Bedlam: The Further Secret Adventures of Charlotte Bronte

Bedlam: The Further Secret Adventures of Charlotte Bronte

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by Laura Joh Rowland
     
 

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Following the notable debut of The Secret Adventures of Charlotte Brontë, beloved author Laura Joh Rowland offers her legions of fans the next installment in the Charlotte Brontë mystery series... with more to come. On her last escapade, Charlotte unintentionally witnessed a murder and found herself embroiled in a dangerous chain of events. Now,See more details below

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Overview

Following the notable debut of The Secret Adventures of Charlotte Brontë, beloved author Laura Joh Rowland offers her legions of fans the next installment in the Charlotte Brontë mystery series... with more to come. On her last escapade, Charlotte unintentionally witnessed a murder and found herself embroiled in a dangerous chain of events. Now, Charlotte returns in a stunning sequel that takes the reader into the most sinister institution in London: Bedlam.

With the death of her siblings and far from home, Charlotte has few people to trust. Struggling with romantic entanglements and her stressful rise to prominence on the literary scene, she is more alone than ever. On a visit to London, Charlotte goes on a tour of London's most famous hospital for the mad, Bedlam. She is sure she recognizes a struggling Mr. Slade, her long-missing ex-lover, strapped to one of the stretchers. Charlotte starts digging, and soon finds herself trying to reveal a secret that high-powered men would (and do) kill to protect. It is up to Charlotte to find the truth and expose a plot of global proportion. But what if the conspirators get to her first?

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Editorial Reviews

Publishers Weekly
Set in 1851, three years after the events in The Secret Adventures of Charlotte Brontë, Rowland's fast-paced second Charlotte Brontë adventure continues to transform the shy author of Jane Eyre into an action heroine. Still pining for John Slade, the rugged spy from the first book whose marriage proposal she refused, Charlotte is stunned to come across John under restraints in Bedlam, the notorious London hospital for the insane. The last she knew John was in Russia on a secret mission. When Charlotte learns the police suspect that John is the Whitechapel Ripper, who's killed and mutilated three prostitutes, she sets out to prove him innocent, despite John's spymaster telling her that he betrayed Britain in Russia. The less than imaginative use of an ur-Jack the Ripper may disappoint those expecting the depth and sophistication of the author's series set in medieval Japan (The Cloud Pavilion, etc.). This historical thriller will likely appeal more to romance fans than Brontë enthusiasts. (June)
From the Publisher
"[Rowland] creates a believable Charlotte whose intelligence, stubbornness, and wit recall Jane at every turn. Even more important, the mystery itself is particularly fine."-Entertainment Weekly

"Bedlam invokes a Queen Victoria that's reminiscent of the petulant Japanese ruler in Rowland's other series (Sano Ichiro mysteries), and her minutely drawn scenes of street life in Victorian London are just as memorable as those from the Tokyo of 400-plus years ago." — Times-Picayune

"This lighthearted romp is a veritable festival of the Penny Dreadful." — New Jersey Star-Ledger

"This delightful and sophisticated mystery transports readers through an era of Victorian history, with Charlotte Brontd leading the way...A must read for historical fans." -Romantic Times

"A sure bet...[Charlotte is] spunky and adventurous and a die-hard romantic all the way. She's a heroine for our times."-New Orleans Times-Picayune

"Rowland simply refuses to let readers lift their eyes from the page." -Minneapolis Star-Tribune

"Sharply relevant, Rowland's inventive action-thriller delivers enough intrigue and romance to satisfy a wide array of readers." — Booklist

"A wide variety of interesting scientific, political, and literary tidbits are crammed into this romantic mystery" — Library Journal

"The audacity of building a mystery caper around this unlikely heroine is part of the novel's considerable charm. Elegant stylist Rowland's prose remains as pitch-perfect as in Secret Adventures of Charlotte Bronte (2008), in what should be another long-running series from the author of the Sano Ichiro mysteries." —Kirkus

"Laura Joh Rowland's apt recreation of Charlotte Bronte's style is still as accomplished and mesmerizing as the first time around" — Bronte Blog

"Readers will fully believe the last Bronte sister's adventures. The story line is fast-paced, filled with action and feels plausible even with Charlotte turning into an amateur sleuth of sorts. As with the previous Charlotte Bronte's secret adventures (in Moscow), fans of Victorian thrillers will be thrilled reading about the heroine's bedlam escapades." — Midwest Book Review

