Beethoven: Piano Concertos Nos. 4 & 5

Editorial Reviews

All Music Guide - James Leonard
As Austrian pianist Till Fellner has aged, his performance style has naturally matured. This CD of Beethoven's "Fourth" and "Fifth" piano concertos shows Fellner is still impetuous but more commanding, still virtuosic but less demonstrative, and still playful but less prankish and more thoughtful. His touch is generally light, as in the "Fourth"'s airy closing Vivace, and often legato, as in the "Fifth"'s lyrical central Adagio, but he displays plenty of power in the "Fourth"'s dramatic Andante and the "Fifth"'s mighty opening flourish. Fellner's control of the works' large forms is complete; he always knows where he's going and how he's going to get there, so the ...
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Editorial Reviews

All Music Guide - James Leonard
As Austrian pianist Till Fellner has aged, his performance style has naturally matured. This CD of Beethoven's "Fourth" and "Fifth" piano concertos shows Fellner is still impetuous but more commanding, still virtuosic but less demonstrative, and still playful but less prankish and more thoughtful. His touch is generally light, as in the "Fourth"'s airy closing Vivace, and often legato, as in the "Fifth"'s lyrical central Adagio, but he displays plenty of power in the "Fourth"'s dramatic Andante and the "Fifth"'s mighty opening flourish. Fellner's control of the works' large forms is complete; he always knows where he's going and how he's going to get there, so the listener does, as well. Yet Fellner keeps it exciting; the transition from the "Fifth"'s central Adagio to its closing Rondo is wonderfully stirring. Almost as interesting as Fellner's performance is Kent Nagano and Montréal Symphony Orchestra's performance of the so-called accompaniment, "so-called" because the accompaniment here is often as assertive as the soloist. This is entirely appropriate for Beethoven's music; in the "Fourth"'s central Andante, the orchestra is an equal, and at times, dominant partner, and throughout the "Fifth" it competes with the soloist for dominance. Yet so characterful is the Montréal musicians' playing and so individualistic is Nagano's conducting that the competition is a friendly one, a contest of two heroes that can only be won when they strive together. Captured in smooth and creamy digital sound by ECM, this disc is well worth hearing by anyone who likes the works and wants to hear brilliant new recordings of them.
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Product Details

  • Release Date: 2/23/2010
  • Label: Ecm Records
  • UPC: 028947633150
  • Catalog Number: 001397502
  • Sales rank: 95,400

Tracks

Disc 1
  1. 1–3 Piano Concerto No. 4 in G major, Op. 58 - Ludwig van Beethoven & Till Fellner (34:07)
    Composed byLudwig van Beethoven
    Conducted byKent Nagano
    Performed byMontreal Symphony Orchestra, Kent Nagano
    1. 1Allegro moderato
    2. 2Andante con moto
    3. 3Rondo. Vivace
  2. 4–6 Piano Concerto No. 5 in E flat major ("Emperor"), Op. 73 - Ludwig van Beethoven & Till Fellner (38:30)
    Composed byLudwig van Beethoven
    Conducted byKent Nagano
    Performed byMontreal Symphony Orchestra, Kent Nagano
    1. 4Allegro
    2. 5Adagio un poco moto
    3. 6Rondo. Allegro, ma non troppo
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Album Credits

Performance Credits
Till Fellner Primary Artist
Kent Nagano Primary Artist
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