Beethoven, Verdi, Wagner, & Weber: Operatic Arias

Beethoven, Verdi, Wagner, & Weber: Operatic Arias

3.0 1
by Gré Brouwenstijn
     
 

Product Details

Release Date:
05/31/2011
Label:
Newton Classics
UPC:
8718247710614
catalogNumber:
8802061
Rank:
265551

Related Subjects

Tracks

  1. La forza del destino, opera: Pace, pace, mio Dio!  - Giuseppe Verdi  - Gré Brouwenstijn  - Rudolf Moralt  -  Francesco Maria Piave  - Jan Martin Wilschut  -  Vienna Cathedral Orchestra
  2. La forza del destino, opera: Son giunta! Grazie, o Dio!  - Giuseppe Verdi  - Gré Brouwenstijn  - Rudolf Moralt  -  Francesco Maria Piave  - Jan Martin Wilschut  -  Vienna Cathedral Orchestra
  3. Il Trovatore, opera: Timor di me... D'amor sull'ali rosee  - Giuseppe Verdi  -  Vienna Symphony Orchestra  - Gré Brouwenstijn  - Salvatore Cammarano  - Rudolf Moralt  - Jan Martin Wilschut
  4. Don Carlo, opera: Tu che le vanità  - Giuseppe Verdi  -  Vienna Symphony Orchestra  - Gré Brouwenstijn  - Joseph Méry  - Rudolf Moralt  - Jan Martin Wilschut  - Camille du Locle
  5. Der fliegende Holländer (The Flying Dutchman), opera, WWV 63: Johohoe! Traft ihr das Schiff im Meere an  - Richard Wagner  -  Vienna Symphony Orchestra  - Gré Brouwenstijn  - Rudolf Moralt  - Jan Martin Wilschut
  6. Lohengrin, opera, WWV 75: Einsam in trüben Tagen  - Richard Wagner  -  Vienna Symphony Orchestra  - Gré Brouwenstijn  - Rudolf Moralt  - Jan Martin Wilschut
  7. Tannhäuser, opera, WWV 70: Allmächt'ge Jungfrau, hör mein Flehen!  - Richard Wagner  -  Vienna Symphony Orchestra  - Gré Brouwenstijn  - Rudolf Moralt  - Jan Martin Wilschut
  8. Tannhäuser, opera, WWV 70: Dich, teure Halle, grüß' ich wieder  - Richard Wagner  -  Vienna Symphony Orchestra  - Gré Brouwenstijn  - Rudolf Moralt  - Jan Martin Wilschut
  9. Der Freischütz, opera, J. 277 (Op. 77): Wie nahte mir der Schlummer... Leise, leise, fromm  - Carl Maria von Weber  - Gré Brouwenstijn  -  Hague Philharmonic Orchestra  - Jan Martin Wilschut  - Willem Van Otterloo  - Friedrich Kind
  10. Ah! perfido! . . . Per pieta, non dirmi addio, scena and aria for soprano & orchestra, Op. 65  - Ludwig van Beethoven  - Gré Brouwenstijn  -  Hague Philharmonic Orchestra  - Pietro Metastasio  - Jan Martin Wilschut  - Willem Van Otterloo

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Beethoven, Verdi, Wagner, & Weber: Operatic Arias 3 out of 5 based on 0 ratings. 1 reviews.
howsweetthesound More than 1 year ago
This collection of arias performed by Gré Brouwenstijn astounds the intellect with the gorgeous rich color of her voice. But questions quickly surface: Why are the recordings from a half-century ago being released now in 2011? Why do audiences not know and revere this soprano from the 1940s and 50s? The exquisite melodic voice of this angelic soprano washes over the receptive mind to marvel at the quality of sound from Gré Brouwenstijn. She never reaches up to a note or to a run---her voice is already there, and strokes each note sans effort. The quality of tone is superb. The orchestral accompaniments are not even noticed. While these arias are recognizable, and indeed are favorites to some fans, no doubt the "favorites" of audiences have changed somewhat since the 1950s. Even the style of dress and pose of the artist on the cover seem "old-fashioned", although surely they were the most sophisticated of the time. The accompanying booklet provides the biography of Gré Brouwenstijn, but falls short of sufficient marketing for this breath-taking vocal talent. To inform and attract more of an audience, the cd tracks could well be listed within the booklet (in addition to the cover), with more of an explanation of the arias---some brief translations, scene descriptions, and interpretations would enrich the grateful listener. Such text may be unnecessary for the sophisticated opera scholar, but more information about the music would enhance the experience for the rest of us. The reason for this production must be to preserve the gorgeous sound of this diva's recordings for posterity. The cd presents most excellent sound, but perhaps the original recording was of less quality than easily available now. The depth, accuracy, lyrical beauty of this soprano must be preserved for the enjoyment of audiences now and in the future.