Library Journal
Charlotte is more than the successful author of Jane Eyre, she's also a magnet for trouble. While touring Bethlehem Royal Hospital, a.k.a. Bedlam, Charlotte believes one of the inmates is John Slade, the spy who captured her heart three years ago but then went missing. The man escapes before she can be sure, forcing Charlotte to search the streets of Whitechapel for clues. She quickly finds herself tangled in a web of intrigue that stretches from the tsar of Russia to the Queen of England. Thankfully, Charlotte tracks down Slade and together they just might be able save the British Empire, again. VERDICT This sequel to The Secret Adventures of Charlotte Brontë does not ascribe any special sleuthing capabilities to Charlotte, and unflattering depictions of important Victorian figures are inserted while Charlotte's real-life future husband, Arthur Bell Nichols, receives particularly harsh treatment. A wide variety of interesting scientific, political, and literary tidbits are crammed into this romantic mystery, but it left this reader wishing for a more focused story.—Stacey Hayman, Rocky River P.L., OH
Kirkus Reviews
Love draws the Victorian novelist into another breathtaking adventure. The surprising success of Jane Eyre has thrust Charlotte Bronte into the glare of the public spotlight, but this is a mixed blessing. Her sisters Anne and Emily have recently died after living through the commercial failures of their fiction, and Charlotte has left behind the love of her life, British spy John Slade, whom she met during an implausible escapade in Moscow. Renowned author and social lion William Makepeace Thackeray, who's taken Charlotte under his wing, shepherds her meeting with London's literati. Then an opportunity to visit the infamous mental institution Bedlam takes a dark turn. One inmate bears an unsettling resemblance to Anne; another, Charlotte is sure, is her beloved John, though asylum officials identify him as Polish refugee Josef Typinski. When Typinski escapes from Bedlam in the confusion following a murder of which he now stands accused, Charlotte knows what she must do. Chapters from John Slade's prior adventure alternate with dispatches from Charlotte's colorful investigation, which includes meeting the Queen and Prince Albert, a brief stay in prison and an incognito encounter with fans of her new novel, Shirley. The audacity of building a mystery caper around this unlikely heroine is part of the novel's considerable charm. Elegant stylist Rowland's prose remains as pitch-perfect as in Secret Adventures of Charlotte Bronte (2008), in what should be another long-running series from the author of the Sano Ichiro mysteries.

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Product Details

ISBN-13:
9781590205303
Publisher:
The Overlook Press
Publication date:
05/13/2010
Sold by:
Barnes & Noble
Format:
NOOK Book
Pages:
352
Sales rank:
822,108
File size:
1 MB
Age Range:
18 Years

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Table of Contents

Title Page

Copyright Page

Dedication

 

Chapter 1

Chapter 2

Chapter 3

Chapter 4

Chapter 5

Chapter 6

Chapter 7

Chapter 8

Chapter 9

Chapter 10

Chapter 11

Chapter 12

Chapter 13

Chapter 14

Chapter 15

Chapter 16

Chapter 17

Chapter 18

Chapter 19

Chapter 20

Chapter 21

Chapter 22

Chapter 23

Chapter 24

Chapter 25

Chapter 26

Chapter 27

Chapter 28

Chapter 29

Chapter 30

Chapter 31

Chapter 32

Chapter 33

Chapter 34

Chapter 35

Chapter 36

Chapter 37

Chapter 38

Chapter 39

Chapter 40

Chapter 41

Chapter 42

Chapter 43

 

EPILOGUE

AUTHOR’S NOTE

ALSO BY LAURA JOH ROWLAND

Shinjū
Bundori
The Way of the Traitor
The Concubine’s Tattoo
The Samurai’s Wife
Black Lotus
The Pillow Book of Lady Wisteria
The Dragon King’s Palace
The Perfumed Sleeve
The Assassin’s Touch
Red Chrysanthemum
The Snow Empress
The Secret Adventures of Charlotte Brontë
The Fire Kimono

This edition first published in the United States in 2010 by
The Overlook Press, Peter Mayer Publishers, Inc.

