Bedtime, Everybody!

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1996 Hardcover Good Connecting readers with great books since 1972. Used books may not include companion materials, some shelf wear, may contain highlighting/notes, and may not ... include cd-rom or access codes. Customer service is our top priority! Read more Show Less

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Editorial Reviews

School Library Journal
PreS-Gr 1In this bland fantasy, Daisy tries to get her stuffed animals to sleep, but they keep making demandsfor a picnic, toothbrushing, drinks, and a story. Finally, as Mouse tells a short bedtime story, Daisy falls asleep, and the animals become quiet. The text is comprised of short, declarative, easy-to-read sentences, and the constant use of "said Bear" and "said Pig," etc., makes for rather dull reading. The pen-and-ink and oil-paint illustrations employ a bright palette of blues, tans, pinks, and golds. Composition is varied, and the single- and double-page spreads effectively convey the action. The stylized, cartoonlike characters are well realized, particularly Daisy, whose expressions range from fatigued to exasperated to peaceful. While this is a serviceable bedtime tale for group or individual sharing, it cannot compare to Maria Polushkin's Mother, Mother, I Want Another (Crown, 1988), Eve Rice's Goodnight, Goodnight (Greenwillow, 1980), or Martin Waddell's Can't You Sleep, Little Bear? (Candlewick, 1992).Cynthia K. Richey, Mt. Lebanon Public Library, Pittsburgh, PA
Susan Dove Lempke
Daisy tries to settle her stuffed animals for the night, but sleep is the last thing on their minds. Bunny wants to finish planting carrots under the covers, Bear is starving, and the boisterous crew snack on a "bedtime picnic" of spaghetti, birthday cake, pickles, and other delicacies. Eventually, Daisy announces bedtime, but it's only after she falls asleep herself that her animal friends quiet down. Gerstein playfully contrasts text and art: the animals' activities are lively and imaginative, but their stuffed bodies are stiff and their faces inexpressive. This may make a better library pajama story time book than a goodnight book for children at home: kids in bed will want to try the activities with their own stuffed critters.
Kirkus Reviews
An amiable bedtime tale about a young girl who tries to get her stuffed toys to settle down at bedtime, even though none of them are sleepy.

Bunny, Mouse, Duck, Bear, and Pig all have demands—to finish planting seeds, have a picnic in bed, brush their teeth, and get drinks. After the tussle, they discover that poor Mouse has fallen under the bed and must be rescued by brave Daisy. Safe in bed, Mouse tells a story, Daisy falls asleep, and all the toys whisper goodnight. Gerstein (The Giant, 1995, etc.) works in a bold style, featuring close-ups of the animals and Daisy done in oil and pen- and-ink. The story will appeal to parents faced with active children at bedtime; listeners will recognize the ploys of the toys and be soothed.

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Product Details

  • ISBN-13: 9780786801664
  • Publisher: Hyperion Books for Children
  • Publication date: 4/28/1996
  • Edition description: 1st ed
  • Edition number: 1
  • Age range: 4 - 7 Years
  • Product dimensions: 7.32 (w) x 8.30 (h) x 0.33 (d)

Meet the Author

Mordicai Gerstein
Mordicai Gerstein
Mordicai Gerstein was already a talented children’s book illustrator when he decided to start writing children’s books of his own. Since then, he has released dozens of titles and has won nearly as many awards for his stories of childhood innocence, spiritual exploration, and imagination gone wild. His biographical story of tightrope walker Philippe Petit won the 2004 Caldecott Medal, making The Man Who Walked Between the Towers the most distinguished American picture book for children in 2004.

Biography

Mordicai Gerstein has always been an artist. As a child, he enjoyed painting and eventually graduated from art school in Los Angeles. He continued painting in New York City and supported himself and his family for 25 years by designing and directing animated television commercials. He says, "I had always loved cartoons, especially Bugs Bunny, and I found I enjoyed making animated films. Even a 30-second commercial involved drawing and painting, storytelling, not to mention actors, music, and sound effects."

During the 1960s, Gerstein made several films that received critical acclaim. In 1966, The Room won the Award of the Film Clubs of France at the International Festival for Experimental Film, and in 1968, The Magic Ring won a CINE Golden Eagle.

His career took a dramatic turn when he met children's author Elizabeth Levy in 1970. He has illustrated her Something Queer Is Going On chapter books ever since, and it was Levy and her editor who encouraged Gerstein to write a book on his own. His debut came in 1983 with Arnold of the Ducks, the story of a young boy who gets lost in the wild and is raised by ducks. The New York Times hailed Gerstein's freshman effort as one of the year's best children's books, and he went on to write two more volumes exploring the theme of feral childhood. In 1998 he released The Wild Boy, a picture book based on the true story of a young 18th-century French boy who was found living in the woods and was put on display as an oddity, only to escape and be captured again years later. That same year, Gerstein released Victor, a young adult novel about the same boy.

Gerstein tells the story is of a Tibetan woodcutter who is given a choice between reincarnation or heaven in The Mountains of Tibet, which received the distinction of being one of 1987's ten best illustrated books of the year, according to The New York Times. Although the book is written for kids around age seven, Gerstein approaches the subject of death with a bold, sensitive plot and elegant illustrations. Spirituality is a major theme in many of Gerstein's books. He has interpreted tales from the Bible in Jonah and the Two Great Fish (1997), Noah and the Great Flood (1999), and Queen Esther the Morning Star (2001). Other titles such as The Seal Mother (1986), The Story of May (1993), and The Shadow of a Flying Bird (1994) also express Gerstein's reverential awe for the world.

Young readers can also stretch their imaginations with Gerstein's more playful books. Vocabulary is fun in The Absolutely Awful Alphabet (1999), where the letter P is actually a particularly putrid predator! Bedtime Everybody! (1996) has a young girl's stuffed animals planning a bedtime picnic. Behind the Couch (1996) takes readers on an exciting caper into an unknown world of grazing dust balls, Lost Coin Hill and the Valley of the Stuffed Animals. In Stop Those Pants (1998), a boy is forced to play hide-and-seek with his clothes as he gets ready for the day. Gerstein pays tribute to American composer Charles Ives in What Charlie Heard (2002), the story of a boy's unique talent for interpreting all the sounds of daily life.

Another biographical picture book, The Man Who Walked Between the Towers (2003) tells the story of Philippe Petit, the daredevil who walked across a tightrope suspended between New York City's World Trade Center towers in 1974. The book won the Caldecott Medal in 2004, and parents have praised the book as an invaluable tool for talking to their children about the events of 9/11.

Many of Gerstein's children's books are destined to be classics. His style of writing and illustration brings each of his stories to life, shows a passion for adventure, and relishes the joy that comes from understanding the mysteries of the world.

Good To Know

Despite a successful career illustrating children's books, the first book Gerstein wrote, Arnold of the Ducks, was turned down by seven publishers. Eventually, The New York Times called it one of the best children's books of the year.

Gerstein was inspired to write The Mountains of Tibet after reading The Tibetan Book of the Dead.

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    1. Hometown:
      Northhampton, Massachusetts
    1. Date of Birth:
      November 25, 1935
    2. Place of Birth:
      Los Angeles, California
    1. Education:
      Chouinard Institute of Art
    2. Website:

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