Begin to Hope

( 28 )

Editorial Reviews

Barnes & Noble - David Sprague
Most folks who are familiar with this New York-based singer and multi-instrumentalist probably got their introduction through her association with the Strokes, a band with which she shares little sonic common ground but plenty of single-minded musical passion. Rather than while away the hours in the garage, Spektor seems like the kind of girl who spends her days looking for a smoky cabaret where the ghosts of Edith Piaf and Billie Holiday hover over the bar -- and on Begin to Hope, she does a pretty swell job of stocking a jukebox ideally suited for such a boîte. Sometimes, as on the jazzy piano ballad "Field Below," she plays things soft and plangent by caressing the ...
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Editorial Reviews

Barnes & Noble - David Sprague
Most folks who are familiar with this New York-based singer and multi-instrumentalist probably got their introduction through her association with the Strokes, a band with which she shares little sonic common ground but plenty of single-minded musical passion. Rather than while away the hours in the garage, Spektor seems like the kind of girl who spends her days looking for a smoky cabaret where the ghosts of Edith Piaf and Billie Holiday hover over the bar -- and on Begin to Hope, she does a pretty swell job of stocking a jukebox ideally suited for such a boîte. Sometimes, as on the jazzy piano ballad "Field Below," she plays things soft and plangent by caressing the listener with the duskier side of her vocal range. That aspect of her voice -- a torch song mastery -- is showcased just as well on "Season," which augments her spare ivory tinkling with a swelling orchestral arrangement. Like any good old-fashioned bohemian, the Russian-born singer doesn't shy away from poking around in the sonic and psychic gutter when the mood strikes, and it strikes sharply on tracks like "Better," a knotted blues sure to hit home with Nick Cave aficionados. Every once in a while, Spektor gives in to her flightier side and tries too hard to tweak a simple pop song into an artistic statement. But more often -- as on "Hotel Song," where she flits between scat singing and girl group billing and cooing -- she gets that difficult balance just right.
All Music Guide - Heather Phares
On Begin to Hope, Regina Spektor treads a delicate balance between her anti-folk past and her present home on Sire Records. Though the label re-released Soviet Kitsch in 2004, Begin to Hope is Spektor's first original material for Sire, and it feels more like a major-label debut than Soviet Kitsch ever did. The album's big, glossy production and preponderance of drum machines and keyboards inches Spektor toward territory that isn't exactly mainstream, but is closer to a more conventional adult alternative singer/songwriter sound. Her songwriting mirrors this, too: "Field Below," which finds her wishing for the countryside while living in the city, has a mellow, appealingly rambling vibe that grows from the traditional singer/songwriter roots of Joni and Carole; "Better" takes the breathy, literate, pretty side of Spektor's music and tailors it into a radio-friendly single. "On the Radio" takes it a step further and becomes a smart, funny, and sad meta-single, with lyrics like "We listened to it twice/Because the DJ was asleep" backed by poppy synths and beats. But even though Begin to Hope's first few songs might suggest otherwise, Spektor is much too freewheeling and quirky a talent to stick to the straight and narrow for the entirety. Show tunes, classic soul, the Bible, and the backs of cereal boxes are all inspirations for the album. And whether she quotes the melody from Doris Payne's "Just One Look" and pairs it with lyrics about orca whales on "Hotel Song," or begins the lovely, confessional closing track, "Summer in the City," with the line "summer in the city means cleavage," Spektor uses them in unexpected ways. She also places some truly surreal, heady tracks toward Begin to Hope's end: "Lady" is a torchy number arranged for piano, saxophone, and typewriter, while "20 Years of Snow" is buoyed along by impressionistic keyboards that twinkle and tumble like a just-shaken snow globe. "Apres Moi," one of the album's most impressive tracks, showcases her classical piano training, her Russian heritage, and those biblical influences to ominous, paranoid effect. Leaving the more unique, quintessentially Regina Spektor-esque tracks at the end of Begin to Hope isn't so much a bait-and-switch as is a clever way to lure in and loosen the inhibitions of new fans. The album feels like getting to really know someone: at first, it's polite and a little restrained, but then its real personality, with all of its charming idiosyncrasies, finally reveals itself.
Rolling Stone - Jenny Eliscu
1/2 Spektor shows off her gorgeous, fluttery voice, her burgeoning writer chops and her God-given quirks on her second disc.
Boston Globe - Saul Austerlitz
[Spektor] is very much her own delightfully quirky performer. The songs on "Begin to Hope," her second major-label album, after 2004's "Soviet Kitsch," are tough and sharp, emphasizing her surprising delivery.
The Guardian - Caroline Sullivan
There's hardly a moment here that fails to enchant.
Los Angeles Daily News - Rob Lowman
Spektor may take getting used to, but once you do, you'll find she's worth it.
Hartford Courant - Kenneth Partridge
Spektor mostly foregoes earnestness and sentimentality. Instead, she takes a blunt, pragmatic, often humorous look at life and love, singing with a voice that recalls both Joni Mitchell and Norah Jones, only with a slight Russian accent.