New York & London

 

NEW YORK:
141 Wooster Street
New York, NY 10012

 

Copyright © 2010 by Laura Joh Rowland

 

All rights reserved. No part of this publication may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopy, recording, or any information storage and retrieval system now known or to be invented, without permission in writing from the publisher, except by a reviewer who wishes to quote brief passages in connection with a review written for inclusion in a magazine, newspaper, or broadcast.

 

Cataloging-in-Publication Data is available from the Library of Congress

 

Book design and type formatting by Bernard Schleifer

ISBN: 9781590205303

To Juliet Grames, my editor.
Thank you for daring to take a chance.

PROLOGUE

BEFORE I LEFT MY BED IN THE MORNING, LITTLE ADELE CAME running to tell me that the great horse-chestnut at the bottom of the orchard had been struck by lightning in the night, and half of it split away.

Reader, that sentence is from a novel I wrote. It ends the scene in which Mr. Rochester proposes marriage to Jane Eyre, she accepts, and a fierce storm rages over Thornfield Manor. The lightning symbolized the earth-shattering event in Jane’s life; the split chestnut tree, the lovers soon to be torn asunder. When I wrote the sentence, little did I suspect that I had prophesized my own future.

In the summer of 1848, lightning struck me when I was plunged into an adventure the like of which I had never believed possible. I journeyed far beyond my wildest imaginings; I experienced momentous events now cloaked in secrecy. If I now say that my actions influenced the fate of nations, please forgive me the appearance of immodesty: I only speak the truth.

During my adventures, I found the man of my dreams. His name is John Slade; he is a spy for the British Crown. We shared the love that I had hoped for all my life but despaired of ever knowing. But we were too soon torn apart. My heart was rent as severely as the poor chestnut tree. The similarity between my situation and Jane’s did not escape me; nor did the fact that the division between fantasy and life is sometimes akin to a line drawn in sand blown by the wind. While I mourned the loss of adventure as well as love, I had no intimation that what happens once can happen again.

In 1851, adventure came calling once more. The circumstances were different, but the second adventure had an important aspect in common with the first. Both involved John Slade. The first adventure led me to him, then took him away. The second brought him back.

Nearly three years had passed, time during which many changes transformed my life. But I never ceased to remember those events of 1848, nor to yearn for the happiness that had departed when he left. And I never suspected that far away, in the country to which he had gone, events were building into a tide of peril that would sweep me along in its current.

These events I did not witness, but the mind of an author can travel to places where she cannot. Her imagination substitutes for actual experience. Fiction built upon facts creates a semblance of the truth. I will now, to the best of my ability, reconstruct the events in question.

1851 January. The city of Moscow lay beneath a heavy fall of snow. Its rooftops glittered white in the light of the moon and stars that sparkled in a sky as dark as obsidian. Near the city gate loomed Butyrka, the dreaded prison built in the eighteenth century during the reign of Catherine the Great. Snow frosted the crenellated towers, blanketed the tops of the high stone walls, and covered the prison compound. The scene was as bright as day, but devoid of color, painted in stark shades of white and black.

The ironclad portals opened, and three men stumbled out. Blindfolds hid their eyes. Ropes bound their wrists behind their backs. They wore only shirts and trousers; their feet were bare. Prodded by three guards armed with rifles, they limped and staggered. Cuts, bruises, and gashes marked their faces and bodies. They shivered in the bitter cold as the guards, joking among themselves, lined them up against the wall. Their breath crystallized in the air. They trembled so hard they could barely stand as the guards aimed the rifles at them, but they were too weak to protest. Without ceremony, the guards fired.

The men uttered agonized cries; their bodies jerked. Blood spattered the wall and flooded the snow, wet and black and steaming. Gunshots blared until the prisoners fell. Three corpses lay on the ground. Cruel justice was served.

The echoes of the gunshots faded as they reached the heart of town. There, bonfires burned on the banks of the frozen Moscow River. Skaters glided over the ice, in rhythm to gay music from an orchestra. High above the river rose the Kremlin. The turrets, domes, and spires of its palaces and cathedrals soared to the heavens. The Grand Kremlin Palace was a magnificent Byzantine structure of white stone, lavishly gilded. Tiers of arched windows shone, the rooms within lit by crystal chandeliers. From one window, a man gazed down at the skating party. A high, intelligent forehead crowned his eyes, which drooped at the corners. His mustache curled up at the ends, but his mouth did not. His posture was proud, his expression humorless and calculating.

He was Nicholas Pavlovich, Tsar of Russia.

