Beethoven

( 3 )

Overview

The connections between a great artist's life and work are subtle, complex, and often highly revealing. In the case of Beethoven, however, the standard approach has been to treat his life and his art separately. Now, Barry Cooper's new volume incorporates the latest international research on many aspects of the composer's life and work and presents these in a truly integrated narrative.

Cooper employs a strictly chronological approach that enables each work to be seen against ...

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Overview

The connections between a great artist's life and work are subtle, complex, and often highly revealing. In the case of Beethoven, however, the standard approach has been to treat his life and his art separately. Now, Barry Cooper's new volume incorporates the latest international research on many aspects of the composer's life and work and presents these in a truly integrated narrative.

Cooper employs a strictly chronological approach that enables each work to be seen against the musical and biographical background from which it emerged. The result is a much closer confluence of life and work than is usually achieved, for two reasons. First, composition was Beethoven's central preoccupation for most of his life: "I live entirely in my music," he once wrote. Second, recent study of his many musical sketches has enabled a much clearer picture of his everyday compositional activity than was previously possible, leading to rich new insights into the interaction between his life and music. This volume concentrates on Beethoven's artistic achievements both by examining the origins of his works and by expert commentary on some of their most striking and original features. It also reexamines virtually all the evidence—from fictitious anecdotes right down to the translations of individual German words—to avoid recycling old errors. And it offers numerous new details derived from sketch studies and a new edition of Beethoven's correspondence.

Offering a wealth of fresh conclusions and intertwining life and work in illuminating ways, Beethoven will establish itself as the reference on one of the world's greatest composers.

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Editorial Reviews

Library Journal
Over the past 30 years, much scholarly research has been conducted on Beethoven's correspondence and his music sketchbooks. Cooper (music, Univ. of Manchester, UK; Beethoven and the Creative Process) unites these two sources as a way of refining scholars' understanding of the man, his works, and his creative processes. He is admittedly quite cautious in his treatment of some of the well-known stories and "facts" based on questionable and unreliable sources. No startling new revelations are to be found here, but Cooper does present a new focus for serious students. As a picture of Beethoven and his creative genius, this work does not, however, replace Maynard Solomon's more insightful and adventurous Beethoven (LJ 8/00). Recommended for public and academic libraries.--Timothy J. McGee, Univ. of Toronto Copyright 2000 Cahners Business Information.
From the Publisher

"Cooper has produced a comprehensive and valuable reference source.... In addition to the sizeable bibliography, a detailed list of Beethoven's compositions, a few illustrations and numerous musical examples, there is a 'calendar'...giving a year-by-year summary of Beethoven's activity against a backdrop of other events in the world of music, and there is also a very useful 'personalia' listing more than a hundred individuals of significance in Beethoven's life, with concise but pertinent background."--Richard Freed, The Washington Post

"Barry Cooper has crafted a thoroughly refreshing and reliable new biography for the 21st century. He seamlessly recounts the story of Beethoven's life and music with clarity and vigour, avoiding both hero worship and hostile attempts to tumble the composer from some imaginary throne. Cautious where caution is warranted yet perfectly willing to hypothesize, Cooper sets just the right tone in reporting and reflecting on modern Beethoven scholarship." --William R. Meredith, Director, The Ira F. Brilliant Center for Beethoven Studies (www.sjsu.edu/depts/Beethoven)

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Product Details

  • ISBN-13: 9780195313314
  • Publisher: Oxford University Press
  • Publication date: 10/9/2008
  • Series: Master Musicians Series
  • Pages: 464
  • Sales rank: 688,687
  • Product dimensions: 6.00 (w) x 9.10 (h) x 1.10 (d)

Meet the Author

Barry Cooper is Senior Lecturer in Music at the University of Manchester and author of Beethoven and the Creative Process and Beethoven's Folksong Settings.

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Table of Contents

Preface
1. Young Genius (1770-83)
2. Adolescence (1784-9)
3. Farewell to Bonn (1790-2)
4. The Conquest of Vienna (1792-5)
5. Wider Horizons (1796-8)
6. First Quartets and First Symphony (1799-1800)
7. Hope and Despair (1801-2)
8. After Heiligenstadt (1802-3)
9. L'amour conjugal (1804-6)
10. A Cluster of Masterpieces (1806-8)
11. Financial Security? (1809-10)
12. Immortal Beloved (1811-12)
13. The Political Phase (1813-15)
14. Declining Productivity (1815-17)
15. Gigantism (1818-20)
16. Completion of the Mass (1820-22)
17. Completion of the Ninth (1822-24)
18. End of an Era (1824-27)
Appendices:
A. Calendar
B. List of Works
C. Personalia
D. Select Bibliography
Index

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Customer Reviews

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Sort by: Showing all of 3 Customer Reviews
  • Posted July 31, 2011

    Informed, Insightful, and Boring.

    While Barry Cooper clearly knows Beethoven well (and I commend him for it) this was one of the dryest books I have ever read. Though it contains many interesting quotations from Beethoven himself and some insightful thoughts from Cooper as well, it was simply impossible to get through. I would not recommend this book unless you were a practiced musician who understands complex musical terms or a musical historian willing to suffer through it. I would DEFINETLY not suggest this to children (teenagers as well) who were trying to do a school project on their favorite composer (perhaps it is wishful thinking to assume that many children have a favorite composer let alone know what a composer is). Nevertheless, if you are willing to put up with its dry spells (which consume most of the book) you will gain an informed and intuitive new perspective on one of history's most talented musicians.
    ~If you are are someone who actually read the book cover to cover I congratulate you and envy your patience.

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    Posted February 6, 2010

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    Posted March 13, 2009

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