Being Dead

Being Dead

4.4 16
by Vivian Vande Velde
     
 

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A sixteen-year-old will give anything to be with her true love--even though he died two hundred years ago. . . . A sopping-wet little dead girl stalks a teen who had nothing to do with her death--honest! . . . A heartless man dances with his wife--after she's passed away.

From the hilarious to the horrific, master storyteller Vivian Vande Velde explores

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Overview

A sixteen-year-old will give anything to be with her true love--even though he died two hundred years ago. . . . A sopping-wet little dead girl stalks a teen who had nothing to do with her death--honest! . . . A heartless man dances with his wife--after she's passed away.

From the hilarious to the horrific, master storyteller Vivian Vande Velde explores the world of the dead--and the undead--in this surprisingly moving collection of unnerving tales.

Editorial Reviews

From the Publisher

"It'll make you want to sleep with the lights on."--Teen People

"These spirits are destined to find their audience."--Booklist

"There are no duds here. . . . Vande Velde again chills, charms, moves, and startles with her customary effectiveness."--Kirkus Reviews

VOYA
In this collection of seven short stories by the well-known writer of the supernatural, at least one character in each story is dead. In Drop Dead, a teenager is haunted by the girl she unknowingly has killed. In Shadow Brother, a soldier who is killed in Vietnam might be haunting the father who convinced him to enlist in the war. A man's wife returns from the dead for an endless dance in Dancing with Marjorie's Ghost, and a dying girl in October Chill meets a cute Colonial boy in the museum where she volunteers. In each story, there is a twist to the ending although it is not necessarily scary. Often humorous and sometimes evoking sympathy, this anthology will be enjoyed by lovers of mild horror as well as by those who like clever short stories. Vande Velde again sneaks in some historical background to make this collection similar to her Curses Inc. and Other Stories (Harcourt Brace, 1997/VOYA June 1997) and Tales from the Brothers Grimm and the Sister Weird (1995). The age appropriateness of the book seems to vary from story to story, some acceptable for as young as fifth grade and others more understandable for readers in high school. Several stories would work well for storytelling. VOYA CODES:4Q 4P M J (Better than most, marred only by occasional lapses;Broad general YA appeal;Middle School, defined as grades 6 to 8;Junior High, defined as grades 7 to 9). 2001, Harcourt, 228p, $17. Ages 11 to 15. Reviewer:Jennifer Bromann—VOYA, December 2001 (Vol. 24, No. 5)
KLIATT
This collection of seven ghost stories is told from a teenager's perspective. The tales are creepy but not scary. The first one, "Drop by Drop," has the biggest final twist. Brenda, a 16-year-old, is forced to move into the country with her family and finds an annoying little girl ghost in the new house. The ghost girl pulls typical ghost pranks like calling her on a dead phone line. As the story goes on, clues are given as to the real reason the little girl is appearing in the house, but Velde manages to hide these clues within typical teenage and parental interactions. Brenda is annoyed that her parents assume she ruined the alignment on the car, and is distressed that there is nothing to do in the new town. When the reader discovers that the real reason the little girl is haunting the house is because Brenda caused her death, it is a surprise to all, including Brenda. This fits in with the tradition of campfire-style, surprise-ending ghost stories. Not all of the stories are traditional. For example, "Shadow Brother" is a psychological thriller. Sarah used to listen to the arguments that her brother Kevin had with their father about the Vietnam War. Kevin opposed the war but sadly he died in it anyway. Their father goes off the deep end. He is consumed with guilt, and maybe by Kevin's ghost. This story is thought provoking and melancholy. "October Chill," on the other hand, is a love story. Emily, who is dying, falls in love and has a last romance with a teenage boy who has been dead for hundreds of years. The title of the book is derived from the last story, in which a paperboy from the 1930s tells of his untimely death. He settles his score with the bully he worked with, and is ableto say goodbye to his mother, in the final tear-jerking scene. These short stories are gripping and varied. They are a good choice for reluctant readers, or for anyone who likes ghost stories. KLIATT Codes: JS-Recommended for junior and senior high school students. 2001, Harcourt, Brace, 203p., Ages 12 to 18.
— Bethan Steward
School Library Journal
Gr 7 Up-Horror fans will love these seven deliciously creepy tales featuring ghosts, cemeteries, suicides, murders, and other death-related themes. Most of the selections deal with everyday teens in seemingly ordinary situations; readers will settle in, confident that they know what to expect, only to receive a spine-tingling jolt as they hit one of the collection's many gruesome twists and turns. The first story, "Drop by Drop," shows the author's macabre imagination at its best. Sixteen-year-old Brenda is understandably disgruntled when her parents whisk her away from her friends and her life in the city. Worse, their new house in a small town appears to be haunted. In one shivery scene, a disembodied hand touches her through her waterbed mattress, and Brenda spends the night on the couch. Clues turn up: a missing little girl, a foul smell from the woods, a dripping ghost. But just when it seems that Brenda will solve the mystery, the truth comes out-and most readers will be reeling with shock. In another story, a boy killed in Vietnam returns to haunt the father who forced him to enlist-or does he? In "October Chill," a terminally ill girl falls for the ghost of a teen from Colonial times. None of the stories are gory, but they are all quite dark. Recommend this title to teens who don't want happy-ever-after endings.-Miranda Doyle, San Francisco Public Library Copyright 2001 Cahners Business Information.
Kirkus Reviews
Dead but not quite gone, specters in these seven stories rise up to harry the living, meet lovers, take care of unfinished business, or some combination thereof. There are no duds here: a harsh widower's recently buried wife returns to dance him into her grave; a young woman with brain cancer falls in love with a man over 200 years dead; "Drop By Drop" a hit-and-run victim drives a seemingly innocent teenager into an anguished confession. "The Ghost" is a cleverly written tale with a surprise narrator, and in the title story, a Depression Era newsboy killed by a jumper resists the Voice ("Sort of like Lowell Thomas, only not so full of himself"), calling him to eternal bliss until he sees his earnings conveyed to his mother. Here, veteran short-story writer Vande Velde (Alison, Who Went Away, p. 266, etc.) again chills, charms, moves, and startles with her customary effectiveness. (Short stories. 10-13)