In the chamber where he stood, a lofty, vaulted ceiling arched from carved columns encrusted with gold. An entourage of soldiers, courtiers, and servants awaited his orders. Footsteps rang on the mosaic floor, and a man joined the Tsar. He was a Prussian, whose face had a Germanic cast laid upon pale eyes with heavily hooded lids and a long nose whose end overlapped the upper lip of a cruel, sensual mouth. His close-cropped silver hair gleamed. The Tsar waved his hand, dismissing his attendants. They discreetly faded away.

The only person who remained was a man who had secreted himself behind a column, from where the faintest word spoken in the chamber could be heard.

“What have you to report?” the Tsar asked.

“The agents from England have been put to death,” the Prussian said.

“All of them?”

“. . . Yes, Your Highness.” The Tsar didn’t notice that a heartbeat had passed before the Prussian answered.

Troubles weighed visibly upon Tsar Nicholas. “More will come. The British are determined to extend their control over the world and diminish mine. They have allied with France, Spain, and Portugal for the sole purpose of keeping me in check. But they are not content to stop at mere political maneuvering. They send their agents to spy on my regime, to foment insurrection among my people, to weaken my empire from within.” His eyes burned with the reflections of the bonfires on the river. “It is just a matter of time before our hostilities culminate in war. If only there were a way to guarantee a victory for Russia.”

“There may be.”

The Tsar turned to his companion. “Oh?” His eyes narrowed. His court was full of men who placated him with false assurances. “Have you a new idea?”

“I do. It arose from a message I’ve just received from our agents in London.” The Prussian related the contents of the message and told the Tsar how the information could be used to Russia’s advantage.

The hidden listener overheard everything. He knew he should make his escape before the men discovered him, but he lingered, rapt with horror. The details provided in the message were sketchy, but the Prussian built upon them a scenario of a battlefield that spread east as far as China, west over Europe and across the English Channel, of countries laid to waste and carnage on a scale greater than ever known in history. Yet the listener had more immediate, personal concerns: his own days were numbered.

All of this I learned about much later. By then I was already embroiled in the adventure, and it was too late to turn back. By then I had learned a lesson.

Lightning does strike twice.

Reader, I am proof.

Herein is my story.

CHARLOTTE BRONTË
Haworth, England, 1852 June

1

WHEN I WAS YOUNG, I WISHED FOR ADVENTURE AND ROMANCE, for travel to exciting locales far from Haworth, the tiny village where I have lived most of my life. I wished for success as an author, to be famous and sought after, to leave my mark on the world. Outrageous ambitions these were for the daughter of a Yorkshire parson! Little did I realize that when I achieved my ambitions, the reality would bear scant resemblance to the dream. Nor did I realize that I should have been careful what I wished for because I might get it.

These thoughts were much on my mind on the Thursday evening of 29 May 1851.

Arm in arm with my publisher, George Smith, I strolled into Almack’s Assembly Rooms in London. We entered the salon, where a chattering crowd of society folk occupied rows of damask-covered benches. Light from gas chandeliers gleamed on the women’s silk gowns, upswept hair, white bosoms, and glittering jewelry. The scene dazzled my nearsighted eyes as I peered through my spectacles. Miserably destitute of self-possession, I hesitated.

“Have courage, my dear Charlotte,” George Smith said. Tall and youthful, he had brown eyes and smooth brown hair; he looked elegant in formal evening dress. He was as perceptive as he was handsome, and he knew about my shyness. “Everyone is positively dying to meet you.”

“That’s what I’m afraid of.” This was my fourth trip to London, but my dread of appearing in public had never diminished. Before leaving home I’d been so plagued by nerves that I had suffered one of my bilious attacks. I was still weak, my stomach still queasy.

George Smith laughed and patted my hand. “Fear not. I’ll protect you.”

Four years ago, I’d sent the manuscript of my novel to him. Smith, Elder and Company had published Jane Eyre, and it had become a famous bestseller. When we had first met in 1848, I had become briefly infatuated with George. We had since become friends—indeed, very intimate friends. Flirtation pervaded our letters and our talk. Three years ago I could not have anticipated such a turn of events. Nor would I have believed that if one of us fell in love with the other, it would not be me.