1/2 Spektor shows off her gorgeous, fluttery voice, her burgeoning writer chops and her God-given quirks on her second disc.
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Product Details

  • Release Date: 6/13/2006
  • Label: Sire / London/Rhino
  • UPC: 093624411222
  • Catalog Number: 44112
  • Sales rank: 3,263

Tracks

Disc 1
  1. 1 Fidelity (3:47)
  2. 2 Better (3:22)
  3. 3 Samson (3:11)
  4. 4 On the Radio (3:22)
  5. 5 Field Below (5:18)
  6. 6 Hotel Song (3:29)
  7. 7 Après Moi (5:08)
  8. 8 20 Years of Snow (3:31)
  9. 9 That Time (2:39)
  10. 10 Edit (4:53)
  11. 11 Lady (4:45)
  12. 12 Summer in the City (3:50)
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Album Credits

Performance Credits
Regina Spektor Primary Artist
Rusty Anderson Guitar
David Kahne Bass
Shawn Pelton Drums
Nick Valensi Guitar
Technical Credits
Craig Bishop Engineer
David Kahne Producer, Engineer, Audio Production
Bob Ludwig Mastering
Ron Shapiro Management
Regina Spektor Composer, Producer, Audio Production
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Customer Reviews

Average Rating 4.5
( 28 )
Rating Distribution

5 Star

(22)

4 Star

(3)

3 Star

(3)

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See All Sort by: Showing 1 – 20 of 28 Customer Reviews
  • Anonymous

    Posted October 1, 2010

    true beauty

    regina spektor has a wonderful voice. her music holds beauty & grace & it still sounds real, like it's coming from her heart. she plays with her voice, crackling & warbling, & you can tell shes having fun & just expressing herself in the way she knows best. it's a great cd, every song is good & unique. you haven't heard anything like it. give it a listen you'll see what i mean :)

    1 out of 1 people found this review helpful.

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  • Anonymous

    Posted October 1, 2010

    Begin to Hope is a MUST HAVE!!!

    After hearing the song Fidelity on XM, I knew I had to have this CD! I got the CD and was blown away ... every song delivers. Spektor's lyrics are quirky, but witty and her voice is uncoventional, but absolutely amazing! That's what makes this CD a must have ... buy it, and you won't be disappointed!

    1 out of 1 people found this review helpful.

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  • Anonymous

    Posted October 1, 2010

    Unique Voice and Sound

    Very untraditional timing and sometimes off-beat in a simply delightful way. Characteristic voice that can carry wonderfully with ability to stop/start crisply. Just two steps to the left of the usual "alternative" sound. Not too reckless but, rather, clearly defined and unassuming. Sweet and melancholy at times and other times beautifully powerful.

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  • Anonymous

    Posted October 1, 2010

    The Best CD I've Heard This Year

    This CD is amazing... She has a bit of the Tori Amos and Fiona Apple sound, but this cd is truly fantastic.

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  • Anonymous

    Posted October 1, 2010

    Amazing Talent

    This is Regina Spektor, and she has an amazing voice, at first, I only liked Soviet Kitch because it came out on my birthday, but Fidelty and SK are great albums, and Regina has a beautiful voice. If you've never listened to Regina, you are missing out on a lot.

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  • Anonymous

    Posted October 1, 2010

    AWESOME

    Spektor has an AMAZING voice with a bit of an accent.. she reminds me of a Norah Jones but with more catchier songs.. my personal favorite is "Samson." Spektor also accompanies her singing with piano and the sound is amazing. Buy this cd, you won't regret it.

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