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Product Details

ISBN-13:
9780152049126
Publisher:
Houghton Mifflin Harcourt
Publication date:
09/01/2003
Edition description:
Reprint
Pages:
224
Sales rank:
379,774
Product dimensions:
6.98(w) x 4.48(h) x 0.58(d)
Lexile:
770L (what's this?)
Age Range:
12 - 17 Years

Read an Excerpt

The first thing I remember about Saturday was I had a headache that felt as though tiny aliens were trying to chew their way out of my head through my left eyeball, and my brother, Danny, was being obnoxious. I mean, I know I'd gotten up earlier, because there I was, dressed and in the car, but mercifully I had no memory of that. For me the day started in the car.

Danny's earphones leaked a tinny stream of rap. The beat was as effective on my headache as someone smacking the side of my head with a Ping-Pong paddle. At the same time, he was stabbing at the keys of some handheld electronic game that kept beeping and playing its own annoying little tune every time he scored. And then he'd crow, "Yes!" as though he were winning at something worthwhile.

In the front seat Mom had cranked up her own music to drown him out. Probably as a concession to us, she hadn't put in one of her opera tapes, but The Little Mermaid wasn't much better. There's nothing like Sebastian the crab howling "Under the Sea" to start off your morning right.

Dad was smart enough to be driving the rented U-Haul without us.

Danny had his feet crossed up on the seat, so that his knee kept jabbing me in the side. And his stack of coloring books and comic books and snack bags had tipped over onto me, too.

Ten o'clock in the morning, and the car's air-conditioning was already losing its battle with the August heat.

I shoved Danny and he shoved back.

"Mom," I complained, "Danny's crowding me."

"Ma," chimed in Danny, "Brenda didn't brush her teeth this morning, and she's breathing morning breath all over me."

"Stop fighting." Mom never even looked back to see how much of the seat Danny was taking. "We're almost there." If she had been a concerned parent, she would have let me sit up front instead of subjecting me to Danny. But the front seat was reserved for transporting plants that she had to keep an eye on so they wouldn't tip. It's a sad state of affairs when a coleus takes precedence over a family's firstborn child. Then again, if my mother or father were concerned parents, we wouldn't be moving in the first place.

"How close is 'almost there'?" I asked.

"Half an hour till our exit, then another forty minutes to the house."