As we walked through the salon, faces turned in my direction. I felt dowdy in my black silk frock. Having a bestselling novel to my name did not quell my lifelong fear of what other people thought of how I looked. When I’d dared to imagine myself famous, I’d always imagined myself transformed into a beauty. Would that all dreams could come true! Yet, even though I remained as small and plain as ever, excited murmurs arose. Before the publication of Jane Eyre, no one had ever heard of Charlotte Brontë. Now, it seemed everybody had. Once I could have walked as if invisible among these folk, but no more: I was an object of curiosity and speculation. That I had never expected.

George’s mother, walking on my other side, said, “Miss Brontë, if you’re uncomfortable, we’ll be glad to send you home.”

Mrs. Smith was a portly, dark-haired woman, still attractive despite her age, and she did not like me any more than I liked her. Despite her solicitous tone, I knew she wished I would go back to the Smith family house, where I was staying, so she could enjoy the evening with her son. That was something else about fame that I hadn’t expected—that I would make enemies.

When George had first introduced her to me three years ago, he had not told her that I was the author of Jane Eyre; for reasons I will not detail here, it had been published under my pseudonym, Currer Bell, and I had wanted my true identity kept confidential. When my identity was finally revealed, Mrs. Smith was furious at the deception. She was also mortified that I—whom she’d treated as a poor, dull nobody—was responsible for earning a fortune for her son’s publishing company. And she feared that I had designs of a matrimonial nature on George.

Mrs. Smith didn’t know that my heart belonged to another man, whom I would most probably never see again this side of Heaven.

“Thank you, but I don’t want to go home,” I said, hiding my antipathy behind politeness. “I would not want to miss hearing Mr. Thackeray.”

The great author William Makepeace Thackeray had lately embarked upon a series of lectures, The English Humorists of the 18th Century, which were all the rage with the fashionable literary set. This was the kind of event I had once dreamed of attending.

“Be careful not to steal his thunder,” George said playfully.

“I could never,” I said, aghast at the idea.

At the front of the room, surrounded by fawning ladies and gentlemen, stood the author of the famous novel, Vanity Fair. He was above six feet tall, with a mane of gray hair, and quite ugly, his expression at once stern and satirical. His sharp gaze homed in on me through the spectacles perched on his nose. He smiled, and I smiled back. I was proud to count him among the friends I’d made since the publication of Jane Eyre. I was glad he had noticed me, but the glint in his eyes should have warned me to expect mischief.

He left his admirers, drawing one of the women with him, a fine old lady with snow-white hair. They approached me, and Mr. Thackeray said loudly to her, “Mother, allow me to introduce you to Jane Eyre.”

The room fell silent. Everyone stared at me. Mr. Thackeray smiled as if he’d done me a favor by identifying me as the heroine of my novel and making me the center of attention. But I was mortified. Blushing furiously, I wished a hole would open in the floor and swallow me. Mr. Thackeray was waiting for my reply, but I was so upset, and so angry at him, that I could think of none.

Mrs. Smith said, “Come, Miss Brontë.” She drew me away to a vacant bench near the wall. I knew she resented any attention paid to me, but I was thankful that she’d separated me from Mr. Thackeray before I did something regrettable. As she and George sat on either side of me, I heard murmurs in the crowd.

“Miss Brontë dedicated the second edition of Jane Eyre to Mr. Thackeray, didn’t she?”

“Do you know that his wife is mad and she had to be put in an insane asylum?”

“They say that his wife was the model for the madwoman in Jane Eyre.”

“Yes, and I heard that Miss Brontë was once a governess in Mr. Thackeray’s house. I wouldn’t be surprised if they’d had inappropriate intimacies. Remember, Becky Sharp and Jane Eyre were both governesses who married their employers.”

What a scandal had my innocent gesture of admiration caused! Alas, no one had told me about Mr. Thackeray’s insane wife until too late. Many readers now thought my novel was auto-biographical and Mr. Thackeray and I were the hero and heroine, even though it was patently untrue: Although I had been a governess, I had never worked for Mr. Thackeray. We had not met until after I became a published authoress. Mr. Thackeray had been kind about my blunder, and if his prank were his only retribution, I should be glad.

More whispers reached my ears: “Miss Brontë and her publisher seem on very intimate terms.” “Yes, even though she is his elder.” George Smith was twenty-nine years of age, a most eligible bachelor, and I thirty-five, a spinster long past my prime. “I wonder if we’ll soon hear wedding bells.”

