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| Harry Belafonte | Primary Artist, Vocals |
| Odetta | Vocals, Track Performer |
| Miriam Makeba | Vocals, Track Performer |
| Robert DeCormier | Conductor |
| Danny Barrajanos | Bongos, Conga |
| Ernie Calabria | Guitar |
| Milton Okun | Conductor |
| Walter Raim | Guitar |
| Millard Thomas | Guitar |
| Chad Mitchell Trio | Track Performer |
| The Belafonte Folk Singers | Track Performer |
| Ned Wright | Vocals |
| Arthur Williams | Vocals |
| Odetta | Arranger, Adaptation |
| Bob Bollard | Producer, Liner Notes |
| Bob Simpson | Engineer |
| John Pfeiffer | Reissue Producer |
| Chad Mitchell Trio | Contributor |
Anonymous
Posted October 1, 2010
Belafonte is THE audience performer and pulls in other greats (or future greats) for fun & awesome performances. This is one of the most played CDs in my collection. I looked all over for this CD a couple of years ago. Buy it! If you're not convinced, try tracks 3 & 4 just for the fun of it!
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Posted October 1, 2010
This is, quite simply, the best of the best,of any and all of Belafonte's albums.
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Editorial Reviews
All Music Guide - Cary Ginell
On May 2, 1960, Harry Belafonte returned to Carnegie Hall for what was supposed to be one of the last concerts in the venerable hall's last season. Carnegie was scheduled to be torn down, although this was an edict that was thankfully short-lived. The hall was instead renovated and remains one of New York's premier showplaces. The first Carnegie Hall recording from the previous year had had such an impact on the recording industry that it opened up new vistas for live recordings. Belafonte faced the challenge of living up to his own legend. For this concert, he began what would be a concert tradition for him: sharing the spotlight with up-and-coming folk performers. ...