times of Polly Adler
“The Richard Pryor biography we’ve been waiting for.” — Deadspin
“With Becoming Richard Pryor , Scott Saul gives us the fullest picture yet of a great and puzzling American figure. What starts as a procedural on the making of an artist becomes a story of a man desperate to be free.” — RJ Smith, author of The One: The Life and Music of James Brown
“Pryor has had the good fortune to fall into the hands of a writer with the smarts to understand both his greatness and his madness. Becoming Richard Pryor is a first-rate biography.” — Peter Biskind, author of Easy Riders and Raging Bulls
“Becoming Richard Pryor takes you on a wild, tumultuous ride. Scott Saul’s superb storytelling is a perfect match for his subjecthe keeps you mesmerized, laughing, crying, stunned, hungry, and above all, surprised.” — Robin D. G. Kelley, author of Thelonious Monk: The Life and Times of an American Original
“Becoming Richard Pryor is a book that breaks new ground...Saul details the amazing way that Richard found his way out of the life for which he seemed destined and into the world of the performing arts.” — New York Times Book Review
“This is a well-executed study that gives Pryor due credit as pioneer, intellectual and artist. Better written and more thoughtful than David and Joe Henry’s Furious Cool . The latter remains worth reading, but this book is the place to start.” — Kirkus Reviews
“Magisterial....Brilliantly reveals the glorious highs and lows of Pryor’s life....Becoming Richard Pryor reveals itself to be not simply a biography, but the compassionate map of a terra incognita.” — Independent
“Drawing on interviews with family and friends, unpublished journals and court records, Saul jauntily chronicles the year-by-year, and almost day-by-day, evolution of Richard Pryor. Glaringly honest, Saul shines a light on a revolutionary stand-up comic who perfected the art of dramatizing his own imperfections, and the world’s.” — Publishers Weekly
“Drawing on interviews with family and friends, unpublished journals and court records, Saul jauntily chronicles the year-by-year, and almost day-by-day, evolution of Richard Pryor. Glaringly honest, Saul shines a light on a revolutionary stand-up comic who perfected the art of dramatizing his own imperfections, and the world’s.” — Booklist (starred review)
Insightful and expansive, Scott Saul’s remarkable biography of the now legendary comic chronicles how a sensitive brilliant man with a hardscrabble past mined his personal life for American entertainment, revolutionizing stand-up along the way.
"This Winter's Best Books" Playboy
Sharply observed....lays out the case that Pryor was not only a comic genius but ‘a bellwether of the great changes of postwar American life, some of which he helped incite.’...Riveting.
Masterful.
The most detailed and rigorously researched work on the comic’s life and performances....Pryor was both the quintessential hipster and the vulnerable, damaged witness of his age...Becoming Richard Pryor captures these dimensions of the persona and the man behind it very well.
Becoming Richard Pryor is a book that breaks new ground...Saul details the amazing way that Richard found his way out of the life for which he seemed destined and into the world of the performing arts.
New York Times Book Review
01/01/2015 There are many things to praise about this title, not least of which that it is an exhaustive historical account of the legendary entertainer Pryor's life (1940–2005) and career up to the late 1970s. Saul (Freedom Is, Freedom Ain't) marshals more archival resources and personal interviews than any previous biographer of the comedian, providing a comprehensive chronology of his early years. The exacting detail is often painful reading. Pryor grew up in a brothel (a contested biographical detail until now), and even while striving toward themes of liberation in his work, he abused lovers and substances prodigiously. Yet the author demonstrates how Pryor's background and turmoil, as well as larger social and political forces of the 1960s and 1970s, fueled his creativity and willingness to take artistic risks. For now this book serves as the final word on how its subject rose to occupy a singular spot in the American comedy and cinema landscape. VERDICT This essential book for Pryor enthusiasts will be equally valuable to scholars of modern American history and popular culture.—Chris Martin, North Dakota State Univ. Libs., Fargo
2014-10-20 Smart blend of social history and biography centering on one of the funniest—and most tragic—people of our time.By Saul's (English/Univ. of California; Freedom Is, Freedom Ain't: Jazz and the Making of the Sixties, 2003) account, Richard Pryor (1940-2005) wrestled out the demons of physical abuse, racism and addiction on a stage that at first wasn't quite sure what to do with him. That effort produced some strange results. One of the more interesting detours in this already digressive narrative follows the course of the autobiographical film This Can't Be Happening to Me, a look at Pryor's childhood in a brothel; the film started as a broad comedy, then became serious, then took on the coloring of a "tripped-out imagination that made [the film] cousin to a midnight movie like El Topo." As Saul observes, it helped that Pryor and the family that so often figured in his comedy were "powerfully dramatic people," thus it was natural that Pryor should so readily bend genres to insert seriousness in funny situations and comedy into grave discussions. Saul's psychobiographical essays are illuminating, as when he writes of a young Pryor discovering that white girls were more receptive to him than were white boys. Race is a driving theme throughout, and Saul closes on a note that is both hopeful and resigned. Asked whether he viewed the world in terms of black and white, Pryor said, "I see people…as the nucleus of a great idea that hasn't come to be yet." Saul is sometimes guilty of forced analogies, as when he finds an echo of the resignation of Richard Nixon, whom a Republican senator compared to "a piano player in a whorehouse who claims not to know what's going on upstairs," in Pryor's own time in the house of bawd. Still, this is a well-executed study that gives Pryor due credit as pioneer, intellectual and artist. Better written and more thoughtful than David and Joe Henry's Furious Cool (2013). The latter remains worth reading, but this book is the place to start.