George smiled and pretended nothing had happened. His mother fumed. By this time I should have gotten accustomed to being the subject of rumors, but I had not.

At long last, the audience was seated. The room quieted as Mr. Thackeray took his place behind the lectern. He spoke with simplicity and ease. Humor and force enlivened everything he said. The audience responded with laughter and approval. I would have enjoyed it completely, had I not felt the glances upon me, as intrusive as the unwanted touch of hands. The evening had just begun, and there was worse to come.

When the lecture ended, the people in the audience arranged themselves in two lines along the aisle. Mr. Thackeray walked down the aisle, shaking hands, accepting compliments, exchanging quips. When he reached the door, the people did not follow him out; they remained.

“They’re waiting for you,” George gently informed me.

Shrinking between him and his mother, I walked the gauntlet. It was an endless tunnel of faces that smiled too close to me, warm, moist hands that pressed mine, and cultured voices making enthusiastic remarks. I smiled, murmured polite replies, and tried not to faint from embarrassment. When we entered another room, in which refreshments were served, I became separated from the Smiths and cornered by a formidable group of my admirers.

“I simply loved Jane Eyre,” exclaimed the Duchess of Sutherland. “When will your next book be published?”

“I’m afraid I can’t say,” I replied unhappily.

It had been nearly four years since the publication of Jane Eyre, and going on two since my second novel, Shirley, had appeared. The second had not been received as well as the first. Hence, I felt considerable pressure to produce a new work that would live up to Jane Eyre.

“At least tell us what the book is about,” came the outcry.

I only wished I knew. I had been unable to settle upon a subject for my next book. Thus far my publisher had been understanding and patient, but I couldn’t expect him—or the public—to wait forever. “I’m sorry,” was all I could think to say.

I escaped, only to be accosted by other folk asking the same questions. Once I would have given my life for such avid interest in my literary works. Now I only wanted to hide. Once I could have comforted myself with the knowledge that when I went home I would describe this evening to those I loved most. But they were gone.

My brother Branwell had died first, in 1848 September, of consumption. Too soon afterward, in December, did my sister Emily die of the same disease. I prayed to God that He would spare my youngest sister, Anne, but in the New Year she became ill with consumption. By 1849 May, she, too, was dead.

In our youth my siblings and I had encouraged one another in our artistic pursuits, and I’d believed that we would share a brilliant future together. My prediction came partially true when Emily and Anne and I all published novels. But Emily’s Wuthering Heights and Anne’s Agnes Grey and The Tenant of Wildfell Hall were not favored by the critics or the public. And never did I suspect that I would be the only one of us to achieve any fame and financial success, or that I would be left to experience it alone. Their deaths still haunt me; my grief is still raw. I am thankful that I still have my father, but the one other person who could have alleviated my sorrow is far away.

That person is, of course, John Slade, the spy with whom I fell in love during my adventures in 1848. He asked me to marry him, but I refused because he was due to leave for an assignment in Russia, and we could not count on seeing each other again. I love him yet, even though I have not heard from him in all these years and do not know whether he still loves me—or even if he is still alive.

The matter of what to call John Slade, in my mind as well as in this narrative, has required some thought. “Mr. Slade” would be most proper, but in view of our relations it seems too formal. “John” seems too familiar because we didn’t know each other long enough to progress to first names. Therefore, I think of him as “Slade,” a compromise. But no matter how I refer to him, he is always in my heart. I miss him daily, keenly.

My longing for my lost loved ones still overcomes me at unpredictable, inconvenient times. Now, in the midst of gay society, I felt tears sting my eyes. Groping toward the door, I bumped smack into a gentleman.

“Miss Brontë,” he said. “May I be of service?”

His voice had a calming quality; it soothed my nerves so unexpectedly that I looked up at him instead of continuing on my way. He was not above average height, with not more than average good looks. His graying hair receded from his high forehead, and his somber air made him seem less superficial than the rest of the crowd. Concern showed in his hazel eyes. He procured a glass of wine from a nearby table and gave it to me.

“Drink this,” he said with a quiet authority hard to resist.

I drank, and my spirits rose somewhat. I felt oddly safer, as if the crowds around us would not trouble me while I was in his presence. “Thank you, Mr. . . .? ”

“Dr. John Forbes,” he said. “We’ve never met, but we’ve corresponded. Perhaps you remember?”