An hour and ten minutes is not almost there. It barely qualified as halfway there.

"I have a headache, and I think I'm getting carsick."

"Oh, Brenda," Mom said, "you don't get carsick."

Easy for her to say.

Danny said, "She went out drinking with her friends, and now she's hungover. That's why her eyes are all red. Either that, or she's turning into a vampire."

I curled my lip at him in a snarl. "If I ever did become a vampire, I know who my first victim would be."

Mom told him, "Sixteen is too young to go out drinking. And Brenda's friends are too nice to be vampires."

"Oh," Danny said innocently, "then maybe it's just her regular PMS."

Midget pervert, I mouthed at him. I certainly wasn't going to admit to either of them that I'd cried myself to sleep the night before. I found my sunglasses and put them on. To my mother I could have said, I don't have any friends; not anymore, thank you very much. But I knew what she would say: Then make some new ones. Like moving when you're sixteen is the same as moving when you're eleven.

My parents were ruining my life, and they wanted me to consider it an adventure.

A half hour later my dad, in the U-Haul ahead of us, signaled to get off the Thruway. We followed him into a little town.

Was this the fabled promised land of Westport, New York?

Apparently not. We drove straight through and out again.

Into a smaller town.

And out the far end of that place, too.

We drove past a gas station (cleverly named GAS) and a restaurant (mercifully not called EATS). Did a gas station and a restaurant qualify as yet another town? (Welcome to the town of GAS. Population: two fully qualified mechanics and one short-order cook.) Mostly we drove past lots and lots of fields. It was hard to believe this area had enough people to support a community college, but that was where my parents were going to work-Westport CC-my father teaching business, my mother computer science. The other courses were probably things like Introduction to the Digestive System of the Cow 101, and Goat Parasitology 203, and Advanced Tractor Repair. What were my parents thinking, bringing us out into the wilderness like this? We had to be hours away from the nearest mall.

Ahead of us the van's left-turn blinker began to flash.

"Here we are," Mom announced.

"Oh, wow," I said. "A paved road and everything."

The house itself was certainly bigger than anything we could have afforded in Buffalo, and it had a great expanse of yard, which I could have appreciated more if I hadn't suspected that I would be the one responsible for mowing it.

To make up for the road being paved, the driveway was not.

Dad got out of the moving van. He had a big Christmas-morning grin on his face. "What do you think?" he asked proudly.

What did I think?

How can you trust any neighborhood where the houses are so far apart you practically have to get into the car and drive to visit your next-door neighbor?

"Do we have running water?" I asked.

"Ay-yup," Dad said, trying for some kind of accent. "And I hear tell in the next year or so we may even be getting some of that newfangled electricity stuff."

There were poles, so I guessed he was joking. My headache was going away, but my father's sense of humor could bring it right back again.

"Well, I think it's cool," Danny said. Sometimes Danny waits to hear my opinion on things just so that he can say the opposite. "How much of this is ours?"

"Two acres." Mom pointed to the left. "From just after that speed limit sign"-she indicated to the right-"to that line of poplars over there. The backyard goes as far back as those other trees."

"That's not enough land to farm," Danny said.

"Thank God," I muttered in relief that my parents couldn't get ideas and get carried away with themselves.

Mom ignored me. "There's a patch for a vegetable garden," she told Danny.

Not being big on vegetables, unless you count french fries, Danny shrugged. "No animals?"

"There's a pond," Dad said.

That brightened Danny back up. "For swimming?"

Dad shook his head. "No, it's only a little bit bigger than that wading pool you had a couple years back. It's for fish."

"Who has to take care of them?" I demanded suspiciously.

"They take care of themselves," Dad assured me.

Uh-huh. So does our self-cleaning oven, in theory.

My parents were real eager for us to see our rooms, so I barely glimpsed the living room before we went up the stairs. My room was first. The walls were white, but the ceiling was a deep midnight blue, and whoever had this room before me had stuck up glow-in-the-dark stars.

My father looked at me expectantly.

What can I say? Five years ago I would have loved it.

"Or," Mom offered, "your father can scrape the stars off and repaint whatever color you want."

"No," I said. "It's fine. Really." I tried to make my voice sound enthusiastic.

Danny, little opportunist that he is, said, "If she doesn't want it, I'll take it."