“Yes, of course. I wrote to you concerning my sister’s illness.” Dr. Forbes was one of Britain’s foremost experts on consumptive disease. He was also a personal friend of George Smith, who had suggested I consult him about Anne during her illness. “Please allow me to thank you in person for replying so quickly.”

“You’re quite welcome.” Dr. Forbes’s somber air deepened. “I was sorry to hear that your sister did not recover. Please accept my condolences.”

I did, with heartfelt gratitude. Usually, when someone mentions my sisters, I break down, but his presence was so steadying that this time I remained composed.

“How are you?” he said. “I hope that your writing has been a comfort to you?”

I told him that I had not been able to write. “If only I could manage to find a subject that was fascinating enough.” Then I inquired about his work.

“I have been treating consumptive patients at Bedlam,” Dr. Forbes said.

Bedlam. Hearing the popular name for the Bethlem Royal Hospital caused me a shiver of morbid curiosity: London’s insane asylum was notorious. But I had more than a prurient interest in madness. I had firsthand experience with it, and I eagerly questioned Dr. Forbes about the patients he treated.

“They suffer from delusions, paranoia, mania, and dementia, among other things,” he said, and described a few cases.

I recognized symptoms exhibited by my brother Branwell, and by a murderous villain I’d encountered during my adventures of 1848. “What causes these conditions?”

“Most experts say they’re a result of physical defects or spiritual disturbances,” Dr. Forbes said. “But there is a new school of thought which suggests that madness originates from experiences in early life.”

I expressed such fascination that he said, “Would you like to visit Bedlam? I’d be glad to escort you. Perhaps it would furnish a subject for your new book.”

“Yes, I would like that very much,” I said, so eager that I forgot to be shy.

George Smith and his mother came hurrying up to us. “Ah, Charlotte,” he said. “I see you’ve met my friend Forbes.” He and the doctor greeted one another.

“We were just leaving,” Mrs. Smith said, tired of having so much fuss made over me in public. She turned to me and said, “It’s time to go home.”

“I’ve just invited Miss Brontë to visit Bedlam with me,” said Dr. Forbes, “and she has accepted.”

“Visit Bedlam?” As George looked from Dr. Forbes to me, concern flickered over his smooth features. “But you might see disturbing things.”

“Miss Brontë has a taste for disturbing things,” Mrs. Smith said. “Her novels are full of them.” She smiled kindly at me.

I seethed, but I could not retort: she was my hostess, and I owed her courtesy even if she didn’t deserve it. “I daresay I can cope.”

“I won’t show Miss Brontë the parts of the asylum that an outsider shouldn’t see,” Dr. Forbes promised.

“I still think it’s unwise,” George said with a frown.

“I agree,” his mother said. “Miss Brontë, it might be construed as unseemly for a lady to visit such a place.” Her tone hinted that I was no lady. Her smile remained bright and kind.

“Ladies visit Bedlam every day,” Dr. Forbes said. “The public is always welcome.”

Mrs. Smith pretended not to hear. “If you don’t care about yourself, at least have a thought for my poor son. What if it were to distress you so much that you became unable to write your next book?”

She wanted me to think that my next book, and not me, was all George cared about. George exclaimed, “Never mind the book, Charlotte.” His mother winced. She disliked that he and I were on first-name terms. “My fear is that you’ll be attacked by a lunatic.”

“That might please some people,” I couldn’t resist saying. Before his mother could think of a rejoinder, Dr. Forbes assured George, “Patients who are dangerous are kept away from the public. And I promise to protect Miss Brontë. But of course,” he said to me, “if you would like to change your mind . . .? ”

Once I would have bowed to the will of the people to whom I felt obligated. But I am stubborn by nature, and another unexpected thing that my fame had brought me was the backbone to resist coercion.

“I am determined to visit Bedlam,” I said. “Shall I meet you there at ten o’clock tomorrow morning?”

“That would be fine,” Dr. Forbes said.

George Smith looked resigned, his mother distinctly put out. None of us knew at the time that my innocent trip to the insane asylum would ultimately bring peril to us all.

2

LIFE ABOUNDS WITH CHANCE ENCOUNTERS. MOST LEAVE NO residue, but some have consequences that are serious and far-reaching. Such was my encounter with a woman named Isabel White, whom I met during the summer of 1848. Such was my meeting with Dr. John Forbes. Chance encounters such as these send us down one path instead of another, and we cannot know until much later that they have changed the course of our lives.

However, I had no intimation of this on the morning I was engaged to visit Bedlam. As I sat in the parlor of the Smiths’ house at Number 76 Gloucester Terrace in Hyde Park Gardens and waited for the carriage, I thought only of the interesting material for my long-overdue book.

I heard wheels rattle and horses’ hooves clop outside. I hurried to the door and opened it. In the sun-drenched street between the rows of elegant houses was a carriage, but not the one hired for me. Down its steps clambered Mr. Thackeray.

“Good morning, Miss Brontë,” he said, all sardonic smiles. “I’ve come to pay you a social call.”

Although furious at him for what he’d done to me last night, I had no choice but to usher him to the parlor.

“How is Jane Eyre today?” His eyes twinkled mischievously behind his spectacles.

My eyes saw red. “How dare you! After introducing me as ‘Jane Eyre’ and making a public fool of me yesterday, you mock me again!”

Mr. Thackeray took an involuntary step backward. Astonishment raised his bushy eyebrows. “Why, Miss Brontë, were you offended by what I said?”

“I was and am offended.”

“I meant you no harm,” Mr. Thackeray said, stung by my criticism. His manner turned patronizing. “You are too sensitive. If you intend to survive in the cutthroat world of literary society, you must grow a thicker skin.”

“People who think other people are too sensitive are usually as insensitive as a rhinoceros themselves,” I retorted.

Mr. Thackeray glared indignantly; then he remembered his manners. “All right. If your feelings were hurt, I apologize.”

“What kind of apology is that? I could just as well call you a cad and then say I’m sorry you are one!”

“You’ve already called me a rhinoceros,” Mr. Thackeray said, nettled yet amused.

“Only because you deserved it.”

Baffled now, Mr. Thackeray said, “I don’t understand what all this fuss is about. What I said was just idle, harmless teasing.”

“No, sir!” I exclaimed with a passion. “It was in poor taste at best, and cruel at worst!”

We faced off, I all in rage and Mr. Thackeray all haughty resentment. My fists were clenched, and I know not what I would have done if George Smith hadn’t heard us arguing and rushed in from his breakfast.

“Charlotte, you have every right to be upset,” he said, “but I’m sure that Mr. Thackeray truly didn’t mean to cause you pain. Do give him a chance to apologize properly.”

These reasonable words served to dash cold water onto the heat of battle. “I am sorry for offending you,” Mr. Thackeray said with genuine contrition. “Will you please forgive me?”

“Yes, of course.” I didn’t quite trust him, but felt better now that we’d had it out.

“I’d like to make it up to you,” Mr. Thackeray said. “Please allow me to take you and a party of friends to the theater. You may choose the play.”

The idea of another social occasion made my nerves quail, but I accepted rather than have him think me still angry. We made a date for the next evening. Then my carriage arrived, and I set out for Bedlam.

As the carriage bore me away from the decorous streets of Hyde Park Gardens, I began to have misgivings. St. George’s Fields, in which Bedlam was located, contained some of London’s worst slums. Deteriorating tenements lined dirty, narrow streets filled with the poorest, most downtrodden of humanity. The stench of garbage and cesspits was sickening. But of course the city authorities would not have situated an insane asylum in a finer district.

Bedlam was an imposing edifice, three stories high, crowned by a huge dome, with a classical portico and columns at the entrance, surrounded by a stone wall. Stately as a temple, it dominated the wide boulevard. Dr. Forbes was waiting for me at the gate. We exchanged pleasantries and he led me inside. A lawn bordered with flowering shrubs and shaded by tall trees seemed out of place amid the squalid slum. So did the folks who accompanied us up the wide staircase in an excited, chattering horde. Many were fashionable ladies and gentlemen, such as one might see in Pall Mall.

“Who are all these people?” I asked.

“Visitors,” replied Dr. Forbes. “Some are here to see family members who are patients. Most have come to tour the asylum.”

To view the inmates as if they were wild animals in the zoo, I thought. I felt ashamed of my own curiosity, until Dr. Forbes pointed out a booth at the entrance, where an attendant was taking admission fees, and said, “The money paid by the visitors helps to defray the cost of caring for the patients.”

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