Mom said, "This is the biggest bedroom after ours, and it has the walk-in closet. But if you'd like to see the other rooms..."

A walk-in closet was nice.

"No, this is fine," I mumbled.

There was also a bow window that had a seat and overlooked the backyard with its trees and bushes and the pond my parents had told us about.

My parents got the master bedroom, which had a little alcove that Mom called a reading nook. Danny got the room that had a lot of built-in shelves, which was good for him because Danny has all sorts of collections: comic books, action figures, baseball cards, model race cars, stones and seashells from places we've visited. Basically anything that doesn't move, Danny collects. (Things that move, too-but if Mom catches him, she makes him release them.) There was a fourth bedroom that Mom said would be the combination spare bedroom/computer room/sewing room.

As we walked back downstairs Dad put his arm around my shoulders. "I thought you'd like that ceiling," he said.

"It's fine," I told him.

"I can paint it."

I shook my head. It would take about five coats of paint before that blue wouldn't show through. What difference did it make, anyway? Here we were, stuck out in the country. It wasn't like I was ever going to make any friends that I could invite over. What would we talk about? Chicken diseases? Country and Western singers? Our 4-H projects? My life was on hold until I went to college, which I knew would be back in Buffalo, whatever I decided to major in. That was something we had pledged to last night, Traci and Tina and Jennie and me: I'd go back to Buffalo, and they wouldn't leave. We'd be back together in two years. You can survive two years of just about anything if you have a goal.

So we began to move into our new house, box by box by box by box.

I was the only one inside when the phone rang.

Probably the Welcome Wagon lady, I thought-the Welcome Wagon striking me as a very rustic concept. She probably wanted to find out when she should drop off her homemade jams, pigs' feet, and pickle preserves. I went to the kitchen and picked up the receiver. "Hello?"

There was the sound of a bell ringing, like the kind of bell a little kid would have mounted on a bicycle handle. Brrring bring! Brrring bring!

"Hello," I said in my most pleasant singsong.

The tinny bell rang again.

"Last chance," I warned, still trying to sound friendly. "Hello." This was probably country people's idea of a prank call.

The bell stopped and I was about to hang up when a little voice said, "Help me."

"What?" It sounded like a kid, probably a little girl, probably about seven or eight.

"Please." Several seconds. "Help me."

Most likely it was a prank, I told myself. Even though the voice sounded frightened, that could be faked. But who would know this number?

Aware I was no doubt showing myself as the gullible city girl to the local fun-loving yokels, I said, "Who are you trying to reach?"

"You," the voice said, half catching on a sigh or a gulp for air.

If this was a prank-and I knew from personal experience that for every voice you hear in a prank call, there are at least two other kids ready to explode from suppressed laughter-if they were pranksters, they were good: just the right amount of scared and pathetic without being overdone.

"Are you home alone?" I asked.

The damn bicycle bell brrringed again.

Danny and Dad walked into the kitchen.

"Not fair!" Danny squealed. "Here we are working our butts off, and Brenda's on the phone already."

"The phone doesn't work, honey," Dad told me.

"It rang," I explained. "There's some little kid." Into the phone, I asked, "Are you still there?"

No answer, and Dad was shaking his head. "It won't be hooked up till Monday. Someone from the phone company has to check the wires."

"But maybe it's the old number," I said-that would explain, if the child on the other end was trying to reach the people who used to live here-but whoever was on the line wasn't talking or brrringing that bell or anything. Still, I hadn't heard a click as though she had hung up. "Hello? Hello?" I jiggled the phone cradle. Nothing; not even a dial tone. "It rang," I repeated.

"Wishful thinking," Danny said. "Or the first symptoms of dementia."

"Maybe crossed wires," Dad offered.

That would explain the bell, I guessed. I put the receiver back down. I hoped the little kid reached whoever she was trying to get.

Copyright © 2001 by Vande Velde, Vivian

All rights reserved. No part of this publication may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopy, recording, or any information storage and retrieval system, without permission in writing from the publisher.

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What People are saying about this

From the Publisher
"It'll make you want to sleep with the lights on."—Teen People

"These spirits are destined to find their audience."—Booklist

"There are no duds here. . . . Vande Velde again chills, charms, moves, and startles with her customary effectiveness."—Kirkus Reviews

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